It’s Christmas. Commence the fighting!
One year after the death of the mother, the Meyers family has been a bit of a wreck. Walter (Danny Glover) was a mechanic who finally got the chance to retire, but now, has so much time on his hands, he doesn’t know what to do instead of trying to sell the family-house. Rachel (Gabrielle Union) is constantly losing money and doesn’t know how she’s going to pay for anything in her life, while Cheryl (Kimberly Elise) is the complete opposite, with a successful career and a husband (J.B. Smoove) who she loves, even if he may be looking elsewhere. Christian (Romany Malco) is running for Governor and because of that, has to be constantly on-edge of what to do next, however, his wife (Nicole Ari Parker) is there every step of the way, whereas Evan (Jessie T. Usher), a professional football player, seems to be having problems of his own with steroids and can’t seem to control his emotions. All of them, including many more, all come together for Christmas, even if hardly any of them can get along or even bother to in the first place, something that upsets Walter and makes him think longer and harder about what to do with the family-house.
Almost Christmas, like every other Christmas movie to come before it, is manipulative, sappy, cheesy, and above all else, sentimental-as-hell. Then again, however, it is a Christmas movie, so should it be judged differently? In a way, yes.
See, with Christmas movies, it seems that everyone who sees them, are in such good spirits that it hardly matters how maudlin or corny the proceedings can get; love is in the air and happiness abounds, therefore, who cares how tawdry the emotions can get. And with Almost Christmas, that’s perfectly fine, because it’s one of those movies that you put on around the holidays, not really paying attention to the screen, but doing other things like baking, wrapping presents, bickering with friends and family, etc., and every once and awhile, checking up to see that it’s on, maybe laugh, or maybe not. Basically, what I’m trying to say is that it’s an incredibly forgettable movie that doesn’t harm anyone, but doesn’t do much else, either.
So like I said, should it be judged harsher than any other movie, let alone, those involving Christmas?
Honestly, it doesn’t matter. Movies like this and last year’s awful Love the Coopers, will continue to come out and cash in on the holiday love and spirits, which is fine and all, because they aren’t really going out there to ruin anybody’s lives in the slightest. They exist simply to bring some lovely, wacky and fun charm to the already joyful proceedings, while also shining some small lights on what the holidays can mean for families getting back together after all of these years, as well as for those who don’t care much about family, the holidays, or people in general. In a way, they’re the kinds of movies that nobody really gets scared of, which is why Almost Christmas, for all of its faults, really is harmless, above all else.
With it, we get a lot of heavy drama, some cheerfully wacky fun moments, and most importantly, a whole bunch of Christmas shenanigans, like ugly sweaters, snow, Santa, reindeer, tunes, and so on and so forth. I know, this makes me sound like an absolute Grinch, but I can assure you, that’s not the case – normally, Christmas movies are my kind of thing, regardless of the season or time of the year. That’s why a movie like Almost Christmas, which should work very well, also seems like it was written in January, cast in February, filmed in March and April, and edited all up until its release-date at the beginning of November.
Which is to say that, yeah, it’s a mess.
But it’s an okay kind of mess, because once again, it isn’t really setting out to ruin anyone’s day. There’s a lot of heavy, deep discussions about life, death, love, marriage, suicide, drugs, and divorce, but none of it really registers as being anything meaningful, or even needed – it all feels like the movie was just checking off a list that they felt was absolutely necessary to make the perfectly conventional and formulaic Christmas movie. And in that sense, yes, director David E. Talbert achieved everything he probably wanted to, but does it really matter much when everything he achieved is so run-of-the-mill?
The only instances of pure fun and enjoyment found within Almost Christmas is the well-stacked and perfectly-cast ensemble, who are clearly making the best of what they’re given. Danny Glover is heartbreaking to watch as the beaten-down patriarch of the family, trying to keep it all together; Gabrielle Union does a fine job as Rachel, even if she’s still, I hate to say it, not funny; Kimberly Elise seems like she was primed and ready for an Oscar-winning role here, but unfortunately, her really good performance is trapped in a silly Christmas flick; J.B. Smoove is having some real fun as her philandering husband, making me itch with more and more excitement over the prospect over a ninth season of Curb; Romany Malco needs more funny stuff to do here (do people forget that he stole just about every scene in the 40 Year Old Virgin?); Nicole Ari Parker is barely around here, which is a shame, because she’s a great actress when the material is there (see Brown Sugar); Jessie T. Usher brings the movie down every second he’s on-screen, although, I highly doubt that’s his fault and more of just his poorly-written character’s; and Mo’Nique, as per usual, steals every scene she’s in, making us laugh with what seems to be constant improv, but also shedding some true heart and emotion by the end, proving to us why it is that she deserves that Oscar of hers, while also showing us why she needs to be in more movies.
Get it together, Hollywood.
Consensus: As conventional as you can get with a Christmas flick, Almost Christmas features sentimentality, comedy, melodrama, and cheesiness, yet, doesn’t set out to severely injure or kill anyone, so it’s okay to keep on by the fireplace on a cold night. That’s about it, though.
5 / 10