Tony Montana ain’t got nothing on the French.
Jacques Mesrine (Vincent Cassel), was a notorious French gangster who rained supreme during the 60’s and 70’s. He did it all, and then some. And believe it or not, escaped jail not once, not twice, not even three times, but escaped jail four times.
Yeah, talk about some skill.
Yes, Mesrine is, essentially, split into two-halves, rather than take up any time, I’ve decided to review both movies, together, as if it was all one, long, four-hour gangster flick. Is that a better way to watch it? Eh. I’m not sure. It depends, really.
Hey, gangsters gotta love too, right?
How much time do you have on your hands? Better yet, how much time do you have where you want to enjoy yourself and pretty damn riveted from start-to-finish, for a total, combined run-time of nearly four hours?
Does that sound appealing to you, then yes, watch Mesrine‘s two parts, together, in one sitting.
Despite this being quite a long take on a tale that, quite frankly, could have probably been narrowed-down to one, whole, regularly-timed movie, director Jean-François Richet definitely pulls out all of the stops by making it as interesting as humanly possible, while also not forgetting about the small details. He starts off on a risky move right at the beginning, which would have killed any other director’s momentum, but doesn’t here. He gives us a story all based on facts and true accounts, and one that can easily be read about online, but where’s the excitement in all of that?
The first-half of Mesrine has some of the best action, especially because it’s us watching as the titled-character is jumping head first into this world of crime and violence. Also, it helps that Richet doesn’t try to go hard for the whole over-stylized way of action, but instead just shows it off as a gritty act of violence that just so happens to be all true. It almost reminded me of something straight out of Heat and it reminded me of the good old days of Mann, when he was showing characters off as being as utterly remorseless, but interesting, as possible.
But the issue is that after the initial wham and bam of the first-half, it all kind of settles down.
The second-half is much longer and changes everything up both with it’s tone and pace; it’s a lot more slower and melodic as we focus more on the characters and what their motivations are behind every act, but the tone is also a lot different as it’s a bit darker than the first, but also has some nice comedy mixed in there as well. It’s a very strange mixture that ends up working quite well and still kept this film entertaining, even if there wasn’t any awesomely memorable action scenes here, as there was with the first one.
The problem with this whole film is that you already know the ending.
Clearly Mesrine was puffing that magic dragon.
Yes, that’s a lame excuse since it’s pretty obvious that this guy would not have this story to be told, while he’s still out there running around and doing big, bad things like he always did. Understandable, but seriously, when all of the tension goes away and we’re left with barely any action scenes left to show, it just feels like a bit tiresome since we are just waiting and waiting for the end of this guy’s life to eventually just play out. He isn’t all that interesting of a character, and feels like every other person-turned-crime-gangster in other movies, and if it weren’t for the sympathetic girls he shacked-up with, he would have been downright reprehensible.
Although, of course, the person in real life still was, regardless of who he shagged.
But still, Vincent Cassel is solid here and despite being in almost every shot, he owns each and every one of them as Jacques Mesrine. Cassel is known for over-doing it a bit too much when he really doesn’t have to, but here as Mesrine, we don’t get nearly as much of it; even when we do get the screaming, shouting and letting it all out, it feels deserved and believable because this character he is playing is such a live-wire with almost everything he does. The guy gets thrown in jail and the first thing on his mind isn’t how he’s going to change his life, it’s how the hell he’s going to break loose and be able to get some sweet cash once he is out. This guy lives the life of a stereotypical gangster: Fast money, fast cars, fast guns, fast women, and overall, a fast life. But it’s not all fun and games with this dude, no, in fact he actually brings it down to Earth sometimes with his softer, gentler scenes where you see that there is a lot more to him than just one scary son of a bitch. The guy is still a person and deep down inside, cares for the people that are closest to him but can never ever be with them since he always seems to be on the run.
The rest of the supporting cast that comes in and out of this movie (just like Mesrine’s life) are all spectacular and may even be more interesting than Mesrine himself, at some points. Gerard Dépardieu plays the head gangster that takes Mesrine under his wing and shows a very dark and gritty side to him that’s not always shown; Matthieu Amalric plays a guy that escapes from jail with Mesrine and is actually a very interesting character to watch since you never know what his intentions are and what he plans to do with Mesrine and the money that they make together; and all of the beautiful ladies that come into Mesrine’s life (Elena Anaya, Cécile De France, and Ludivine Sagnier, to name a solid few) do fine jobs as well by not only serving up some perfect eye-candy, but some perfect dramatic scenes as well.
Consensus: Split into two, Mesrine doesn’t fully add-up, nor does it work as well together, but still, provides enough entertainment, excitement, and solid acting to be more than worth one’s while.
8 / 10
Why so grumpy, Vincenzo?
Photos Courtesy of: Indiewire, Roger Ebert, Metacritic