Have a baby by one of them, and you’ll be a millionaire.
At 43, Bridget Jones (Renée Zellweger) is still up to her old bag of tricks. She’s now got a very nice job at a news station, but spends most of her time still counting her drinks, sleeping with random guys, and living it up like the good old days, not giving a care in the world about what anyone has to say about her, or what it is that she does. However, that all begins to change one day when she realizes that, surprisingly, she’s pregnant. Although, maybe it’s not all that surprising, considering that she not only slept with a random American she met a music festival named Jack (Patrick Dempsey), but also hooked back up with old flame, Mark Darcy (Colin Firth). Now, with the baby soon to be on its way, Bridget has to think and figure out just who the father is, or better yet, who actually wants to stick around with her and father the child, regardless of who’s it actually is.
To be honest, I saw the second Bridget Jones movie, Edge of Reason, and never got around to reviewing it for the sole sake that it was just an awful movie. The first had all sorts of fun, heart and charm to it that made it well worth the watch, regardless of if it was date night or not, but the second movie, if anything, just turned all of that on its head and showed us how an already grating character, can continue to be more and more annoyingly unsympathetic. It’s honestly not a surprise why it took so long for another movie to come out, but you know what?
It is is a surprise that this third, and quite possibly last, movie, is actually pretty good.
For the most part, what made the first such an enjoyable and relatively hilarious movie, is back this time around, as well as plenty of other things. There’s heart, there’s gross-out gags, there’s a lot of hard-thinking British humor, and most of all, there’s characters to actually care about again, or more importantly, Bridget herself. The second movie featured her up to all of her old tricks and whatnot and just didn’t work, but this time around, she’s back at it again, but with a different stance. This time, it seems like the movie is trying to say that at her age, it’s time for Bridget to finally grow up and accept her life for what it is.
Which yeah, of course means having a baby, but that’s why the movie actually works; it’s kind of silly and a little sit-com-y, but we know this character and already kind of love her to begin with, so why not throw a baby in the mix? While she’s been fairly M.I.A. these past couple of years, Bridget Jones’s Baby is the perfect reminder of why Renée Zellweger’s such a charming and radiant actress on the screen, when given the right material to play and joke around with. Sure, she’s not British and her accent is a little faulty at times, but you know what?
She got the role over a decade ago and more than made it her own, so whatever!
Playing the two hunks she has to choose from, Patrick Dempsey and the returning Colin Firth are both actually quite great and not necessarily the kinds of stiffs you’d imagine them as being. Dempsey’s Jack character takes a surprising turn about halfway through where you realize that this guy actually does have a heart and soul and may just stick around, whereas with Firth’s Darcy, he’s still the same old kind of straight-man that we expect to get from him, but with a short burst of energy of spunk to be found somewhere throughout. Both get enough development to show us why they may be the right fit for Bridget, which works because it makes the stakes seem much more important; in a way, it almost doesn’t matter who the actual blood-father is, as much as it matters just who wants to stay with Bridget and possibly raise the kid as their own, with her.
May not seem like it matters much, but in the world of rom-coms, where every plot is taken at such a superficial level, it does and helps make Bridget Jones’s Baby, while exactly what you’d expect having seen the first two, seem a tad more emotional. No, it may not make you sob or break down, but it may just have you happy to see this character and her adventures, once again, choosing between what kind of man she wants in her life, once again, counting the drinks that she has, once again, and yes, still sort of embarrassing herself in front of large crowds, once again.
It’s all familiar, but hey, who says familiarity has to be all that bad?
Consensus: While formulaic, Bridget Jones’s Baby is also a solid return-to-form for the franchise, featuring plenty of laughs and emotion to go along with the charming performances.
7.5 / 10