Sometimes, it’s best to just run away, change your identity, rinse, recycle, and repeat.
For his birthday, Tom (Michael Shannon) decides to get all of his best and closest pals together. Why? Well, because why not! Anyway, everyone comes around, enjoying some fine drinks, dinner and even cake and what should be a fun, celebratory time, for some reason or another, gets a little weird. For some reason, Tom’s friend and co-worker, Clyde (Michael Chernus), decided to bring a date with him – some pretty girl he met at a lunch-spot named Alice (Rachel Weisz) – and because of that, Tom can’t stop acting weird. He feels as if he knows Alice from somewhere in his life, but can’t seem to put his finger on it. Why? Well, he doesn’t really know, nor does anyone else at the party, which is why they’re constantly freaked out by Tom’s act. The only one who does know why Tom is acting the way he is, is Alice who seems to have some weird mysteries of her own.
Complete Unknown is a fine movie because it asks for you to pay attention to its story and stick around so you get the full, clear picture of what it’s trying to do and say. Director and co-writer Joshua Marston clearly seems to be battling with a few different ideas and tones in his head and because of that, it’s interesting to see just what he comes up with, even when it does seem like he’s not quite sure of where even he’s going. Then again, isn’t that why we all go out to see indies? To get something that’s new, creative and slightly more original than our typical, mainstream fare?
Well, actually, yeah, and that’s why a movie like Complete Unknown, as messy and sometimes odd as it may be, is still, at the very least, interesting.
And really, that’s all it needs to be to work.
Although, what’s probably the oddest element about Complete Unknown is how you expect to be one thing, by the way it starts off, and then it becomes something different entirely. From the beginning, you expect it to be this small, almost plot-less character-study about a woman who seems to jump from one life to another, almost for no reason whatsoever. It’s interesting that we’re never told this, but instead, shown this through all of her different lives and careers.
But then, Marston changes the game on us and instead, gives us a bigger picture, with more characters, more relationships, and more of an idea of where it’s going to go. And yes, unfortunately, it’s sort of where the movie falls over itself; Complete Unknown is a movie that clearly works best when you can’t pin-point what it’s trying to do, or where exactly it wants to go next. When it becomes clear that the movie wants to try and make this a weird sort-of thriller where people are constantly curious about this Alice girl, as well as Tom’s reaction to her, it loses a bit of steam.
Then again, the cast is so good that it almost hardly doesn’t matter. Shannon is great in these sorts of roles where he plays an every man who, one day, starts to seem a bit shifty and may have something far more darker to him. But then, there’s also Rachel Weisz who plays Alice so well, that she sort of steals the movie. There’s a small, but beating heart to Complete Unknown and it all lies with her and her character; what about her past with Tom, we don’t quite figure out right away, but the mystery is enough to stay interested and see where it all goes. Even if the movie does sort of just end, finding out more about these two and their possible past was more than compelling to have made me glad to be on this weird ride.
Consensus: Despite not fully working with all the different tones and genres, Complete Unknown works best when it’s giving its solid cast mysterious, but interesting material to work with.
6.5 / 10