Three strong-willed women (Kristen Stewart, Laura Dern, Michelle Williams) strive to forge their own paths amidst the wide-open plains of the American Northwest. In one story, a lawyer (Laura Dern) finds herself dealing with office sexism, while also trying to ensure that a client of hers (Jared Harris), doesn’t get the bum-end of a deal from the trucking-company he used to be apart of. In another, a mother (Michelle Williams) wants to have her dream house so that she, her husband (James LeGros) and her daughter (Sarah Rodier) can live together in perfect peace and harmony, however, actually finding that house puts her at-odds with said husband and daughter. And lastly, there’s a young law student (Kristen Stewart) who is forced to teach a class out somewhere so far from where she lives, that she eventually forms something of a friendship with a lonely ranch-hand (Lily Gladstone), who may think that they are something more than what they appear to be.
In the past few years, writer/director Kelly Reichardt truly has grown into the kind of writer and director of indies that most indie film-makers want to be, yet, strive very far away from. She’s the kind of talent who seems to get better with each and everyone of her movies, doesn’t seem to tell the same story twice, get bigger and bigger stars into her movies, and most of all, keep her indie-cred safe and sound. It’s something that she’s been keeping up with for quite some time and it’s why she’s one of the more interesting voices in the film world today, not just indies in particular.
And that’s why a part of me is so disappointed with Certain Women.
See, when you have a movie that is, essentially, a few short, separate segments, rolled up into one movie, it’s hard to make sure that each one stays as compelling as the one to come before it. Reichardt has a knack for telling smart stories about small-town, rural people and expressing their emotions through long, drown-out pauses and moments of silence; the fact that hardly any of her movies have a “score”, just goes to show you just how much she depends on the real, ordinary life to be compelling enough. And with Certain Women, she gets a chance to tell not one, not two, but three stories about normal, everyday gals, living their lives and trying to get by in the world, even if, you know, they’re not all that interesting in the first place.
And that’s all it comes down to.
Reichardt does try to make these stories interesting, but they don’t fully come together, or move in a manner that really keeps it worth watching. We get the sense that Reichardt is never judging her characters for their ways, their morals, or their decisions, which is admirable, but sometimes, it feels like she’s not even around to do much of anything. It’s good to have a director that just lets her cast and crew do what they want, with very little direction, but there were a good couple of occasions here where I didn’t know what was going on, where everything was going to go next, and better yet, why any of it matters. To just chalk it all up to being normal, everyday people’s lives, is the reason to care, doesn’t cut it, unfortunately – sometimes, you need a compelling narrative to keep things, at the very least watchable.
It’s a shame, too, because the cast does certainly try and, for the most part, come-off strong. Laura Dern’s performance as a lawyer is strong; Jared Harris is a little too silly to work in such a movie as understated and serious as this; James LeGros, as usual, is perfectly fine; Michelle Williams doesn’t really have anything to do; Kristen Stewart is quite great in her role as a frustrated and confused lawyer, offering up a snapshot into the life of someone who’s young, ambitious and professional, yet, still doesn’t have a clue of what she’s going to do with the rest of her years; and Lily Gladstone, without hardly uttering more than five minutes of dialogue, is still pretty great, giving us a look into someone’s repressed existence, even if there is a part of me that wonders if it’s a good performance because she wasn’t suited with much dialogue in the first place, or if she’s actually a good actress who can make this all work.
Either way, the cast does try and it shows that they just don’t have enough material to work with.
And sure, you could make the argument that I’m just being harsh on a movie that “doesn’t really have a plot”, and sure, I guess you’re right, but it’s much more than that. The movie has three plots, none of which are ever that compelling to sit by; Reichardt always seems like she’s ready for something to happen, but for some reason, it never comes around. She’s honestly a great film maker and I can’t wait to see what she’s got cooking up next, but unfortunately, the bag just wasn’t there this time.
Consensus: Even with a good cast, Certain Women can’t help but feel like an uninteresting, slow and aimless exercise from the usually dependable Kelly Reichardt.
6 / 10
Photos Courtesy of: Indiewire