Find the head and you may get the killer.
Ichabod Crane (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. That’s why, after much time spent on science and all of the ground-breaking inventions being made within that world, he is sent to the remote town of Sleepy Hollow, where they hope he’ll be able to solve a whole slew of murders that have been occurring – as local townspeople have all been disappearing in the woods and dead, only to have their bodies found with their heads cut off. Who is doing this and why, Ichabod hopes to find out and it’s why, despite not having a great idea of the land that he’s about to settle into, he is, at the very least, inspired. Once he gets to this town, Ichabod realizes that there’s a lot more going on between these townsfolk that may or may not solve his crime, but also continue to make the folk tale of the Headless Horsemen all the more grandiose and magical, if also kind of dangerous.
It’s great to watch Tim Burton having fun, because unfortunately, he so rarely does nowadays. While he could have made a drab, dreary and downright depressing version of Sleepy Hollow, Burton instead goes for a fun, high-wire, quick, and exciting version that is also drab, dreary and, yes, depressing. Sounds crazy and almost impossible to imagine or even picture seeing, but somehow, Burton pulls it all off so well, adding a great sense of slick and brooding style to go along with the fast velocity in which the plot is being told to us.
Does it all work?
Sadly, no, not really. However, there’s something to be said for a messy Tim Burton movie that is, in ways, a very fun one. By the year 1999, Burton wasn’t quite as well-known as the imaginative and ambitious creative-mind that seemed to have lost his way, like he is now – back then, he was still seen as the imaginative and ambitious creative-mind that may have had a few missteps along the way (Mars Attacks! and Beetlejuice, depending on who you talk to), but recovered from them quite greatly because he still had a style to work with and wasn’t afraid to get as weird as one can possibly get. That’s why, for the longest while, Sleepy Hollow is quite the thrill-ride; it’s probably not as scary as Burton wants it to be, but with an R-rating, it’s allowed to do a whole lot of things, like stab, slice and splatter all sorts of blood.
It’s as if Burton was given free reign to run wild with whatever he budget he had in mind, with whoever was around, and at the same time, still put something of his stamp on an age old classic. It’s basically the dream that every director/writer dreams of one day actually having, which is what makes it all the more joyful to see Burton getting a chance to live out that dream, once and for all. Sure, he may have already had his dreams lived out before with the Batman flicks, but personally, as dark and as sinister as this can sometimes get, it seems like Burton is really in his zone. He doesn’t have to answer to too many people, nor does he have anyone set in his mind about pleasing.
Except, well, himself, of course.
That said, Burton does slip up somewhere by the end, once the film relies that it has to actually tell its age old plot and give something resembling a reason for all of the crazy murders and whatnot. It’s not that we needed it, because we sort of do, it’s just that it feels like such a hack-job that Burton himself didn’t even seem to care about, is that it comes out of nowhere and doesn’t hold much meaning. We get an idea of who the villain in the story may be, but the movie isn’t solely depending on the big, final twist of who was really chopping all of the people’s heads off; it’s all about the ride and joy of getting there, which is where Burton works best. Grounding himself in rhyme, or reason, is not Burton’s forte and while he can definitely do it, he doesn’t really need to with a movie as silly and, sometimes, as insane as Sleepy Hollow.
It’s also why the final-product, while still enjoyable, still does feel like a bit of a mixed-bag. There’s no denying the fact that it’s a fun-filled, campy, and over-the-top wild ride that doesn’t ever seem to let up, by the end, it can get a little exhausting. All of the characters in this are, well, exactly that; every actor who shows up here is great, but they’re also working with cartoon cut-outs. Sure, some may not expect this from a Burton flick, or better yet, a Sleepy Hollow adaptation, but it would have been nice, if not, necessary to get some downtime in between all of the craziness to get to know who we’re dealing with and why. Just having talented, good-looking people like Johnny Depp, Christina Ricci, and Miranda Richardson isn’t enough.
A little bit more detail and care can go a long, long way, no matter how much style you have going on.
Consensus: Wacky, wild, over-the-top and occasionally nuts, Sleepy Hollow finds Tim Burton having a great time putting his own spin on the classic tale, but also finds him never knowing when to slow down and tell us a little more about the story.
7 / 10
Photos Courtesy of: Overdue Review