Forrester. William Forrester.
After novelist William Forrester (Sean Connery) discovers that a young athlete named Jamal (Rob Brown) is also an excellent writer, he secretly takes him on as his protégé. There, they develop something of an unlikely friendship. As they learn more about each other, they learn more about themselves, and ultimately, with the help of his new mentor, the basketball star must choose the right path between following his writing dreams or his hoop dreams.
Despite this being a Gus Van Sant flick, Finding Forrester‘s overall story itself is pretty damn conventional. Just in the same way that Good Will Hunting was, essentially, a simple inspirational tale of one small-time genius coming to know more about himself, the world around him, and how to use his smarts to his advantage, Finding Forrester is about the same thing, except this time, with a bit of a different focus than before. Rather than seeing the perspective from low-class, foul-mouthed boy from Boston, this time around, we have a 16-year-old black kid, living in New York. It may not seem all that different, but in a way, there’s short and tiny spins on the age-old story that makes Finding Forrester still work.
“Listen up, kid. Don’t be like Mozart.”
Then again, it’s not nearly as great as Good Will Hunting.
Perhaps the most interesting aspect that Finding Forrester offers to this story is that, for someone like Jamal, who looks like what Jamal looks like, and because of the kinds of perks that come with him, he’s never allowed to grow to his fullest potential. In today’s day and age, the issue with race is quite frequent, with many kids just like Jamal never getting their chance to shine and show the world what they can do, even they truly are the masterminds that they’re made out to be. Van Sant sees this small world of the private school system, kind of as this cold, dark and sadistic place where the usual people flourish, mostly because they have all of the money and connections to do so, but the outsiders, don’t. Instead, they are treated as outliers who need to get with the program, or else they’ll be thrown out immediately.
It’s quite sad to see this played out on screen, but it’s something I myself saw while going to a private school in my first year of college and unfortunately, it happens more often than you think.
Then again, Finding Forrester isn’t all that dark or dramatic, even though I make it seem that way; if anything, it’s just a darker, much slower drama than Good Will Hunting. And because of that, the movie definitely runs into problems with pacing, where it seems like it picks itself up to get going, then stops, then starts again, then stops, and then, for some reason or another, Van Sant himself gets distracted by whatever is working his mind and loses whatever build-up he was working with. In all honesty, this is a frequent problem with Van Sant and his movies, which is why it’s a huge issue with Finding Forrester and it’s two-hour-and-16-minute run-time – it comes close to feeling like every minute of it, mostly because Van Sant doesn’t always know when to cut a scene, or at least do any bit of a trimming.
But really, the movie, as well as the sluggish pace, is basically saved by the two leads and what they bring to this sometimes wonderful material. Sean Connery, as usual, is great as William Forrester and does everything he can to make this character more than just another one of those “out-of-touch, old dudes” who we tend to see in movies such as these. However, this is Sean Connery we’re talking about here and the guy doesn’t let you forget about his charm that never seems to go away no matter how many years pass, his comedic-timing that has never left him, no matter how serious he tries to be, and his handsome looks that still, even at age 82, makes him look as good as ever.
Spin a ball, you can spin a book. Or at least that’s how I think it goes.
May sound weird, but hey, so be it. Sean Connery’s a great talent and needs to come back for at least one more movie, so that we can all wipe the stink of the League of Extraordinary Gentleman away.
But as good as Connery is, Rob Brown doesn’t lose any ground here, either, and it’s one of the better debuts ever seen on film. As I’ve made a mention about Jamal before, he’s a good character because he is a smart, but yet, troubled that obviously knows the difference between right and wrong, but also is still a kid growing up in a place of society that doesn’t always accept him for what he is. Because of that, Brown has to do a lot of heavy-lifting that he works quite well with, showing a great deal of angst, as well as growth in a character that desperately needed it to seem believable. Brown’s had a good career since this, but honestly, he deserves so much work.
And together, Brown and Connery work well off of one another, showing a great deal of chemistry and fun between two people you wouldn’t expect to see that from. That said, the rest of the cast and characters are pretty awful and it’s a shame because Forrester and Jamal are truly compelling. People like F. Murray Abraham, Anna Paquin, Michael Pitt, and even Busta Rhymes, all show up here and do what they can with the material given to them, but a lot of their characters are so one-note and boring, that it’s hard to ever take them seriously, or care about whether they exist in this story or not. Abraham’s character is probably the most distasteful and while he’s a smart enough actor not to have a role like this jump into caricature, there’s still a sense that no matter what, this character will always be the villain in the movie. Same goes for Michael Pitt’s character and while she’s not necessarily considered a “villain”, Anna Paquin’s love-interest is just boring. The only one who seems to be trying anything different and at least somewhat succeeding is Busta Rhymes, but after awhile, he’s just left to give Jamal inspirational speeches that could have definitely been left to Connery.
Then again, a battle between Connery and Busta would probably make a better movie, as much as it pains me to say.
Consensus: Finding Forrester definitely suffers from being a lot like Good Will Hunting, in terms of subject matter and themes, but also benefits from a solid one-two punch of Sean Connery and Rob Brown, and their characters, even if the direction isn’t always there to pick them up.
7 / 10
Photos Courtesy of: Doeppi’s Blog