Causal Saturday nights with friends has never been so much fun.
Following the sudden death of her best friend, Debbie (Shelley Hennig), Laine (Olivia Cooke) miraculously stumbles upon an antique Ouija board in her room. In a way to say goodbye to her long, lost friend, Laine plays around with it, but somehow, wakes up an evil spirit that begins to toy around with her and all of her friends. The spirit itself is called “DZ” and as more and more strange events begin to occur, Laine tries to figure out just what the spirit wants, rather than fighting with it and basically, getting nowhere. But as Laine and all of her friends delve deeper into DZ’s intentions and history, they suddenly find that Debbie’s mysterious death was not unique, and that they will suffer the same fate unless they learn how to close the portal they’ve opened.
What’s worse than movies based on board-games? Bad movies that aren’t totally even based on actual board-games. If anything, Ouija may have been a commercial to get the old school, retro and hip Ouija-boards back on shelves for a younger, much cooler audience of kids, but if anything, it just shows us why Hollywood, or most importantly, horror movies have been running out of ideas.
What’s next? A Monster Trucks movie?
Anyway, in his directorial debut, co-writer/director Stiles White seems as if he’s trying to make something, almost out of nothing; the premise is tired and boring, but for whatever reasons, he sets everything up in an interesting manner. There’s a whole lot of exposition thrown at us from the beginning, like the rules and regulations these evil spirits and monsters have to follow in order to kill these kids, which may seem monotonous, but actually works, as it helps us get in the mind-set of what to expect. So often, horror movies just assume people know what they’re dealing and let creepy stuff happen – to understand what our evil forces are going to do to our protagonists for the next hour-and-a-half, and what can stop them, actually helps in the long-run. It shows that White at least had some nugget of an idea of what he wanted to do with this movie, because surely, the rest of the movie doesn’t show it.
Though it is interesting to have these characters all come together after a friend’s death, the movie doesn’t do anything with any of them to really flesh them out, or even make them slightly interesting. Sure, it’s a horror movie and often times, it’s best to just forget about characters and just let the spooky stuff happen, but honestly, there’s not enough spooky-stuff in this 90-minute movie to really make the lack of actual character-development fine. If anything, it’s far more jarring and noticeable, what with the movie featuring one too many scenes of these characters sitting in rooms, chatting with one another, and not really seeming as if they’re friends at all – they all seem like actors, meeting for the first time and forced to speak some cheesy lines, so that they can collect their paycheck, go home, and continue reading whatever script is up on the coke-infested table next.
Nothing wrong with that, actually. In fact, that’s a pretty great life.
But of course, Ouija itself doesn’t show many signs of life. With the exception of the initial scene of the teens messing around with the board and blaming one another for moving it around and playing jokes, the movie never really seems to have much of any fun. If there’s any tension or suspense in the air to be had, the moment that White senses it, he jumps back and instead, continues to plod his way, further and further into silence that goes little to anywhere. It reminded me a lot of Annabelle (another Fall 2014 horror flick that clearly was made for brand-name recognition) in that it had everything that resembled a movie – protagonists, antagonists, story, conflict, etc. – but for some reason, there’s just nothing there. It feels like White and his crew all knew that the movie just had to make some money, so it didn’t matter if it was actually effective, scary, or even the least bit entertaining.
As long as the kids are still lining-up to buy tickets to see it, then who the hell cares, right?
Consensus: Without hardly any tension or fun to be found, Ouija feels like a waste of a potentially solid premise, all in favor of studios making more bank.
3 / 10
Photos Courtesy of: Indiewire