School sucks. So just go home.
It’s February, which means that it’s cold, snowy, and absolutely miserable outside. The best option for mostly everyone is to stay indoors, keep warm, and just hope that the snow doesn’t come down too much for shoveling the next day. During this deadly cold time, a troubled young woman named Joan (Emma Roberts) for some reason, gets picked up by an older couple (Lauren Holly and James Remar), who take a liking to Joan and need her for something. Joan doesn’t really know what, but she’s happy to be out of the cold for once and appreciates all of the hospitality. Meanwhile, at an isolated prep school, there’s Rose (Lucy Boynton) who has a bit of an issue of her own, and doesn’t know how quite to deal with it, whereas her fellow student Kat (Kiernan Shipka), also is dealing with something going on with her, too. The two students are basically trapped in this school over this winter-break, without barely anyone to talk to or hang with, except for each other, which makes all of the strange happenings around the campus all the more weirder and scary. Somehow, these three stories are connected, but neither knows just yet.
Mad Men‘s over. I know. Shocking.
Oz Perkins clearly likes to take his stories slow. As he did with I Am the Pretty Thing that Lives in the House, Perkins showed that he has a love for taking his time, keeping his camera still, and constantly building and building on atmosphere, as opposed to just throwing all caution to the wind and letting loose. In a way, there’s no problem with that – as long as you’re building on something interesting and compelling, then really, there’s no problem.
And for awhile, it seems like that’s what the Blackcoat’s Daughter (or as it used to be known as, February), is rolling with.
For the most part, Perkins helps his case out by giving us three interesting stories of three relatively different women, without fully divulging into each and everything we need to know about them. They’re dark, quiet, and a little mysterious, which makes them watchable and for us, the audience, curious of where the story may take them; Perkins doesn’t really show too many instances of horror in the first half-hour of this movie, but instead, just building small, ever so brief moments of character and mood that gradually, over time, come together and help the movie out.
And sure, it does aid these characters that the three gals playing them, Emma Roberts, Kiernan Shipka, and Lucy Boynton, are all commanding presences. Roberts seems like she’s got something deeper and darker going on with her; Shipka just seems creepy altogether; and Boynton, while clearly getting the most to work with out of the three, seems like she could have really worked in something that was perhaps more dramatic, and less sinister. But still, all three here are good and keep us watching, even when we’re not quite sure just where everything is going.
Cause when it does get to where it needs to, Blackcoat’s Daughter doesn’t totally disappoint, but it does feel odd.
Cheer up, Scream Queen. (TV references are all that I’ve got)
In a way, a lot of crazy, bad, ugly, and scary stuff happens in the final-act, but there feels like there’s more behind it and we just never get to see it. It’s as if Perkins himself had the material in mind to help us make better sense of all the scary stuff that’s happening, but either didn’t have the time, or budget, to really develop it more. You can sort of tell this is a problem, too, with certain scenes getting really gory and graphic, but other ones, hinting at something more underneath, and we just never get to see that.
The horror itself is still effective, but when it feels like there’s something missing behind allowing it to hit even harder, it’s a bit of a problem. Most horror movies suffer with this, mostly because it seems like they just don’t have any ideas in the first place, but just scares, but it seems like Perkins himself is a step above that. Perhaps, he’s got a few too many ideas to really connect-the-dots between them and his scares, because there’s just something missing here.
One of these days I’ll figure it out. Hopefully.
Consensus: Effective in building on its atmosphere and chills, the Blackcoat’s Daughter shows Perkins is able to conjure up horror, even if he doesn’t have all the nuts and bolts down.
6 / 10
“Yeah, this vacation blows already.”
Photos Courtesy of: Gruesome Magazine