He’s the Captain now.
On Jan. 15, 2009, U.S. Airways Flight 1549 goes up in the sky and heads for its destination. However, not long after take-off, they run into a bunch of geese, not only destroying the plane, but even going so far as to take out its engines. This leaves the two pilots, Capt. Chesley “Sully” Sullenberger (Tom Hanks) and Jeff Skiles (Aaron Eckhart), to have to make an emergency landing in, of all places, New York’s Hudson River. Though it’s very risky and sort of a do-or-die decision made at the last second, it miraculously works out, with all of the 155 passengers and crew surviving. As expected, this makes Skiles, but most importantly, Sully, out to be true American heroes who, after experiencing something as tragic as 9/11, need someone to look towards for inspiration. However, as is the case with most problems such as this, U.S. Airways lawyers and insurance companies want answers to what exactly happened up there in the sky, leading to an investigation of Sully’s judgement, history, and most of all, his character.
Even at age 86, Clint Eastwood is still knocking them out like nobody’s business. And sure, while Sully may not be the greatest movie he’s ever made or, god forbid anything happen, the perfect note to go out on, it’s still a solid reminder of what kind of film-maker he can be when he’s got good material to work with and seems to have some sort of inspiration to work off of. That’s not to say that everyone of Eastwood’s are “bad”, but sometimes, you can when the creative-juices are flowing, and sometimes, when they’re not. With Sully, you can tell that they are flowing and it’s nice to watch, especially since, at almost an-hour-and-a-half, it does everything that a good movie needs to do: It tells a good story, gives us solid performances, and most of all, has us going home feeling a little bit better about our lives.
Now, what’s so wrong with that? After all, aren’t most movies supposed to do that?
Actually, no, but that doesn’t matter here; Eastwood is setting out to tell this story of a hero that, honestly, time seems to have forgotten about. With Sully’s story, however, Eastwood isn’t just using his movie as a platform to pay a tribute to the man and leave it at that – he wants to tell a story of a little moment in our nation’s most recent-history that we may remember perfectly, or may not, but definitely mattered. After all, it’s people like Sully who might possibly make this world a better place and even though Eastwood, as a film-maker, could have definitely gone down the road of lionizing this man from beginning to end, instead, he shows a real human being dealing with this whole idea of fame.
However, what’s interesting about Sully’s story is that his so-called “fame”, if anything, really comes from a possible tragedy, where a man like him was just doing his job, at the perfect time that he needed to. He had to make a very smart judgement call and while some, even to this day, still feel as if he could have avoided his final solution, there’s no doubting it was a hard one to make and it’s one that, certain people like Sully, find hard to cope with and understand. Eastwood shows how, even though Sully may be looked at by the rest of the world as a flat-out “hero”, he has a hard time accepting it, or even making sense of it.
As stated before, he was just a pilot flying a plane and insuring that everyone on-board made it off alive.
And as the titular character, Hanks is quite great because, as usual, he shows us a real beating heart underneath all of the gray facial and head hair. While it’s easy to just see Tom Hanks, one of the world’s most recognizable actors ever, under a bunch of make-up and hair jobs and never look past it, look harder and you’ll see Hanks really disappearing into a role that shows off everything that he can do so well. He makes us feel for a person who, in all honesty, didn’t really need all that much sympathy drawn out of us to begin with, but still, it’s nice to see him give it his 110% as we all know and expect of him to do.
Of course, it was nice to Aaron Eckhart in, finally, a good movie again, doing his best to create some comedy out the dark and dramatic moments here, and while she doesn’t have a whole lot to do, Laura Linney is still good enough to offer up plenty as Sully’s wife. And really, it’s neat to see actors like Mike O’Malley, Anna Gunn, and Jamey Sheridan play a bunch of despicable, almost evil investigators who are acting solely on the behalves of U.S. Airways. While I wouldn’t go so far as to call the portrayals of them as a complete and total hatchet job, Eastwood does show them all off as being people who are, yes, doing their jobs, but also not realizing just what this man Sully did for these passengers, as well as for the nation.
And in a time like post-9/11, where New York City was still clearly reeling from tragedy, trying to make sense of everything and not looking forward to stepping onto planes again, it mattered.
Consensus: With a solid leading-role from the always dependable Hanks, as well as a melodic, but smart direction from Eastwood who, even at age 86, is still capable of reminding us that movies like Sully deserve to be made, if solely to pay a tribute to those smaller heroes we don’t always think about on a day-to-day basis.
7.5 / 10