Cleaning-ladies love them some Hannibal.
For one second, Coleman Silk (Anthony Hopkins) seems to have it all: A fancy job as Dean of Faculty of a liberal arts college, the respect of his peers, and a loving-wife by his side. However, another second later, he loses it all: The job, the respect, hell, even the wife. Once Silk’s life practically falls apart in front of his own, very eyes, he decides to run away and retreat to a cabin in the Connecticut woods where writer, Nathan Zuckerman (Gary Sinise), is searching for inspiration for his next book. Silk then finds himself happy, reborn, and back-to-speed with his life, and decides to start up a relationship with the local college janitor, Faunia (Nicole Kidman), who’s a lot younger and illiterate than he is. Zuckerman sees this as the perfect moment to let his inspiration run wild, but what he doesn’t know is that underneath Silk’s whole look and facade, there lies something very painful and mysterious.
Philip Roth is perhaps one of the best writers the world has ever been graced with. That’s why, I constantly wonder: Why aren’t there all that many adaptations of his work? Better yet, why are the ones that do get made, not all that great?
And unfortunately, the Human Stain is just another perfect example of the great Roth just not getting the right treatment.
No man can resist that tat.
Where the movie really finds its biggest issue with itself is with the character of Coleman Silk, and the fact that, even by the end of it, we still never get to actually know him even if we totally should. The only real snippets we get to see into his soul and character is through the flashbacks of him as a young adult, which I must say, were far more interesting than anything going on in his present life. Without spoiling what the real mystery behind Silk’s personality and what makes him tick the way he does, all I will say is that the flashbacks are handled with enough emotion, delicacy, and heart, to where you actually feel as if the movie cares for this character and his side of the story.
It should also be noted that Wentworth Miller does a nice job at portraying the younger version of Silk, as well as Jacinda Barrett as his young sweetheart who gets a first taste of who Silk really is and what he’s all about. Together, they form a realistic and heartfelt chemistry that may just get you all weak in the knees and warm inside because they may remind you of what young love was all about. No further discussion about that aspect of the story, because once I get going, I might not be able to stop and I’ll be in a risk of losing my Critic’s License (doesn’t exist, but I like to feel as if it does).
But still, it almost doesn’t matter because the rest of the movie just never flows perfectly together.
In fact, what’s supposed to be important and emotional in this movie, actually isn’t. I guess that Silk’s later-life’s transformation to a crotchety, old man to a happy, free-willing dude was supposed to really connect, but it just doesn’t. Hopkins is great, as he usually is, because he’s able to get us to believe that this old man would find out more about himself as he got older and a tad wiser about “the real world”. However, actually feeling for this dude was a bit harder than I expected, because he doesn’t really seem to have anything about him that’s worth caring about.
It sounds harsh and all, but there was just something about Coleman Silk that doesn’t really jump out off of the screen. Sure, he’s sad and sure, he’s banging a younger gal that definitely has a shady-past coming along with her for the ride (figuratively and literally), but is there really anything else to the guy? Oh, yeah, he does have that mysterious fact about him that’s insightful into who his character really is, but it can only go so far to interest a person, especially one who has seen it all with film (points to self).
Why so happy? Uh, I don’t know. Life?
Even Kidman’s character gets the short end of the stick, as it also seems like she has nothing really going for her in terms of character development. Kidman is surprisingly good at playing the town skank that has a checkered-past with ex’s and family, but it doesn’t seem to go any deeper than that. She’s pretty much the whore with a heart of gold-type of character, without the license or occupation of actually being a whore. She just bangs to get over any type of pain or problems she has had in her life. It doesn’t really work when you put her character and Silk together, try to make us feel for them both, and understand where they are both coming from. Instead, it just seems shallow, as if they both took each other to bed, because, well, who else was there really?
Well, I can definitely say that Ed Harris’ character was definitely not there. Harris plays Faunia’s ex-husband who is a disabled war vet, obviously suffering from an extreme case of PTSD, which makes him come off as the bad guy in the story who’s there to just fuck everything up for the happy, loving-people in the story. However, there’s more to him than just that and Harris makes this character work in a chilling way, rather than having him be some one-dimensional prick. Well, he definitely is a prick, but at least he’s a sympathetic one at that.
Consensus: For a drama full of context and emotion like the Human Stain to work, you need complexity, heart, and understanding, which is something that neither this flick, nor the cast seems to have, no matter how hard anybody tries. And trust me, they try very, very hard.
5 / 10
Gotta love that exciting sport of fly-fishing!
Photos Courtesy of: Thecia.Com.Au