Americans, stay home.
Alice and Peter Bowman (Meg Ryan and David Morse), are a loving couple who are now stationed in a nice little house somewhere in South America. Why? Well, because where Peter’s energy company is overseeing construction of a dam, something that is obviously benefiting them, but no one else who actually lives there and has to put up with all of the destruction, construction and rampage. While Peter is out and about doing his job, Alice is at home, getting more and more frustrated and unhappy about their marriage, what she wants to do with her life, and wondering whether or not she actually wants to start a family with Peter, or leave him altogether. Well, Alice is in for a shock when she finds out that Peter has been taken hostage by a bunch of terrorists, looking for more money from Alice and seeing how long they can keep her on the hook, while he’s still alive. Alice, without a clue in the world of what to do, decides that the best way to handle this situation is call up a professional: Enter Terry Thorne (Russell Crowe), a professional negotiator who has a strict moral code when it comes to hot and heavy situations like these, and won’t put up with any silly shenanigans, especially since he’s kind of becoming a little attracted to Alice and her plight, all things considered.
Most of the heat surrounding Proof of Life around the time of its release wasn’t how “good”, or “bad” it actually was, but because of how both co-stars, Russell Crowe and Meg Ryan, got together, shacked-up and inevitably, ended the later’s years-long marriage to Dennis Quiad. Does any of that really matter? No, not really, but it definitely does help to make sure that a movie, whether it’s bad or not, is talked about in the mouths of many people who probably have no reason to see it in the first place.
They just want the gossip and that’s about it.
That said, Proof of Life is a better movie than the controversy surrounding it, mostly because it’s about something slightly more than you’d expect with thrillers of these natures. Director Taylor Hackford is definitely hit-or-miss, but what he does well here, is that he does find smart, interesting ways to keep the tension moving, even when it seems obviously and abundantly clear just where the story is going, at almost every moment. Writer Tony Gilroy also deserves some credit for trying to make this ordinary thriller about more than just a husband being kidnapped, and more about the issues of big, corporate America coming in and taking over foreign countries for land, oil and money, but a part of me feels like there was a far more detailed script, that went into this a whole lot more and more.
Instead, Proof of Life mostly concerns itself with the fact that Morse’s character may have been up to no good and probably deserves some bad stuff to happen to him, but to die for it all? Well, probably not. And that’s fine; Hackford and Gilroy do come together enough in a way that makes us care about Morse’s character while he’s on this seemingly never ending journey to nowhere, as well as making us care about the characters at home, sitting around, waiting for something, hell, anything to happen. In fact, there’s more character stuff going on here than I see with most other thrillers of the same kind, making it worthy of getting invested in.
And yes, that does mean that Crowe and Ryan are good, however, both seeming to be in different movies.
Proof of Life is by no means whatsoever, a smart, sophisticated film made for the far more prestige-crowd out there, but at the same time, it’s no silly, slam-bang action-thriller, either. It’s just serious enough to be dark, but also fast-paced enough not to be slow. That’s why it’s odd by how cartoonish Crowe is here, showing up into every scene, only to drop some witty line, kick somebody’s ass, or stare long and hard at Meg Ryan. Don’t get me wrong, Crowe is fine with that and can be fun to watch, but when you take into consideration the rest of the movie surrounding him, it seems a little off. Same goes for David Caruso, who is so loud, obnoxious and foul-mouthed, you wonder if he was expecting this to be some sort of Die Hard spin-off.
But on the other hand, Morse and Ryan are both quite great here, showing that this kind of material can work, so long as you underplay as much as you can. Sure, often times, Morse laps into the loud craziness that contains both of Crowe’s and Caruso’s performance, but there’s also these small, human moments that make his character tick a whole lot more and it’s interesting to see what sort of lessons he learns and how he handles said situation. Ryan’s good as his wife, because her character’s also a little complicated, too; she’s the wife who actually got into a dispute with her hubby, didn’t know whether or not she wanted to stay with him and now, all of a sudden, has to really care about him and his well-being, all of a sudden. It’s a difficult role to make sympathetic, but Ryan does and it’s a shame that she never seemed to get enough credit for her against-type roles, because she truly did challenge herself, when push came to shove.
Unfortunately, not so much anymore, but here’s to hoping for a possible return of Meg Ryan.
Even as unrecognizable as she may be.
Consensus: While definitely an odd mixture between being too serious and sometimes silly, Proof of Life is an interesting thriller that tries to be about something, but overall, just ends up being a tense thriller.
6 / 10