Can’t trust humans. But can definitely trust Jaguars.
Even though the Mayan kingdom is at the height of its power, there are signs that the empire may be slowly, but definitely surely, crumbling beneath its very own feet. That’s why leaders start to believe that it’s time for them continue on building more and more temples, while also sacrificing certain folks, so that their crops can survive, as well as their people. During this time, somewhere deep in the forest, lives Jaguar Paw (Rudy Youngblood), a peaceful hunter in a remote tribe, who, along with his wife Seven (Dalia Hernández), already have a child and another on the way. Life couldn’t be better for Jaguar, or all of his other friends and family, until everything all goes to hell when a much more powerful tribe comes by the village and raids it of the strong men, leaving the women and children to rot and, presumably, die. While Jaguar and his friends don’t exactly know where they are being taken to, what lies beyond the journey is something much more powerful and disturbing, and that is the changing of times and how, no matter how hard you try to get past it, your fate will never desist.
Mel Gibson is a good, sometimes even great, director. His movies all look, sound and move, great, and for the most part, they deal with certain, troubling issues about life, murder, temptation and faith that we don’t too often see from most directors, let alone those who were most known for acting in movies, and not directing them. And yet, for some reason, his movies always seem imperfect.
While sure, you can definitely say that Braveheart is a great movie (even though it has its fair share of haters), it’s still a relatively conventional film of one gaining his freedom and beating the man, so to speak. The only difference with that movie is that it features a lot of blood, murder, axes, Scottish dudes, and yes, kilts. What Gibson really impressed people with, as he has done in the years since, is that he knows how to stage a big-budget, larger-than-life epic set-piece, where we do feel immersed in this great new world that we’re literally being told about and shoved into.
He’s done it with mostly all of his movies and yes, Apocalypto is another one of those movies.
That isn’t to say that it’s perfect, but it’s got signs of a true master working with all of the tools in his shed, so to speak, and having a grand time. While the movie came out not too long after Passion of the Christ, it is still, in ways, very different; it’s not nearly as self-serious, or as overly violent as that movie. Instead, there is humor to be had, there is a sense of adventure, and yes, there is a whole lot of shocking and disturbing violence that takes place here, but it all feels earned and not just something that Gibson himself couldn’t get enough of. That Gibson literally places us in this fun, breezy village in the first half-hour, only to then throw us into a setting where people are getting beheaded, women are getting raped, and babies are getting flung from trees, shows that, not just as a director, but as a person, he’s continuing to grow. Of course, talking about the year 2006 and Mel Gibson, wouldn’t be complete without all of the controversy that surrounded him at the time. But in a way, that doesn’t matter; a movie like Apocalypto doesn’t necessarily make Gibson out to be an immoral, or suspicious human being, much like Passion did, it just shows that his aspirations go further beyond being a movie star.
But still, does any of that matter?
Not really. What does matter is that Apocalypto, for all of its action, its blood, its gore, and severed heads, still doesn’t seem like it really has anything fresh to say at all. Whereas Passion, albeit misguidedly, made a comment on faith as a whole, Apocalypto seems to just say the same thing as Braveheart did: “Always fight back. Never give up. Stick it to the man.” Sure, it may resonate with those who have never seen every sports movie ever made, but for those who have seen one, or a whole bunch of other movies, it comes as a bit disappointing. The signs of Gibson being a far more passionate and thoughtful director are here, and definitely show up in bright spots, but they don’t always stay around long and it’s why Apocalypto, with its 138 minute run-time, can’t help but feel a tad long.
Gibson himself spends a little too much time on the torture and murder of these native villagers, but then again, why shouldn’t he? What Gibson’s showing is true to history and more importantly, honest. He’s not shying away from the harsh reality of it all, nor is he trying to sensationalize anything – he’s showing all of the barbarianism, for what it is. Still though, he doesn’t make a comment on it and it’s where Apocalpyto, sadly, doesn’t reach its full potential.
Consensus: Epic, sweeping and surprisingly ambitious, Apocalypto finds Gibson swinging for the fences and, mostly, coming out on top, even if his message doesn’t seem to translate past being your typical, saccharine line about achieving one’s dreams and beating the odds.
7.5 / 10
Photos Courtesy of: The Fanboy Perspective