What’s up with all these hacker-bros and sex?
Filmmaker Laura Poitras, after being, once again, flagged by the United States Government as “Un-American” decides that it’s time to start following and documenting the life and times of WikiLeaks founder Julian Assange and his team who, in the early 2010’s, was red hot with infamy and controversy from the whole entire world, for better and for worse. However, while the portrait of Assange starts off relatively nice and flattering, it soon turns ugly when it’s revealed that Assange is being accused of sexual-assault by a few women that he may, or may not have, had sex with. Then, it gets worse when Poitras herself begins to strike up a relationship with another hacker and WikiLeaks member in Jacob Appelbaum who, like Assange, is accused of committing the same sort of sex crimes. It all eventually piles up into more legal cases and issues that Poitras has no idea what to expect from next, especially since Assange himself is constantly changing before her very own eyes.
Risk is much like Citizenfour, in that we’re getting an up-close-and-personal view of this controversial and rare figure. But Risk is also like Citizenfour in that it’s sort of not really a documentary in the general sense, as much as it’s just a bunch of scenes, over and over again, watching some dude talk about technology, type on his computer, talk on the phone, and yeah, act really freakin’ paranoid. It’s crazy that Poitras got this kind of access to not just Snowden, but also Assange, especially when he was at the peak of his fame, but at the same time, there can be something said for a documentary that’s basically the same as its predecessor, except in this case, it’s someone who’s a lot less interesting to watch and hear from.
And why is that? Well, it comes down to a little thing we like to call “timing”.
See, Risk is the kind of documentary that not only feels a few years too late, but sort of also forgets to cover the most important and notable event that occurs later on (the Clinton documents being leaked during the election). It feels like the kind of movie that had a lot of footage to work with, some of it interesting, some of it not, and Poitras, being the smart film-maker that she is, has to choose from all of it. What she ends up allowing in the final product is fine, but once again, it’s a lot of the same stuff, over and over again.
But this time, like I said before, it’s with Assange who, in all honesty, just isn’t all that interesting to listen to. He goes on and on about hacking and the world wide web, but it kind of goes nowhere. You can tell that he’s just ranting, with no clear end in sight, and what’s weird is that Poitras never seems to edit any of it; it’s like she’s too nice to him to really make him out to be the fool that he is.
Which is why Risk does bring up an interesting point about Assange and this whole legion of hackervists who are, essentially, heroes to the underground political world, but may also be just as slummy and as dirty as the people they are going out after. It’s nice to see a movie not shy away from this fact and provide perfect and nitty, gritty detail to it all, but once again, it’s been done before and doesn’t feel totally fresh. It’s all about timing here, people, and yeah, Poitras was just a little late to the button.
It’s not her fault, it’s just how life works out in general.
Sometimes, you get to the right person, at the right time, like she did with Snowden, but other times, you get the right person, at the right time, sit on it for awhile and then, yeah, public-interest for said right person, goes out the window. Maybe that’s just my own personal feelings about Assange, WikiLeaks and his supposed “morals”, but really, it all comes down to whether or not this guy has anything compelling to say or do for an-hour-and-a-half in the spotlight and well, he really doesn’t. A simple blog post would have honestly been fine.
Consensus: Laura Poitras is brave and smart in getting the footage she needs, but Risk, at the same time, also feels like it’s late to the party, focusing on someone who, honestly, the public has lost interest in and has mostly just become a bit of a joke, with only some of that being highlighted and focused on here.
6 / 10