Be yourself, momma!
Anne (Diane Lane) is in Cannes with her husband Michael (Alec Baldwin), a prominent movie producer. As the festival ends she learns that the vacation she and her husband were supposed to go on in Paris will be slightly delayed as they need to go to Budapest first. They plan to fly to Paris, but the pilot suggests Anne not fly due to an ear infection. Michael’s producing partner Jacques (Arnaud Viard) offers to drive Anne to Paris himself. But here’s what Anne doesn’t know, or better yet, expect: Jacques is going to take it upon himself to not just wine and dine her, but also even take her to bed. Why? Or better yet, how could he? Well, it’s because he’s French and that’s just the sort of wacky things that they do, right? Anyway, Anne doesn’t know whether to be flattered, or appalled, but mostly, just wants to be left alone where she can take pictures, enjoy the food, the scenery, and occasional good conversation that gets so very deep, she doesn’t know if she’s made the right decisions in her life.
Paris Can Wait is probably the most perfect movie to take your older-relative out to this summer. If they don’t want the slam-bang, loud action of the blockbusters, then give them something small, quiet, sweet and relatively carefree that doesn’t ask for much except just your undivided attention for, oh, I don’t know, say an-hour-and-a-half, if even that. Which means that it’s a fine little movie in its own right, but does that make it really any good?
Not really. But once again, think about your older-relatives. They like movies, too, and why should they be forgotten about? Why? Because they don’t care for Transformers? Or some dude swinging a web? In this general sense, then Paris Can Wait is probably the most perfect movie around: Inoffensive, simple, and easy-to-follow. It’s not setting out to hurt, kill, or maim anyone, but then again, should it?
Better yet, coming from the matriarch of the Coppola family, shouldn’t it do that, and a whole lot more?
Yes, probably, but as is, it’s fine. Writer/director Eleanor Coppola has set out to make a small movie that tries to discuss all aspects about life, love, growing old, having regrets, and yes, appreciating everything around you, but doesn’t really seem to touch on any aspect all that much; it’s as if she’s treading along, hoping to catch something deep, dark, and rather emotional, but doesn’t. And as a result, we’re left with a movie that’s about so many different, small things, but not totally about a whole lot much else.
It’s a shame, too, because at the center of this tale is a really great performance from Diane Lane who, is still just as beautiful as she was in Francis Ford’s the Cotton Club, but also a lot wiser and smarter of a performer. As Anne, Lane, gets the opportunity to show us a sad and, at times, confused older women who doesn’t quite know if she’s happy with the life she’s lived, but also knows that it’s a little too late to change everything up and act as if it never happened. There’s a very surprisingly and emotional scene involving Anne in a church and it’s a great bit of acting from Lane and probably the best part of the movie.
In other words, it comes out of nowhere and actually goes somewhere.
Something that, unfortunately, the rest of the movie doesn’t follow through with. Sure, it’s enjoyable and a feast on the eyes, ears and probably even, the heart, but at the end of the day, it’s just a piece of time passing by. And what would you much rather do with your time left on this planet: Watch a mediocre movie starring Diane Lane? Or, actually live and experience life, go to Paris, drink wine, eat fatty food, have sex, be naked, and yes, just enjoy things around you?
But hey, don’t forget about those older-relatives. They’re what really matters, after all.
Consensus: With a solid lead performance from Diane Lane, Paris Can Wait gets by as an enjoyable diversion to whatever else is out there in the cinemas (hey, remember those?).
5 / 10
Photos Courtesy of: Citizen Charlie