If the world of magic isn’t doing it for him any longer, David Blaine may have a future in robbing blind people’s houses.
Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) are three kids who seem to be making a living off of knocking off people’s homes. While it’s definitely trashy and not an ideal lifestyle to live, honestly, it’s the only way they can survive. One day, they hatch up this perfect plan to rob this rich blind guy (Stephen Lang), who also happens to live all by himself, seemingly in the middle of nowhere. It seems like the perfect job to, hopefully, end all jobs and that’s what seems to be happening, until they screw up one too many times and it turns out that the rich blind guy isn’t so sad and defenseless as they expected.
Honestly, that’s about all I can say about Don’t Breathe without really spoiling all of the fun for those who want to check it out, because it truly is the kind of small, but simple movie that deserves to be less said about, in order to be fully enjoyed. It’s the kind of movie that takes so many sick and twisted turns throughout it’s near hour-and-a-half run-time, that really, speaking about any of them in particular, or even hinting at them to great lengths would be an injustice. Just know that Don’t Breathe is the kind of movie that starts out as something you’d expect, but ends as something totally different.
Make any sense?
If not, that’s okay; Don’t Breathe seems like the sort of movie that works best when you look at it as a thriller, and less of an actual horror flick, filled with shocks, gasps, and jump-scares (even if that’s how it’s being advertised). Co-writer/director Fede Alvarez does something genius here with his material in that he continuously finds smart and clever ways to sneak up on us some more, making what would seem like a very simple, almost straightforward story, get spun in so many different ways, that it’s actually hard to pinpoint where it’s going to end up or turn to next. That same kind of film making seemed to be lost in his version of Evil Dead, even if there is a part of me that feels like he was just playing by some sort of studio mandate and didn’t have the total free reign to strike out on his own, do whatever he wanted to, and let his freak-fag fly.
Here though, Alvarez gets more than enough opportunities to do so and it’s quite a blast to watch. You almost get the sense that Alvarez is just so happy to be here, making a movie in his own name, with his own stamp, and isn’t going to shy away from doing whatever the hell it is that he wants, regardless of whether people enjoy it or not. In a way, that sort of works best for the movie, as the flick itself can get to some pretty dark, grueling and messed-up places that aren’t easy to expect – if anything, they’re small, little nudges towards darkness that Alvarez himself is more than happy to embrace, even when it seems like his movie is being advertised heavily towards teens.
If anything, Don’t Breathe is for the true, die-hard horror-junkies, even if it’s not totally a horror flick.
But like I said, that’s kind of why Don’t Breathe is so special – it’s as small, as contained and as simple as you can get with a movie, even better, a horror-thriller, but it works so well. Rather than seeming like a manipulative way to cut-down on budget costs and whatnot, Don’t Breathe‘s premise actually seems more freaky, in hindsight, in how it’s this one, singular incident, as opposed to the whole wide world. It’s not the scariest flick out there, but the gore, the action and the blood is in full-force and you know what? That’s alright with me.
That said, if there is any department that Don’t Breathe seems to need help in is that it’s characters aren’t all that well-written or dimensional, but that can be forgiven in a movie as short as this. It seems more like Alvarez gives them as much attention as he can, showing them in their lives, and then spurning them off into more crazy and insane havoc, where the lines are constantly being blurred between who’s a “good guy”, and who’s a “bad one”. Honestly, it’s hard to ever make sense of who is in the right, who is in the wrong, and who is just doing whatever the hell it is that they can to survive, but no matter what, it’s a compelling thrill-ride.
With, or without the scares.
Consensus: Small and contained, yet fun, compelling and most of all, surprising, Don’t Breathe is the kind of low-key horror-thriller that Hollywood seems to have given up on, but we’ll hopefully see more of.
8 / 10