Does anyone want to live forever? Does it even exist?
A Wall Street stockbroker named Lockhart (Dane DeHaan) travels to a remote location in the Swiss Alps to retrieve his company’s CEO (Harry Groener) from a mysterious wellness center, so that he can get him back to New York and ensure that nothing goes wrong with the company, even though that seems like it could definitely happen. Lockhart gets into a car accident out of nowhere and is then taken in by the hospital, cared for and allowed to stay there for as long as he needs. While there, Lockhart meets the young, attractive and blissful Hannah (Mia Goth), who seems very interested in the outside world, which is something that Lockhart wants to show her. But for some odd reason, her uncle, Dr. Volmer (Jason Isaacs), isn’t all that much of a fan on what exists outside the hospital. In fact, none of them really are, which makes Lockhart suspicious and question what’s really going on at this facility, how he’s going to get away from it, and most importantly, how the hell is he going to stat alive.
A Cure for Wellness is a movie that deserves praise, if only because of how weird, how dark, how odd, and how weird it is for a major-studio to get behind and give a wide-release to. And it’s not like they gave it to their most trusted and well-known auteur – Gore Verbinski hasn’t quite made such a great name for himself, besides the Pirates movies, and even those last two were a bit much. But it seems like they had enough faith in him and the source-material to not just pour a bunch of money into it, but allow for the rest of the world to see it, in all of its creepy glory.
And yeah, in that sense, it’s pretty good.
Verbinski knows how to frame a shot and give off a very eerie tone, practically the whole time. Almost every shot is calculated in such a perfect manner, that you feel like the shot-list itself was probably its own character in the production of making this movie. But it’s not really showy, either – it just seems like Verbinski is meticulous and has a certain way of how he wants to tell this story, putting us in already unsettling mood in the first place.
Which is why the movie definitely works, if mostly because of its tone. It’s dark, odd and definitely mysterious, for the longest time, which is a pretty solid feat considering that the movie clocks in at just about two-hours-and-26-minutes – another shocker to a movie that the studio clearly had some faith in. You almost get the sense that Verbinski is toying with us to a certain degree, not allowing us to see everything that we think we should, and continuing to keep us in the dark, longer and longer. It’s smart film-making and a sure sign that the man knows how to direct horror – something he already proved with the Ring a decade ago, but hey, it definitely needed re-stating.
But getting away from Verbinski, A Cure for Wellness does have some issues and that’s mostly in the story-department.
See, for the longest time during A Cure for Wellness, there’s this deep, dark secret at the center of the story that’s supposed to keep us gripped, guessing and on-the-edge-of-our-seats, but really, it’s pretty easy to figure out right away. And this is not some cynical, movie-critic problem because I’ve seen one too many movies in my time – if you’ve ever seen a horror movie such as this, trust me, you’ve got a pretty clear idea of where it’s going. And once it does get to that point, and all of a sudden, we’re supposed to be shocked and sent into the clouds, it doesn’t fully deliver.
Sure, the visuals still keep it compelling, but once we get down to the brass-tacks of this story, what’s really happening at this facility, and why, well, it doesn’t quite make sense. I won’t spoil it here, but yeah, it’s a little lame and it soon gives way to convention that’s disappointing, because for awhile, A Cure for Wellness proved to be something a tad bit smarter. It moves at an efficient pace for its long run-time, but it also never seemed to be taking any silly shortcuts, either – it was allowing for its story to get told, as slowly, but as surely as humanly possible.
It’s just a bummer that, at the end, it doesn’t really connect the way it should.
But hey, at least it’s got something to show for itself. And hey, at least it’s got a pretty solid cast, what with Dane DeHaan getting one of his first leading-roles, showing us that he is definitely capable of carrying a movie himself. His character’s a little thin, to be honest, but it makes sense – we’re supposed to see this story play-out, through his eyes only and it helps that he’s a little bland and work as a cover for our way through. That said, I do hope that DeHaan gets more of these bigger, leading-roles, because he’s got a certain presence to him that works – it just needs to be delivered on the same way Chronicle did.
On the supporting side, Mia Goth plays his supposed love-interest who is very interesting to watch, because she’s got a little mystery going on about her, too. The movie never makes it clear what they’re trying to do with her, but Goth has a look and feel to her that’s hard to take your eyes off, giving you the impression that she’s sweet and a little dangerous, too. Same goes for Jason Isaacs who, with this and the OA, proves that he’s perfect at playing these weird and pretty sadistic human specimens that don’t always use science in the best way imaginable.
So yeah, at least not all bad, either.
Consensus: With a stunning production, eye-catching visuals, and a creepy tone throughout, A Cure for Wellness works surprisingly well as a mood-piece, but maybe not so much as a thrilling, unpredictable horror-chiller.
6.5 / 10
Photos Courtesy of: Indiewire