Disease can kill. But also heal. Right? Not sure.
Kumail (Kumail Nanjiani) is a Pakistani comic living in the windy city of Chicago and, along with his fellow comics, is just trying to get by and hopefully, hit the big-time. But his whole life begins to change when he meets an American graduate student named Emily (Zoe Kazan) at one of his stand-up shows and immediately, the two hit it off. The only issue standing in the way of their relationship is that Kumail’s parents want him to get married within his religion. If he doesn’t comply, then guess? He’s practically kicked out of the family and never allowed to contact them ever again. It’s a shame, but it’s something that Kumail, despite his family’s best wishes, has sort of been trying to live against. Which is why Emily doesn’t know how to react to all of this. As a result, they break-up and Kumail is left back to dating women within his religion. But then, suddenly, Emily is in a coma and even worse, her parents (Ray Romano and Holly Hunter), travel all the way up up from North Carolina to see what’s happening with their daughter. It puts Kumail in an awkward situation, but it also makes him want to not just give this family a shot, but possibly even the relationship a shot. When she wakes up, that is.
And here’s the real kicker: It’s all true. Yup. Co-writers Kumail Nanjiani and Emily V. Gordon are, get this, a real life married-couple who met exactly like this and because of that, we’re allowed to sit back, watch and enjoy their dark, twisted, sometimes funny, but always sweet romance blossom (?). Which is odd because the Big Sick takes on so many different plot-threads and tones, that it’s a true wonder how any of it comes together in a cohesive manner, or at all.
Director Michael Showlater knows what he’s doing with this kind of material, in that he knows how to play-up the laughs, but also the sadness and sometimes weightiness of it, too. It’s a slippery-slope that Showlater balances around and while he doesn’t always make it work perfectly, the balancing act is way more skillful, the more you think about it and realize that he’s taking somebody’s else’s own material/life, and doing it all justice. It’s nothing flashy, it’s nothing spectacular, and it sure as hell isn’t anything surprising – it’s just sweet and rather good-natured.
Basically like nothing else the guy has ever done before, which is all the more surprising.
But still, it deserves to be noted that another famous figure had a hand in this pie, and it was Judd Apatow. And yes, you feel every bit of it. See, the Big Sick is one of those comedies that deals with a blog plot, but also likes to get side-tracked every so often by random subplots, characters, and jokes that, sometimes work, and other times, don’t. In this movie’s case, it’s hard not to imagine this movie slicing out at least ten-to-15-minutes worth of footage, because after the two-hour mark, it can feel a bit straining.
And it’s not as if the material isn’t funny, or interesting enough – it’s just that it’s all so predictable that, after awhile, you just want it to get over with. We know that Emily survives, we know that she wakes up to smell the cauliflower (or in this case, Kumail), and we know that the two eventually fall in love and get married. So, honestly, why is it taking so long to get there? And better yet, where’s the rest of the story in the film? We get all of this talk about arraigned-marriages and the sort of controversy surrounding Kumail’s companionship to a white woman, but when it comes time to tell that part of the story, the movie sort of lingers over it.
It’s as if, oh no, it wasn’t a problem in the first place.
Either way, I’m clearly taking away a lot from the Big Sick and I shouldn’t; it’s a funny, heartfelt, and well-acted movie that doesn’t live up to all of the insane praise it’s been getting from every person and their grand-mother, but it’s still a nice, small, and sweet diversion from all of the loudness of the summer blockbusters. It’s the kind of movie that people can go into, expecting a romantic-comedy, getting one, but also being a little happy that there was a little more going on than just two attractive and talented people finding one another, falling in love, and yeah, getting married. It’s also a movie about culture, about family, and no matter how insane they both may all drive us, they are, after all, what makes us, us.
So it’s best to just appreciate it all for what it is and shut the hell up!
Consensus: Despite being overly long and uneven, the Big Sick still works because it’s funny, heartfelt, and an interesting rom-com that goes beyond the usual conventions of the formula.
7 / 10
Photos Courtesy of: IndieWire