The Color of Money
“Fast” Eddie Felson (Paul Newman) has been out of the hustlin’ game for quite some time. Nowadays, he spends most of his time, jumping from town-to-town, checking out all of the local pool-halls and seeing what new, exciting and unknown talent lurks in the sometimes seedy underworld. One day, he ends up catching Vincent Lauria (Tom Cruise) playing and realizes that the kid’s not just cocky and brash, but he can also play a pretty mean game of pool, too. However, Eddie feels like it can still be worked on in ways, so he decides to take Vincent under his wing, where the two will go from town-to-town, playing all sorts of talented and colorful characters, sometimes for money and other times, just for plain and simple respect. Vincent wants to learn from Eddie, but he’s also got a chip on his shoulder, making Eddie feel like he has to try harder to teach the kid a thing or two. And of course, the relationship only gets more complicated once Vincent’s girlfriend, Carmen (Mary Elizabeth Mastrantonio), comes along for the trip, catching the eye of Eddie.
The Color of Money, as a movie all by itself, is okay. In a way, it’s a perfectly serviceable sports movie, in which we get to see a certain side of society that we don’t often get to see, with a story that’s conventional, and some pretty good performances. But when you also take into consideration that the Color of Money isn’t just a 25-year-late sequel to the Hustler and directed by none other than Martin Scorsese, well then, it takes on a whole new life.
If anything, it feels like a total disappointment.
Which isn’t to state that the Color of Money is a bad movie in the slightest, but it doesn’t feel like anything particularly fun, exciting or ground-breaking as it probably should have been. Did we really need a sequel to the Hustler? Probably not, but the idea here is promising and the fact that the movie was able to get Newman back in the iconic role of Eddie Felson, makes matters all the better. That’s why, while watching the Color of Money, it’s not hard to sit and imagine, “How could something with so much working for it and with so many damn talented people involved, turn out to be so ‘meh’?”
Honestly, I don’t have the answer. The only person who probably does is Scorsese himself as, as much as it pains me to say, seems like he was doing this for nothing more than just a paycheck. Sure, there’s brief, fleeting moments of the same kind of energetic inspiration we’re so used to seeing from him and his movies, but for the most part, the movie’s slow, the momentum barely ever picks up, and the times where it seems like there’s going to be some real stakes and/or emotional tension in the air, the movie suddenly backs off and continues on some path that we aren’t totally interested in.
It’s odd, too, because like I’ve stated before, the performances are quite good here, it’s just that they’re not playing with all that much.
It’s nice that Newman won the Oscar for this, but it’s also a shame, too. The reason being is because out of all the other 8 times that he was nominated, the one time that he won had to be for his least-compelling role to-date, not to mention an inferior take on a character he already played to perfection over two decades before. That’s not taking anything away from Newman, because he’s one of the absolute greats of cinema in general, but it goes without saying that it’s a little bit disheartening when someone who is so talented, so amazing and so compelling to watch, wins the highest prize an actor could win, for a role that shows him not doing much but just coasting along like we’ve seen him do before.
Because most of the movie is actually spent on Cruise and his character, who also seems like doesn’t have enough to really work with. Cruise does a nice job with the super-hyper, super-cocky Vincent, but also gets to be a tad annoying, mostly due to his character just being boring. We’ve seen this kind of character before a hundred million times, we know he’s got talent, we know he’s going to put it to good use, and we know he’s going to be successful, but we also know that he’s got a huge ego and will most likely make a terrible decision that not just hurts him, but all of those around him.
Sound familiar yet?
Surprisingly, the one who actually leaves the biggest mark is Mary Elizabeth Mastrantonio’s Carmen, who not only feels like the voice of reason here, but in a totally different movie altogether. Mastrantonio’s best skills as an actress has always been that she was the cool girl in the corner, who always had something to say, but didn’t mind keeping it to herself – here, she plays that role and is perfect with it. The chemistry she has with Newman is actually pretty electric, making it all the more clear that the movie should have probably been more about them, and less about the mentor-student relationship that’s overdone with Cruise and Newman.
Oh well, at least Newman got that Oscar. We can all walk away happy from this knowing that fun fact.
Consensus: Even with the talented cast, Scorsese being the camera, and promising material leftover from the original, the Color of Money unfortunately still feels conventional and tired, like the sports genre itself.
5.5 / 10
Photos Courtesy of: Moon in Gemini