Not all superheroes have to be nice.
It’s sometime in the near-future and needless to say, the world is not the best place for mutants. Most of them have either been killed, or are so hidden away from society, you wouldn’t even know where to look for them. However, Logan (Hugh Jackman) is one of them and needless to say, time has not been too kind to him. All those years of violence and havoc, have now taken a toll on his mind and most importantly, his body. Now, it seems like Logan, who was considered to be immortal, may eventually reach his demise. But before that happens, he’s tasked with saving the life of another mutant, a little girl named Laura (Dafne Keen). She doesn’t speak much of English, but has something about her that makes those involved with killing mutants, now want her. Logan sees this as something that he has to protect, so along with another aging mutant, Professor X (Patrick Stewart), they set out to take Laura out of harm’s way. But to where? None of them really know, but they’re going to search far and wide, anyway.
After seeing Deadpool last year, I came to the conclusion that in order for most of the superhero movies to stay fresh, they have to up the ante a notch or two. Meaning, it’s time to get rid of all the bloodless violence, the soft and sometimes petty smack-talk, and most importantly, enough with the predictability. Say what you will about some of Deadpool‘s flaws (which there aren’t many of), it’s one of the rare superhero movies that feels like it’s doing something new with the genre, while also staying pretty loyal to certain tropes and conventions, too.
The only difference with that movie was that it knew what it was doing and wasn’t afraid to tell you, either.
And with Logan, the same case can be made that, in order for most of these superhero movies to stay fresh and somewhat original, they need to change the way we see them. Rather than getting another run-of-the-mill, cookie-cutter superhero flick in which there’s a good guy, a bad guy, a threat, a love-interest, and eventually, a final showdown, we get a superhero movie where there’s a few okay guys, a few evil guys, a terrible and disturbing threat, no love-interest, and eventually, a bloody, gruesome and sometimes mean, final showdown. So okay, yeah, not everything here is changed up and different, but Logan shows small, slight ways that the superhero genre can be helped out a bit.
Which is what also brings me to talk about the R-rating Logan was able to obtain and it’s actually what saves the movie. See, Mangold approaches the material in such a dark, heinous and sometimes gritty way, it seems like R was the only way to go to do the actual story justice. But it’s not the kind of R-rating that’s hammered in because everyone wanted to give it a shot; the action and violence is a lot more brutal and gory than ever before, the cursing comes at the best moments and isn’t shoe-horned in, and just the overall feeling of it feels more adult and mature than any of the other superhero movies floating around out there.
It’s as if the kids were left at home and the parents got a night out at the movies and for a superhero movie, that’s pretty damn surprising.
And this is to say that it all works so incredibly well. Mangold ups the emotion, just as much as he does the blood, violence and gore, and for that reason alone, there’s more at-stake with this story – we feel closer to Logan than ever before, feel for him, want him to live on, beat the baddies and most importantly, continue to be the way he is. The movie never takes any shortcuts to giving us a fully-realized and complete story to this character, as well as Xavier, and at times, there’s something sweet about watching about watching these two characters, who we first got to see on the big-screens almost two decades ago, finally show their age and embrace the fact that their time on Earth is, of course, limited.
It’s sad for sure, but the movie never forgets that at its center, is really Logan, the rough heart and soul of this movie, as well as this whole franchise. And in his supposedly-final outing, Hugh Jackman probably gives his best performance as Logan, showing that there’s true heartbreak behind all of the killing and destruction he does. Rather than just being a guy who kills for the greater good of society, he’s really just killing cause he has to and has all of this rage hell-bent inside of him – it’s as if he finally stopped trying to please everyone and just let loose. Jackman’s always been perfect for this role and if this really is his last showing, needless to say, it’s the perfect swan song for him to go out on and shows us that we’ll truly, without a doubt, miss him in this role.
Now good luck finding a replacement!
And not just for Jackman, either, but for Stewart as well who, like the former, gives his best performance as this character, showing deep sadness and frustration within a character that seemed like he always had it all together. Stewart gets a chance to explore Xavier’s nastier, ruder side and it’s a joy to watch; not because we know he can do it (as was the case with Blunt Talk), but because he’s stealing every scene he’s in. The chemistry between he and Jackman also finally comes into play here, where we realize that they’re not just best friends who have literally been through it all together, but that they’re also one of their kind left and they both have a legacy to behold.
It’s sad, but kind of heartwarming and the note Logan ends on, well, needless to say, is perfect. It’s melancholy, depressing, and altogether, perfect. Where they’re going to go with the franchise, is totally beyond me, but I definitely look forward to it.
Consensus: With a harder, darker and rougher edge to it than the others, Logan works perfectly as a more adult-like superhero movie, with plenty of action, blood and cursing for the grown-ups, but a heartfelt, sad, and rather sweet story at the center, proving even more why Jackman is perfect for this title role and why it’s going to be weird without seeing him in it.
9 / 10
Photos Courtesy of: Kenwood Theatre