Mom’s annoy you, because they love you. Appreciate it.
After the death of her long-loving husband, Marnie Minervini (Susan Sarandon) is kind of lost. She’s heartbroken, sad and lonely, which is why she continuously drops by to see her daughter Lori (Rose Byrne), so that she can have a little something to do. The only issue is that Lori doesn’t always enjoy her mom’s presence and because her own career as a screenwriter is stressful as is, she can’t help but bring some of those angry thoughts onto her mother. So instead of trying to help her daughter out every chance she gets, Marnie decides to extend her helping hands to those around who – some of whom, she hardly even knows. And because she was left a whole lot of comfort-money, Marnie is more than capable of doing whatever is necessary to ensure that some of her new friends are pleased with everything they ask of Marnie. While she’s doing all of this, of course, she’s also striking up something of a relationship with a local security-guard (J.K. Simmons), who takes a huge liking to her, even if she isn’t quite ready for a new love in her life.
Clap it up for you, Susie. You deserve it!
It’s a pretty simple and overly cutesy plot that goes quite awry a few times. See, what’s odd about the Meddler is that it seems like writer/director Lorene Scafaria doesn’t quite know who’s side she’s on – the mom who’s meddling, or the hapless daughter who just wants to be left alone. Considering that this appears to be very autobiographical, it’s odd to see a writer/director side with someone who isn’t them, and it does play into how the movie’s perceived.
There’s a part of the Meddler that’s having fun with itself and its cast, but also seems like it wants to say more. In a way like I’ll See You in My Dreams had something to say about aging and growing old without your soulmate around, the Meddler mostly shows what a person in that situation would do to try and keep themselves busy. Of course, the situations and predicaments she gets herself into are ridiculous, but they’re also kind of funny and charming in only a way that a movie such as this can get away with.
Because, let’s be honest, driving an Apple employee that you hardly know, to and from law school, never works out.
It’s just a fact.
But what works best about the Meddler is that Scafaria’s writing is just charming enough, to where we don’t care what we can believe in or sympathize with – the situations, after awhile, just write themselves and it’s interesting to watch how each and everyone of them play out. There’s not nearly as much tension as you would expect, but maybe that’s not this kind of movie; it’s just a showing a later-age woman, trying to still make something of the life she’s got left. It’s earnest to a fault, but hey, it kind of works.
Not Sam Elliot, but hey, close enough.
And yeah, it definitely does help that Susan Sarandon is playing the title character, appearing in almost every scene, showing off her great knack for combining her heart and likability, even when it seems like this character may be something of a caricature. Scafaria shows a lot of love and affection for the characters here, but it’s Sarandon’s that gets the most, with just the right touch of humanism to make her seem real, even if she does sort of seem like she’s too nice, too sweet, and too colorful to be real. But thankfully, that’s why Sarandon is here to show us that, yeah, even if she doesn’t, she’s still a whole lot of fun to watch a movie about.
As for everyone else around Sarandon, they fare a bit better on the realism-side. Rose Byrne is seemingly playing Scafaria and does fine enough being miserable and getting into all sorts of fights with Sarandon; J.K. Simmons is playing the older fella that Sarandon falls for and shows why someone like him would be so attractive in her eyes, yet, at the same time, also maybe not be the right fit; and Cecily Strong, as the gal who gets her wedding picked-up by Sarandon’s character, shows a great deal of heart, even if her character is really meant to stand around and just cry a whole lot.
It’s a bunch of hapless roles, but hey, having a good cast can sometimes work in a movie’s favor.
Consensus: Even though its cutesy premise can sometimes get in the way of an actual plot, the Meddler does benefit from a solid lead performance from Sarandon that overcompensates for almost every other wrongdoing of the script and/or direction.
7 / 10
Nothing like a pain-in-the-ass mother to come in and save the day. When she isn’t re-arranging your drawers.
Photos Courtesy of: Indiewire