Some of the greatest loves are the from those who just take pictures of bridges.
While she is, in no way, considered bored with the life she lives with her family, Italian immigrant, Francesca Johnson (Meryl Streep), still feels as if there’s a little something more to her life that she’s possibly missing out on. Not sure what that is, she takes to just doing her own thing for a few days, while her family is out and about at the Illinois State Fair. But one fateful day, she meets the illustrious and incredibly confident Robert Kincaid (Clint Eastwood), a photographer for National Geographic who was sent around the world to take pictures of the world’s oldest and most well-known covered bridges. It sounds boring to some, but to Francesca, she’s so interested that she can’t help but take a liking to the world of photographer, but also to Robert himself. And you know what? Despite her being married and whatnot, Robert takes a liking to her and brings up the possibility of an affair – a small decision that would continue to haunt them for the rest of their lives. For better, and especially, for worse.
Meryl? Photogenic? No! You don’t say?
Sound a little Nicholas Sparks-y, eh? Well, that’s because it’s supposed to – after all, Sparks novels of forbidden and tragic love come from a special place in each and everyone’s worlds and hearts, and it’s what we call love. Actual love. You know, where two people meet, get to know one another, figure out what they do and don’t like about the other person, spend more time with them, and yes, eventually, over time, fall in love.
It’s a crazy thing, but hey, it does exist in this place that we like to call Earth, right?
Well, that’s why a movie like the Bridges of Madison County, as corny and as sappy as it may sound, is anything but. If anything, it’s a heartfelt and endearing snapshot in the lives of two people who, clearly, had a lot of life to live before and after the time that they met and got to know one another, but for some reason, clearly seem to have been so taken by this point in their lives, that it makes them who they are. It’s the kind of movie you wouldn’t expect for Eastwood to not just star in, but direct, but somehow, he makes it work, showing that with enough attention and detail to the smaller things in a story like this, everything can work out so perfectly.
After all, when you’re telling a romance tale, all you really need is a romance that’s easy to believe in and to root for. And that’s what we get with Robert and Francesca, two people who seem to be almost polar opposites upon first glance, but after a short time, begin to get to know and love one another, gradually and realistically, even if it may seem like they’re just serving a plot. But that’s why two class-acts like Eastwood and Streep are meant for these kinds of movies; the romance at the center may seem shoddy and rushed, to a fault, so it’s up to them to figure out small, but important ways on how to get it to work where we fully do trust that they are in love and against the rest of the world.
Which is to say that, yes, Eastwood and Streep are pretty great here, whether they’re together, or not.
It’s okay, Meryl. Just win another Oscar.
For Eastwood, it’s interesting to see him in a different, much more romantic and sweet light. Sure, he’s quiet and subdued as usual here, but he’s also got something of a heart that’s easy to spot at the very beginning, and not something that we have to search for. Despite what sneaky things Robert may be up to, the movie always makes it out to appear that he has the best intentions at heart and it shows – you almost always get the sense that he doesn’t just want some quick and easy nookie, but a woman to love and care for, what with him getting older and not really having any seeds planted out there in the world.
With Streep, the two create a nice bit of chemistry that continues to build and build over time, with him always egging her on to say something more about her life, and with her, constantly seeming like she’s got something on the tip of her tongue, but is too shy to actually get it out. As Francesca, Streep is, as usual, amazing, handling a really heavy Italian-accent very well, while also giving us a female lead that feels honest and raw, but never brutal. The movie never judges her for what she choices to do and because of that, it feels like we get to know more and more about her, through the life she tells us about, as opposed to who she decides to and decides not to, sleep with.
That said, as good as Streep and Eastwood are together, there’s an issue that Eastwood, the director, runs into and it’s that he has two plot-lines going on here, with one far more interesting than the other.
While the romance between Streep and Eastwood is lovely, nice, sweet and powerful, there’s also this story revolving around Francesca’s two kids, older and grown-up, having to figure out their own lives and what they want to do next. Though Annie Corley and Victor Slezak are two good actors in their own right, here, the material just doesn’t work for them; Corley seems too whiny and conceited to be sympathetic and Slezak’s line-readings are so wild and crazy, that it makes me wonder why there wasn’t at least 50 takes of every one of this guys’ scenes. Of course, this is what usually comes to happen with Eastwood’s movies – they’re never perfect and always taken down by a weak element, but still good enough to watch.
It’s just a shame that that had to happen here.
Consensus: The real heart and emotion of the Bridges of Madison County lies within Eastwood and Streep’s great chemistry and performances, while the subplot occasionally gets in the way, creating more of a fine piece of romance, as opposed to a great one.
7.5 / 10
Sordid affairs have never looked so sweet.
Photos Courtesy of: Cut the Crap Movie Reviews