Cause we needed an updated version of a buffalo and human falling in love.
Belle (Emma Watson) is a bright, young, and beautiful girl who loves to read, doesn’t have herself a man, and doesn’t really know if she wants to have a family just yet. Due to this, everyone around her treats her like she’s a silly little girl, who doesn’t know much about the real world, except for what she reads in books. Her father (Kevin Kline), however, knows, understands, and loves her no matter what, which is why when he turns out to be captured and held hostage by the Beast in the big castle (Dan Stevens), she saves his life by sacrificing her own. And at first, for Belle, it’s a pretty terrible time – the Beast is mean, grumpy, and not all that fun to be around, and it seems like Belle will probably live the rest of her days miserable and depressed. Sure, there’s the talking objects around her that constantly console her and let her know that it’s all going to be okay, but for some reason, Belle just can’t get past the fact that she’s being held prisoner. Until, of course, her and the Beast begin to actually get to know one another, and then everything changes. For her, for him, and for everyone else surrounding them.
Oh, Belle. So innocent. So sweet. So feminist.
Did we really need a live-action Beauty and the Beast, considering that the original animated flick is downright perfect? Probably not, but hey, it’s Hollywood, so why not get one, eh? And honestly, the live-action update isn’t a soulless, boring and total manipulative cash cow that you’d expect – there’s some fun, some light, and some enjoyment to be had. But for the most part, it feels like the kind of movie that tries so much, for no real reason.
For instance, take the run-time. At just a little over two hours, this live-action update doesn’t just feel overlong, but rather unnecessarily plodding at times. There’s added-on songs, scenes, and even story-bits that, okay, do show some effort, but they really don’t go anywhere; the original movie was barely even 90 minutes and it was perfect for that reason alone. Adding on another 30 minutes doesn’t do much but just add more time for people to get bored and start realize that there’s more problems underneath it all.
Which isn’t to say that this live-action can’t be fun, because it definitely can.
It’s just that for a movie like this, if you’re looking for problems, you’ll find them. There’s a whole gay subtext involving Lefou, as played by Josh Gad, and Gaston, as played by Luke Evans, that just feels shoe-horned in and way too silly for its own good. Sure, I’m fine with gay characters in Disney movies and would definitely love more of them, but in this instance, it just feels forced – it’s almost as if those behind the screen were just deliberately trying to mess with the studio-heads and took the easy way out in doing so. Gad’s fine in the role and can be funny, but Evans, while hunky, charming and can belt them out like no tomorrow, also doesn’t feel right for this role because he’s, well, not necessarily as jacked or as huge as he’s supposed to be.
And that goes for a lot of the other cast-members, too. Everyone playing the objects in the castle are fine, with Ewan McGregor stealing the show as the most Scottish French candlestick ever, but others, like Watson and Stevens, for some reason, just don’t fit. Watson herself seems bland, and Stevens, depending on how much of the movie was him and not just CGI, tries what he can, but overall, it’s a thankless role left to voice-over. Also, their voices do leave a lot to be desired – why we’re not using voice-dubs anymore is totally beyond me and it proves to be a problem for this movie because, a good portion of the people here can’t really sing as much as they should. These songs, while definitely memorable, still need that huge, loud operatic voice that the original had, and with Watson, Stevens, Gad and others, it’s just not there.
Gay or not gay, it don’t matter.
The only heart and soul found here is from Kevin Kline’s Maurice, who gets to be sad and emotional, while also have some fun, too. It’s the true sign that above it all, Kline will always come out on top, because he’s not just a pro who can do it all, but proves why he’s always better than the material that he’s working with.
In other words, they should have just given the movie to him.
And trust me, I know that I’m doing a lot of hating on this flick, but it’s not totally the case. It’s still enjoyable, Bill Condon is a good director who knows how to make material like this click and pop, and the production-design, above everything, is a downright orgy of glitz and glam. It’s just that there are issues, none of which were found in the amazing, still watchable, still great, and always so lovely original.
So yeah Disney, stop trying so hard.
Consensus: Undeniably light, charming and often times, fun, Beauty and the Beast also suffers from being unnecessary and a little too long.
6 / 10
Tale as old as time? Between a buffalo and a human being?
Photos Courtesy of: Indiewire