Seriously, where the hell were you Heather? We needed you.
Nearly 15 years after Heather, Josh, and Mikey went out into the middle of the Burkitsville woods, Heather’s younger brother (James Allen McCune) decides that after all of this time, he needs to go out there and find her. Alll he really has to judge is by a bunch of grainy-footage that showed up on the internet somewhere and because of that, he decides to go out there with a few of his friends and check out what’s shaking. Equipped with all sorts of cool gadgets and recording-devices, the friends meet up with some local residents, not just to find Heather and anybody else who may be out there, but to also discover what all of this witch business is about. They eventually find the answer, although it all comes at a great and deadly cost.
No matter what all of the naysayers, the Blair Witch Project was, and still is, a great horror flick. At the time of its release, it was a cultural phenomena because of everybody assuming it was all real, with the actual actors either “missing” or “dead”, and nothing like it had ever been done before. Of course, it was all a joke and awesome gag that made everyone involved filthy, stinkin’ rich, but it also ushered in a whole slew of other found-footage, first-person-narrative horror flicks. Of course, a good portion of them have been bad, but every so often, you get a good one that makes you understand the power and impact that the format can hold.
Oh, relax! It was just a squirrel!
The remake/rehash/reboot of that original flick, is not one of them.
In fact, it’s a perfect sign as to why the found-footage format, quite possibly, may have to go away.
And it’s a shock to say this, too, because director Adam Wingard and writer Simon Barrett are two great voices in the horror world today who seem like they know a thing or two about delivering shocking, but fun horror. You’re Next is probably their best, with the Guest coming to a close second and here, it seems like they’ve taken a huge step back. For some reason, all of the excitement, all of the creativity, and all of the originality that seemed to be flowing through their blood, was somehow lost here.
Which leads me to wonder: Did they just not care? Or, did they care too much, but eventually, the studio got involved so much that their original version got taken away from them and they were left with this?
I don’t know what the answer may be, but either solution seems plausible. While they’re stuck with a thankless task of working with, what is, essentially, the same story of the original movie, they don’t seem to bring much to it. The technology is updated and of course, a nice touch, but that’s about it – everything is so rote, predictable and conventional that after awhile, it just feels like a check-list is being written while the movie is being made.
Except for the fact that this time, because technology has obviously improved and there’s a lot more CGI in flicks than ever before, everything now is so much bigger, louder and crazier that it actually betrays everything that the original film stood for. Made off of literally nickels and dimes, the Blair Witch Project worked best because it never always showed us everything that we had come to know and expect with horror movies; what the movie proved was that, sometimes, what’s in our imagination and what we picture in it, can honestly be the scariest thing of all. Here, however, nothing is left to the imagination, with us seeing a lot of wacky, odd-looking stuff, yet, none of it ever seems scary.
Oh my gosh! Sticks!
It’s all in our face and, in a way, boring.
Because now, yeah, we’ve seen it all before and it’s not as exciting as it may have been 17 years ago. That said, Blair Witch tries to make itself work for fans of the original, as well as fans of modern-day horror, who probably haven’t even bothered to see the original, which, in a way, means that it gets its job done. For someone such as myself, who loves and holds the original up in high-regard, it’s a problem, because it not only feels like a waste of time, but a silly idea that’s made even worse by the fact that it doesn’t seem to play by the same rules of the original.
And oh, before I forget, the acting here is quite atrocious. Say what you want about Heather, Josh, and Mikey from the original, but at least they could handle whatever script they had handed to them, making it seem like they were real people, trapped in a terrible, downright scary situation. Here, the actors can’t handle the script and the characters themselves are just so bland, so boring and so unlikable, that it’s hard to even care about what any of them do. This is all made worse by the fact that since there are literally cameras everywhere, watching and documenting everything that these actors do, they’re performances suffer more, showing that, sometimes, it helps to have good actors in these horror movies, regardless of how little you actually care about them and how much you actually care about the scares and the monsters themselves.
Sure, it’s a horror movie, but sometimes, well-written characters can actually make the scares all the more effective.
Don’t believe me? Just watch the Babadook. Now, that’s a horror movie.
Consensus: Predictable, uninteresting, and hardly even scary, Blair Witch is an obvious cash-grab that, despite the inspiration that usually lies with the creators, just feels like a waste of everyone’s time.
2 / 10
She’s like Heather, but far more annoying. Crazy, right? Better believe it.
Photos Courtesy of: Indiewire, Gadget Help Line