Everyone needs a little cut, no?
Evil Judge Turpin (Alan Rickman) lusts for the beautiful wife of a London barber named Sweeney Todd (Johnny Depp) and rather than having any competition with this man, Turpin decides to transport him to Australia for a crime he did not commit. Now, Sweeney Todd has returned after 15 years and is ready to extract some revenge, however, he knows that he has to be smart and sly about it. So he decides to open up his barber-shop with the dedicated Mrs. Lovett (Helena Bonham Carter) and together, they decide to not only give fellow citizens some nice trims and cuts and whatnot, but also give them a little thing called “death”. That’s right, Sweeney Todd takes all of his anger out on his customers who have no clue that instead of getting a buzz, they’re going to get a slice of their throats from Sweeney and then thrown in the boiler for meat-pies. While it’s sickening, it’s a hit among the people and eventually, it makes Sweeney more and more inspired on getting Turpin in is chair once and for all.
Once again, there’s something so damn pleasant about watching Tim Burton have a good time with himself, and while Sleepy Hollow is definitely a solid showing of that fact come to life, Sweeney Todd is perhaps a better example. Here, not only does Burton get to roll around with musical-numbers, but he still gets the opportunity to play around with his dark, brooding and Gothic horror-style that he loves so much and can’t seem to get tired of. And of course, he gets to do it all with the people he loves and adores so much, like Johnny Depp, Helena Bonham Carter, and so on and so forth.
And because of this, Sweeney Todd feels like a celebration of sorts.
Not just for Burton, but musicals as a whole. Sweeney Todd is the kind of darkly humorous and sadistic tale that’s definitely not everybody’s plate of pie, nor is it going to win over any naysayers of the musical-genre as a whole, but for Burton, none of that matters – he’s having a great time allowing for these songs to play out in a traditional format, with the voices and music blaring over the speakers and never quieting down. The downside to all of the musical numbers is that Burton himself doesn’t quite know how to film these scenes and make them look interesting; sure, the songs are entertaining and interesting enough, but they’re filmed in such a one-on-one bland way that it makes the movie feel like you’re actually watching a stage-play filmed on the screen.
Sure, that’s fine and all, but sometimes, it’s always best to have a little more imagination with these numbers, especially when you’re making a full-length, feature-flick, with a big-budget and all. Cause honestly, sky’s the limit and if there’s anyone who knows a thing or two about going big and over-the-top, it’s Burton. And he does go for that quite often here, and you know what?
It actually works.
Because the tone and material is so subversive and mean, the humor and gags and whatnot, while silly, still work. Burton’s sense of humor in most of his movies have borderlined on cheesy, but because that’s his crazy style, it’s been accepted; here in Sweeney Todd, it feels right with the material. There’s nothing sillier than watching and listening to a barber singing about his one true love as he’s slicing and dicing the throats of his customers and Burton milks it all for it’s worth. He doesn’t let-up and because of that, it’s hard not to be entertained and excited by Sweeney Todd, even if the material and look of the film can be grim.
But of course, it mostly all comes together so well because Burton has his usual band of misfits to join in on the fun and without them, who knows how his film may have turned out to be. Depp’s Sweeney is a perfect fit because he’s not just charismatic, but a little dangerous, too. Depp has always had a good time in Burton’s movies, but here, it seems like he’s enjoying himself the most, playing the straight man to the, mostly, crazy proceedings. Characters around him like Timothy Spall’s, or Sacha Baron Cohen’s are all campy and wild, whereas Depp, always remains stoic and smart, which helps his character seem all the more sympathetic and, well, “cool”.
Maybe that’s not what he was going for, but hey, it’s what happened.
Honestly though, it’s Helena Bonham Carter who steals the show as Mrs. Lovett, Sweeney Todd’s lovely sidekick who will and has followed him through the thick and thin of life. Though her character sings about unrequited love and grinding up human-meat to make pies, there’s a sincerity to her character that keeps her watchable and downright sad. Carter’s comedic-timing is perfect, as well as her chemistry with Depp, but no matter what, when she’s given the spotlight to sing about her feelings of love and remorse, you feel them and it’s probably the only time that Sweeney Todd, the movie, actually seems like it’s taking itself more seriously.
Sure, fun and games are fine and all, but every once and awhile, it’s always nice to have a little cry just to remind yourself that you’re human.
Consensus: Burton’s dark sense of style and Sweeney Todd go so perfectly together, that it’s hard not to enjoy the movie, especially with the vocal and acting talents constantly on-display.
8.5 / 10