Don’t always try to be a comic. Not everyone likes a non-stop jokester.
The Commune has been an improv troupe for as long as the downtown New York comedy scene has been around. Some have obviously gone onto bigger, way better things, whereas there have been quite a few, that have either given up on comedy altogether, or still stayed with the comedy troupe, in hopes that, one day, they’ll soon catch that big break. Miles (Mike Birbiglia) has been with the troupe the longest, and not only wonders what he’s to do next with his career, but also what to do about his life, when it comes to starting a family and getting a stable job. Same goes for everyone else, like the spoiled Lindsay (Tami Sagher), who still gets allowance from her wealthy parents, like Allison and Bill (Kate Micucci and Chris Gethard), two comedians who have hopes and ambitions of getting their comic-book careers off the ground, and especially like Samantha and Jack (Gillian Jacobs and Keegan-Michael Key), the couple of the group who, despite not always seeing eye-to-eye, have stuck together through it all. However, one of the members is now getting a shot at stardom and it puts every other member’s lives and careers into perspective.
Comedies about comedians are kind of hard to do. For one, you have to be funny, but at the same time, you also have to do so in a way that’s smart and relateable enough for the audience to get and understand just where it is your coming from. For writer/director/star Mike Birbiglia, it’s clear that the comedy world, can be a very sad one, where missed opportunities and chances occur on a daily basis and no matter what, it’s going to be a constant push-and-pull; some days, you’ll think that you’ve finally been noticed and all of your wildest hopes and dreams can happen, whereas other days, you’ll feel as if you screwed the pooch and lost all hope and promise for the world. At the same time, Birbiglia also knows that the comedy world, if you’re lucky enough, can be a place to meet all sorts of lovely and kind people who not only make you laugh, but also are there to give you a hug when you need it the most.
Don’t Think Twice is the kind of movie you expect to be all sorts of corny, preachy, and not all that funny; like improv itself, you can only go so far to the point where you’re hitting every obvious convention on the head. But Birbiglia, who made an impressive directorial debut in Sleepwalk With Me, seems to understand that there’s a certain level of heart to make the humor work, as well as vice versa. Sure, we can laugh at some of the things that these characters do and say, whether on the stage or not, but sometimes, what makes the humor more compelling and fun is that we know these characters, understand their personalities, and see exactly where they’re coming from.
May not sound like much, but trust me, in the comedy world, it means everything.
That’s why Birbiglia improves on his debut here, as he not only shows a skill in taking all of these different subplots and giving them their own spotlight, but also knows how to make them all somewhat important enough to where we do care about this troupe, what happens to them when one of them leaves, and just what each and everyone of them bring to the world of comedy. It would have been incredibly easy for each one of these characters to be as nauseatingly annoying as the next, but somehow, Birbiglia makes us care and most of all, laugh with them. Like with his debut, it’s clear that the story comes from a soft place in Birbiglia’s heart and he wears his heart on his sleeve, almost each and every scene he gets the chance to, whether the scenes be funny or not.
But it’s not just Birbiglia’s movie and it’s not just his performance – there’s a whole slew of others that make this movie well worth it and make us understand better why these stories matter. Because every character gets their own personality/subplot/hobby, they all come off as three-dimensional characters, even if there are a few that could have been dispensable in the long run. Sure, Micucci’s, Gethard’s, Sagher’s characters don’t really shake the movie quite as much as Key, Jacobs and Birbiglia do, but there’s time and dedication to them, that makes them more than just the side-performers who are around just because Birbiglia wanted to work with them.
Then again, Key, Jacobs and Birbiglia truly are astounding in this movie and it’s hard not to think about them long after.
Birbiglia, despite giving his ensemble plenty to do, still comes off as heartfelt and humane as the pathetic Miles, who has long reached his expiration date in the comedy scene and is hanging on to it by a thread. You feel bad for him, even if, at the same time, you want him to grow up already. Then, there’s Jacobs as Samantha, who really understands how to make a sometimes unlikable character, seem sympathetic. She does some silly, downright idiotic things throughout the flick, but Jacobs makes you feel for her, more and more as the flick goes on and it’s hard not to fall in love with her, as if the world hasn’t already been doing so for the past few years or so.
But really, it’s Keegan-Michael Key who steals the movie, showing us that, yes, beyond all of the wacky impersonations, the screaming, and the joking around, he truly can act. As Jack, Key has the hardest role to pull-off, because he has to be both a nice guy, as well as a bit of a dick at the same time, and honestly, we never hate him as much as we should. During the comedy scenes, Key is on fire as always, but when it’s just him, laying his heart out, it’s surprising, because it all works so well. We like this guy and we feel for him, even when he’s thrown into a corner and has to do something that may hurt those around him. It’s a great performance that I hope to see more of from him in the future.
Hopefully, that’ll also give Birbiglia an incentive to make more movies.
Consensus: Funny, smart, and heartfelt, without ever overdoing it, Don’t Think Twice finds Mike Birbiglia expressing his love for the comedy world, while also realizing the pain and heartbreak that can come along with it.
8 / 10
Photos Courtesy of: Indiewire