Did someone say “bang bang”?
Two different groups of thugs get together to finish up the deal on a bunch of guns. Seem simple enough, eh? Well, unfortunately, that doesn’t quite go as planned when the groups begin to feud for some odd reasons and then, eventually, and seemingly out of nowhere, begin shooting at one another. But why? And better yet, who is to be blamed for all of this craziness and havoc?
Co-writer/director Ben Wheatley thinks he’s definitely a lot smarter and humoruous than he actually is, which is why his movies, for the most part, have left me feeling a tad bit dry. Sure, they’ve got inspiration and definitely some creativity, but they mostly feel like mixed-bags where Wheatley tries a lot of different things at once and doesn’t quite come out on top, looking as clean and as smart as he thinks.
It’s nothing against him, as a person, because I’m sure he’s a cheeky and lovely fella to be around, but it also seems like he’s a lot wittier than he may be. Does he take extra steps to put himself into a corner with the kinds of movies he takes on? Oh yes. Does he at least show a surprising amount of ambition? Definitely. Does he always seem to know what he’s doing? Not quite, and that’s why Free Fire, while still something of a slightly mixed-bag, also works a lot better than his other flicks because, well, it is actually as witty and humorous as it think it is.
Which is definitely saying something.
Cause honestly, the premise is basically one overlong gun-battle and while it can get to be a little tiring after hearing gun-shot-after-gun-shot, it also sinks so much into your brain that it works. Eventually, the sound just becomes background noise to these characters constantly plotting, yelling, and figuring out ways how to get out of this situation alive, get off with all the guns, and also, get rid of the ones shooting at them. Sure, is it maybe too simple for its own good? Most definitely, but it still works because Wheatley and co-writer Amy Jump seem to know what it is that they’re dealing with here and it works.
In other words, it’s a fun movie. It’s actually kind of funny, but also pretty barbaric and disturbing when it needs to be, and it draws us even closer into the twisted, sick and warped mind of Wheatley. Could he have possibly have toned-down all of the constant shooting and instead, I don’t know, given us something along the lines of a one-on-one battle? Probably, but still, it’s hard to complain about a movie that doesn’t seem to be doing a whole lot, yet, still entertaining. It so rarely happens to me with a movie, so it’s great when it does.
And yes, the awesome ensemble is to be thanked for that, too.
Because everyone’s got their own one little trait, it works in the long-run. Cillian Murphy and Michael Smiley are the bad-ass Irishmen; Brie Larson is the woman who constantly keeps on getting underestimated, but always proving herself; Jack Reynor and Noah Taylor are scummy dudes; Sharlto Copley, in one of his best performances to-date, is the stylish, yet annoying South African who takes things too seriously; Babou Ceesay is his very hard-to-understand partner; Jack Reynor is pugnacious and always looking for a brawl; and in probably the best performance, Armie Hammer stays cool and stylish, even with all of the killing and violence surrounding him.
With a great cast such as this, would you expect a bit more than just quips and shots fired? Probably, but once again, it still kind of works. Wheatley knows how to shoot this action to where we can tell what’s happening, even when it’s sometimes not all that clear, but he also knows how to draw us in on the tension, by upping the stakes and keeping surprises up his sleeve. It can be viewed as pretentious, but compared to his other movies, it’s probably the least stylish and obvious he’s ever been, which means yes, it’s good.
Pretty damn good, to be honest.
Consensus: As simple as it may be, Free Fire still gets by on its fun, humor, and perfectly put together cast who work well in this crazy atmosphere.
7.5 / 10
Photos Courtesy of: Aceshowbiz