Michelle Darnell (Melissa McCarthy) had it pretty rough as a kid. While she was cared for in an orphanage, she never stayed with any family and one day, decided to up and leave, and see what she could do next with her life. Eventually, it all lead her to becoming a multi-millionaire CEO, who is praised and adored for always getting her way, no matter what. However, that all changes when she gets busted for insider trading, not only taking her to prison, but also ensuring that her public and professional name will never have the same respect it once had. That’s why, as soon as she gets out of the clink, Michelle hooks back up with whoever will have her; no one, unfortunately, really sticks close to her, what without her millions and whatnot. Well, all except one woman: Darnell’s former assistant, Claire (Kristen Bell), who she was quite terrible to on a frequent basis. Claire opens her doors for Darnell and together, the two embark on Darnell’s latter-part of her career: Selling and manufacturing Claire’s home-made brownies. They become a hit, but they also bring out the worst again in Darnell.
Melissa McCarthy is possibly one of the most gifted comedians we have in the business today. She’s hilarious, sweet, endearing and most importantly, has shown that, when she has to put all of the jokes aside and stop ad-libbing, well, she can actually act pretty damn well. So, in all honesty, why is that her movies don’t really measure up to her talent? Is it because nobody, with the exception of Paul Feig, knows how to direct her just yet? Or, is it because McCarthy is clearly too good for others to get going with?
I don’t know the answer to either question, but it definitely deserves to be brought up because the Boss, like almost all of McCarthy’s other movies, doesn’t really do much.
Sure, it allows for McCarthy to be all sorts of mean, cruel, crass and nasty whenever she wants, along with being funny, but really, that’s all there is to her. The movie does try to give Darnell some sort of emotional shading that makes us feel bad for this character as well as sympathize with her when she learns the error of her ways, but none of it feels ever earned. If anything, it just feels like another movie in which McCarthy will play someone who is awful to almost everyone around her, yet, somewhere near the end, will have a revelation about herself, begin to cry, and will want everyone to feel bad for her. Sure, you could say that this is how most movie formulas tend to be and play-out, but then again, that doesn’t make it an exciting one that I want to see, time and time again, with the same people no less.
That’s why, for all of the funny moments it has, the Boss can sometimes feel straining. Even at barely 100 minutes, the movie already feels overlong; too many jokes or gags where it seems like McCarthy herself is just running wild with her improvisation skills either fall flat, or get old as soon as they reach the two-minute mark. And while you could definitely chalk this up to being another problem that people tend to have with McCarthy and her movies, it should be noted that the person who co-wrote this movie with her and directed her, is none other than her husband, Ben Falcone.
AKA, the same guy who directed her in Tammy.
Now, the Boss is better than Tammy, but the bar is set pretty low. Whereas that movie seemed to have no idea what its plot was, or what it wanted to do with itself, the Boss at least feels like there’s some sort of plot/point to be working with. Sure, girl scouts vs. brownie girls is a bit silly, but the movie does have a plot here that it can fall back on, even when it seems like it’s losing any sight of where it wants to go. And yes, in a comedy, that matters a whole, because if you don’t have anything driving it along, the movie itself can start to feel like a slodge and, as a result, the comedy can sometimes suffer.
For instance, there’s a brawl between the two opposing forces and while it garnered a few laughs or so out of me, it bothered me to realize that it wasn’t the only plot to work with. Apparently, the movie also wanted to involve Peter Dinklage’s rival-CEO character in it, give the movie a villain, and have it appear as if we really needed it, which isn’t the case at all. If anything, it gives a talented actor like Dinklage, nothing to work with, and just adds way more time to this movie than is needed.
While I’m definitely not all about the age old idea that every comedy should be under 90 minutes, a movie like the Boss is a perfect example of why they should be less than that, and nothing more. The Boss seems to go on and on, throwing some funny bits and pieces here and there, but overall, feels like another wasted opportunity on McCarthy. Yes, she’s funny, and so is Bell, and the two work quite well together, but the movie doesn’t always seem to excite them, or us for that matter, either.
Oh well. At least the new Ghostbusters reunites Feig and McCarthy, which isn’t all that bad, right?
Consensus: McCarthy herself brings out some funny moments, but the Boss is just an overlong, sometimes tedious comedy that, once again, wastes the talents of its star.
5 / 10
Photos Courtesy of: Aceshowbiz