Always need a nasty spy to get rid of the neat ones.
Harry Pendel (Geoffrey Rush), early in his life, used to be a con from Cockney. That was before he met his wife (Jamie Lee Curtis), started a family, and most importantly, basically reinvented himself as a popular tailor to the rich and powerful of Panama. While his customers love his lavish and beautiful suits that he hand-crafts himself, they also love the stories he’s brings, with some of them feeling as if he’s more than just their tailor – he’s their friend. Or better yet, he’s a part of their family. The British realize this, especially spy Andrew Osnard (Pierce Brosnan), a man who notices that Pendel is a very important pawn, in a very big chess game and does not let up one bit from getting each and every piece of info he can, at any costs. But Harry isn’t used to having so much pressure be on him and it’s only a matter of time before it all blows up in his face, as well as everybody else’s.
The Tailor of Panama is a perfectly serviceable spy-thriller that makes you understand why so many people love and hate John le Carré. One of the main reasons why people love his material so much is that he creates such fun and exciting yarns, that they’re hard not to get wrapped-up in. He tends to love writing about spies, and because of that, we get to sit by and watch as deep, dark and seductive stories of secrets, lies, and spy-hijinx occur. Sure, some of it may be too twisty for its own good, but there’s no denying that spies themselves are pretty confusing; they never know what they want to be and le Carré is there to try and make sense of them, without letting up on any sort of fun.
At the same time, a lot of people hate his work and this movie is another example of why.
For instance, people often complain that le Carré’s work can tend to get a bit too complicated and convoluted than it needs to be, and well, that’s kind of the case here. However, it doesn’t start out like that; director John Boorman takes his time with this setting, these characters, and also, give us a better understanding of what exactly is at-stake/going on. Even if this part doesn’t feel fully realized, the least we find out is that some bad, rich people are up to bad, rich people-like things, and it’s up to Rush’s character to stop it all. Of course, you can fill in the blanks from there, but yeah, it’s pretty simple for a short time.
But like I said, it all goes to hell once the actual plot itself gets going and we have to find out more about these shady and corrupt millionaires. As is usually the case with le Carré’s stories, what the reasoning and explanation of these evil-doings actually are, tend to be overdone, overcooked, and just so damn evil, that after awhile, you wonder why their first idea wasn’t to just nuke the whole world while they were at it. This is the part of the Tailor of Panama that bothered me, as everything leading up to it seemed to be light, breezy and semi-twisty fun. After the half-way mark, of course, it goes away and all of a sudden, we have to pay attention to each and every twist that comes around, even if they aren’t fully believable to begin with.
But thankfully, there is Pierce Brosnan and Geoffrey Rush here, who make it all worth our while.
As Harry Pendel, Rush is having a good time, but he’s also got more of a character to play. He has to both be somewhat sinister, as well as naive and nerdy at the same time; something he pulls off quite well, especially in the later, more confusing portions. Though Jamie Lee Curtis may initially seem miscast here, she actually fits well as Pendel’s wife who not only makes the most money in the house, but also appears to be the one who wears the biggest and widest pants in the family. She doesn’t back down when the going gets heavy and she starts to catch on real quick, not only making her smart, but more than willing and up to the task of playing with the big boys.
Of course though, none of these two are any match for Brosnan and all that he does here as Andrew Osnard. On paper, Osnard is a snively, somewhat goofy spy who likes booze, women, and partying; in the movie version, Osnard is a snively, totally goofy spy who likes booze, women, and partying, but also enjoys stealing every scene known to man. Sure, a lot of what makes this character cool in the first place is the writing, but really, it’s Brosnan who makes this somewhat conventional spy character, literally jump off the screen, seeming like someone you wouldn’t expect at all in a story like this, nor would you expect him to be as funny or likable as he is. That’s probably why Brosnan, playing somewhat against-type, was the perfect choice here; he’s not likable a whole lot, but with enough of that winning smile and charm, he’s willing to shine the pants off of anyone watching.
Now, does that sound like true Bond to you? I think so.
Consensus: A tad too twisty and wild, the Tailor of Panama is a fun and exciting spy-romp, made all the better by the key performances from the talented cast, most especially the always vibrant Pierce Brosnan.
7 / 10