It’s always best to get in the fake company of known-crazies.
Author Clifford Irving (Richard Gere) is finding it hard to stay afloat. His latest book was just passed-on, making him feel as if he’s nothing and probably going to be forgotten about some time soon. However, when he catches wind that famed billionaire Howard Hughes is as crazy as can be and barely anyone knows anything about him, well, Clifford concocts the perfect book. In it, he’ll be interviewing Hughes about his life, his business expenditures and most importantly, get all of the latest dish on his deepest, darkest and dirtiest secrets. Clifford feels like he can really get down to the bottom of what makes Hughes clicks and why he is the way he is, something that the publishers absolutely love and go haywire for. The only issue is that Clifford has never met Hughes and probably never will; the security is so air-tight on that man, that not even his closest, best friends can get anywhere near him. But that’s not going to keep Clifford away from getting the book he wants, he’ll just have to talk to everyone but Howard and try to do what he can to get the best story out of imaginable. Even if, you know, there are some lines to be blurred between “fact” and “fiction”.
It’s hard to do a bad, uninteresting movie about con-men. Whether the tales themselves are real, or fake, it doesn’t quite matter; it’s so entertaining to watch a bunch of sly, smart people act their ways through life, with all the right lies and moves. There’s something truly exciting about watching this, because deep down inside each and everyone of us, there’s that feeling that we wish we were that smart, that brave, and that damn slimy to do the same as they are, get away with it, and walk away from it all with a smile on our faces.
And that’s why the Hoax, despite seeming like it can border on the verge of ringing false, is still entertaining to watch.
Even though it is, oddly enough, directed by Lasse Hallström, of all people. However, what Hallström does best here is that he doesn’t get in the way of the material, or try to force anything down our throats; regardless of what the true stories behind most of these situations may have been, the movie moves at such a quick, efficient pace that it’s hard to really pin point the issues with the facts. The movie may seem ridiculous at points, but at the same time, it’s hard not to have a little fun, watching as this little weasel of a man tries his best to wig and worm his way out of every tense situation possible.
But beneath all of the facades, gags, lies, deception, and most of all, cons, there’s something to be learned here. There’s this idea running throughout the Hoax that is interesting, because it tries to make sense out of this whole situation in the first place. The fact that someone like Irving was so easily capable of fooling just about everyone around him, for so very long, for all of the wrong reasons, really makes you think – is there such a problem with his lies? After all, the lies and deceptions he was making, were all to really just get himself some money and a little bit of fame – he wasn’t trying to hurt anyone, start any wars, and he sure as hell wasn’t hurting Hughes’ feelings.
There are bits and pieces of the Hoax that show that maybe, just maybe, Irving’s little escapades had more of an effect than he, or anyone else had ever expected, but mostly, the movie realizes that this is best left to our interpretation. The movie doesn’t make us think that Irving is a great man for getting away with everything that he was able to get away with (although, he’s definitely ballsy, for sure), but show that even someone like him, can get away with so very much. And when all is said and done, for what reasons?
Well, fame and fortune and for most, anything can happen.
As Irving, the man, the myth, the legend, so to speak, Richard Gere does a solid job because he’s playing very much against-type. Sure, he’s still charming, handsome and yes, the ladies love him, but there’s also something more dastardly about him that makes his performance here the more bearable than some of his others, where we’re literally begged to fall in love with him and adore his beautiful, well-constructed face, chin and hair. Even though Irving isn’t made out to be a perfect human being here, there’s still something sympathetic about him that makes you hope he gets away with all of his lies, even though, yeah, it probably won’t happen.
While Gere’s Irving is mostly front-and-center for a good portion of the movie, there’s others who all show up on the side and remind us why they deserve to be noticed. Alfred Molina plays Irving’s sidekick, so to speak, and has some truly great moments, never letting you know exactly when the man is going to crack under all of the pressure; Marcia Gay Harden plays Irving’s wife, and despite an odd Swedish accent, she’s still charming; Stanley Tucci has a few great scenes that make you wish he was in the whole thing, as is the case with Hope Davis and Julie Delpy. They all add a little bit of fun and excitement to a story that certainly didn’t need their help, but hey, at least they were here to add something.
Consensus: While a good portion of it seems made-up (wouldn’t that be great?), the Hoax still gets by on the charm of its cast, and quick, swift and exciting pace.
7 / 10
Photos Courtesy of: PopMatters