You’re dead, but are you forgotten?
Newspapers are dying and guess what? So are people, too! And to make sure that those names, faces, and famous figures aren’t forgotten by the rest of the world, the obituaries are there to write it all up. But most importantly, at the New York Times, one of the most prestigious and well-known newspapers still around, there’s still this need to ensure that every person who dies, whether well-known, or not, get their bits and pieces in the newspaper. But as we see, even those famous and incredibly talented writers run into issues that every journalist runs into; whether it’s getting all of the facts correct, finding the right sources, or hell, even making sure that it’s the right length, these writers have to make sure that their stories go down without a hitch. And even if there is one, what’s next to do?
For a fellow journalist, Obit is a nice documentary because, even in our current climate, where journalists, the media, and news people in general, are getting attacked for going out there in the real world and reporting on, well, the news, it’s still nice to see that writing, words, and news itself, are still important to our society. And even those people that still decide to stick through it all, even when the world is changing and the job-field is getting smaller and more limited, deserve to have the spotlight shined on them, even if it’s for only a short amount of time. It reminds me why I love being a journalist and why I enjoy going out there, getting a story done, and figuring out what works best, what doesn’t, and so on and so forth.
It sounds boring, I know, but for someone in my field, it’s like a kid at a candy store.
The same kind of feeling that, in all honesty, I never felt with Obit.
And this isn’t to say that the movie is bad – it’s well put-together in that it’s paced nicely, smooth, looks great, polished, and yeah, gets as much information out there for an-hour-and-a-half that’s absolutely necessary. But by the same token, it still feels like the kind of thing that would have been much better off as an hour-long This American Life special, as opposed to an-hour-and-a-half-long movie that has some nice points and ideas to make for at least 30 minutes, but then sort of rambles on and for the next hour or so. It’s the kind of documentary that goes into the subject/topic, knowing that it doesn’t have a clear-cut story to begin with, so instead, plays like a fly-on-the-wall, but also shows why certain documentaries that sort of just wing it, can be a little annoying to watch.
Which isn’t to say that these kinds of documentaries that just sit there and document everything that they see and are told, are bad movies in the first place; a similar one like Page One, plays the same way, but is compelling, exciting, interesting, and well, fun-to-watch, despite not really having a story in mind. Obit has an idea in its mind and attempts to make something out of nothing, but ultimately just rambles on and on, without an idea, or direction of where to go with itself. It made me wish for more specific cases and, honestly, a tighter-production.
Still though, it serves, at best, a tribute to those who actually have these jobs, writing about dead people, both famous and not, who still try their best to make sure that the absolute truth gets out. In that sense, then yes, Obit works; it gives us the right people to watch and listen to, as well as some interesting cases where these writers were tested. However, it also feels like, once again, there’s almost too many of them, with so very little to be known about each and everyone, that makes me wonder if there was a longer-cut of this out there somewhere, or if there just wasn’t all that much to really work with?
Honestly, I’m not sure. But yeah, Obit‘s fine. Just don’t expect a whole much.
Consensus: Though it shines a nice light on journalism and journalists, as a whole, Obit still feels like its got very little to work with, for a very long time, by offering only small bits and pieces of interesting tidbits.
6 / 10