I guess the hood ain’t such a bad place to live after all.
Craig (Ice Cube) spends most of his days doing nothing, staying unemployed, and just trying to get by in life, constantly chilling with his boy Smokey (Chris Tucker). However, the day that comes between Thursday and Saturday hits and for some reason, there’s something different about the day that isn’t like every other one.
By the mid-90’s, the hood subgenre of film became a bit of a joke. The themes, the violence, the stereotypes, etc., had all been played-out so much so that by a point, there was even a Wayans spoof on it all. What once had been a reliably sad and effective genre of film-making, soon became a bit of a stale product, that only seemed to get worse with each and every attempt at creating something close to resembling Boyz N the Hood.
Which is why, at the time, and of course, now Friday is such a breath of fresh air.
Sure, is it a “hood film”? Yeah, it is, but it’s a different kind of one. It doesn’t really try to lay down some life-altering message about getting out of the hood and making a better future for yourself, nor does it ever seem to try and ever take itself too seriously. If anything, it’s just a smooth, relaxed, and downright silly comedy about one day in the hood, where some good stuff, some bad stuff, and some wacky stuff happens in, of all places, the hood.
And yes, Friday works because of that; it’s a very chilled-out kind of movie that doesn’t rush itself, doesn’t have too much of a plot to really get going with, and it sure as heck isn’t running too long with its barely 90-minute run-time. And none of this is a bad thing, either – most comedies, like John Waters always says, should barely be 90 minutes and Friday works well for that reason. A lot of the gags are so quick and random, that they somehow just work and come together, because the movie doesn’t harp on them too much, just like it doesn’t slow itself down with jokes, either. And it all matters, too, because, well, the jokes are actually pretty funny in and of themselves.
Which is why it’s hard to go on and on about Friday without talking about the one and the only, Chris Tucker.
I think it goes without saying that Tucker makes Friday as funny as it can get. He’s often the scene-stealer, using his high-pitched squeal and delivery to make any joke land, as well as seeming like the funniest guy in the room, amongst a pretty funny crowd. It’s not really known how many of his lines were scripted, or how much everyone involved just trusted him to do his thing, but whatever it was, it works and it’s because of Tucker that even when Friday seems to meander a bit too far away from itself (which it often does), it still comes together in the end.
Which isn’t meant to take away from everyone else here, but yeah, when compared to Tucker, it’s hard not to notice. For instance, Ice Cube plays the straight-man, and seems to be having fun, even though often times, his role seems to just be used as the protagonist we see everything through. John Witherspoon is also a lot of fun as his daddy and kept me laughing every single time he showed up but also provided a lot of insight into how daddy’s usually are with their older, bum-like children. Nia Long is also nice as, once again, the romantic love-interest in a hood flick, while such comedic-greats like Michael Clarke Duncan, Faizon Love, and Tiny Lister, and oh, of course, Bernie Mac, all show up, do their things and remind us why they’re so funny in the first place.
But where Friday doesn’t hold up for me (and granted, I have seen this movie about four-to-five times now), is that it’s direction is a bit sloppy, however, with good reason. At barely 25 years of age, F. Gary Gray took over Friday and seemed like he didn’t have to do all that much, but somehow, the movie is still a bit messy. The best aspect of the movie is how, for the longest time, there’s really no plot and nothing needing to drive it by, but by the end, all of a sudden, there’s a plot, there’s a serious conflict, and there’s a, unfortunately, message that we’re all supposed to learn from. If anything, it feels lame, tired and annoying, and it seemed to only happen because Gray was just getting started and needed to get his foot in somewhere.
Thankfully, he did.
Consensus: Even with a slightly amateurish direction, Friday still works because of its odd gags, relaxed, yet pleasing tone, and of course, the exciting cast, led by a stand-out performance from Tucker.
8.5 / 10
Photos Courtesy of: Filmaholic Reviews