Growing up blows. But hey, drinking in bars is pretty cool, right?
Growing up, Nadine (Hailee Steinfeld) didn’t always have the best time. She was a casually awkward girl, who couldn’t quite make friends, hit puberty at a weird time in her life, and most importantly, lost her beloved father while she was in the car with him. Now, at 17, Nadine has hit peak awkwardness when her older brother Darian (Blake Jenner) starts dating her best friend Krista (Haley Lu Richardson). It’s obviously a weird and downright terrible situation for Nadine, who has gotten so comfortable just hanging around with Krista. Now, she feels alone and in desperate need to find some way to take up her time; she tries to get in with Darian and Krista’s friends, but just can’t talk or relate to any of them. Most of her time, to be honest, is spent bothering and ranting to her English teacher (Woody Harrelson), who clearly has a lot better things to do then just sit around and listen to a teenager whine about how life gets her down. But now Nadine thinks she may have found an outlet for her sadness through thoughtful teen Erwin Kim (Hayden Szeto), who not only gives her a glimmer of hope with her dating life, but also shows that she’s not the most awkward teen in the area.
The Edge of Seventeen, on paper and through all of the countless ads, trailers and posters, seems like nothing more than your average, run-of-the-mill, downright nauseating teen-comedy that goes for the raunchy laughs and false modesty that could have only been written by a bunch of people who never knew what it was like to grow up in high school, or be socially awkward, and are trying so desperately hard to connect with “the kids”. And no, after having seen the movie, I can’t say that I’m far off from my expectations, either. Except yes, I totally am.
See, the Edge of Seventeen is a pretty run-of-the-mill, conventional teen-comedy, but there’s more to it than that. For one, it’s written and directed by Kelly Fremon Craig who is, for one, a woman, and a very talented writer, at that. She seems to know just how it is that kids talk and get along with one another; they’re awkward, weird, sometimes funny, and always trying to impress one another. Watching a casual conversation between two characters in the Edge of Seventeen is not only sweetly nostalgic, but downright cringe-inducing because, well, this is what it’s like to grow up.
While Craig has created this character of Nadine to help channel out all of the angst and embarrassment from her younger years, the feelings of coming-of-age and growing up are universal; that point you get at in your life and in high school when you don’t quite know what you want to do yet, who your friends are, or even who the heck you really are. So instead of sitting down and taking a long, hard thinking-session about it, you just decide to play video-games, watch TV, or go on the internet. It’s typical kids stuff that, while watching the Edge of Seventeen, I myself couldn’t help but relate to.
But of course, there is something of a story to the Edge of Seventeen and while it’s not perfect, it still feels honest and raw, something that’s missing from a lot of other teen-comedies.
In a way, it’s refreshing to hear teenagers cuss and talk about sex without a single care in the world. But it’s also more refreshing to hear actors that know how to deliver it all. As Nadine, Hailee Steinfeld has a lot to do and comes out on top; her character doesn’t always make the best decisions, say the smartest things, or even act rationally, but there’s always this sense that, yes, she is a kid and yes, she may eventually figure it all out. Either way, we see a lot to her character that makes her sweet and bubbly, yet at the same time, raw and vulnerable. It’s the kind of performance we don’t see in teen-comedies and it’s also a greater example of why Steinfeld’s one of our best young actresses out there working today.
She’s not the only one who gets away with the whole movie, however. Blake Jenner is good as her older brother, who shows that there’s a little more heart and compassion to his jock-y ways; Haley Lu Richardson plays her sketchy bestie-turned-mortal-enemy and tries to remain sympathetic, even if it’s hard not to hate her character; Kyra Sedgwick may not get a whole lot to do with the mom role, but makes the best of what she can; Hayden Szeto, despite being nearly eleven years older than Steinfeld, still has great chemistry with her and feels believable as a fellow awkward kid who has a better head on his shoulders, but still doesn’t quite got it all figured out yet; and Woody Harrelson, in what could have been a very thankless role as the sometimes inspirational teacher, brings heart, warmth, and humor, sometimes coming close to stealing the show.
But where the Edge of Seventeen ends is that it does have a tad too much of a happy/sappy ending that, unfortunately, doesn’t quite ring true.
Without saying too much, there’s this feeling that we’re supposed to be left with of having this idea that life is going to get better. However, a part of me is curious just how this is? Life, for Nadine at least, will continue to get more and more awkward, with sex coming into the picture, more drinking, and possibly drugs. Oh and yeah, what about her brother and her best friend shacking up? The movie seems to bring all this up, only to then try and tie it all up in a neat, little bow by the end of the hour-and-a-half and sure, it’s an enjoyable ride, but for some reason, it feels like there’s a much bleaker, much more realistic ending waiting somewhere out in the distance.
Who knows, maybe I’ll just have to wait for the Edge of Twenty-One.
Now that’s going to be awkward.
Consensus: Funny, touching and well-acted, the Edge of Seventeen may cop-out by the end, but altogether, still feels like a raw, sometimes painful-to-watch teen-comedy that has bite and something to say.
7 / 10
Photos Courtesy of: Indiewire