Scott and Kate Johansen (Will Ferrell and Amy Poehler) have been planning their whole lives for their daughter’s moment she goes off to college. However, when the scholarship money falls though, they have to think of something and something quick, which eventually involves their close buddy Frank (Jason Mantzoukas). In other words, they put their brains together and think of something so crazy, so barbaric, and so insane, that hell, it just might work. That’s right, an underground casino where adults from all over the little town can come together, get wild, get crazy, throw money at the walls, and have a grand old time, as if they were young, free and without any damn responsibilities anymore. The only issue is that, for Scott, Kate, Frank, and well, everybody else, they are old and have something resembling responsibilities, making this casino a much more dangerous and scary place than any of them ever wanted it to become.
It’s crazy to think a comedy starring two of the best, funniest, and brightest talents in the game, with plenty others surrounding them, would come and land with an absolute thud like the House did, but unfortunately, that’s what happened. It wasn’t screened for critics, it was barely advertised, and oh yeah, it didn’t really do well at the box-office, even despite both Ferrell and Poehler still being draws. What happened?
Well, the short is that it’s not a very good comedy.
But the long is that it’s just like every other studio comedy out there made in the world in that it features barely any story, cohesion, or interesting-writing, but instead, features a bunch of funny, incredibly talented people, just making everything up as they go along. Normally, I’d be disappointed with this, but considering that we literally just got the same thing a few weeks ago with Rough Night, it’s hard to really expect much else; without having to actually put any thought or effort into how these movies play-out, how the jokes build, and eventually, play out, the general idea is that you get a bunch of funny people around, put a camera in front of them, film, and let the magic happen.
Magic can occasionally happen in cases such as these and even in the House, there are some slight glimmers of true fun comedy. But the issue is that the laughs and fun happen so very few and far between one that, even at 80 minutes, it still feels like a stretch. Hell, you’d think that with such a short movie to begin with, that we wouldn’t have to sit through much and make this feel like more of a slog, but somehow, that’s exactly what happens. And yes, it’s exactly what happens when you don’t really put much of any effort into anything, other than getting a solid cast of funny people together.
Then again, maybe I’m putting too much thought into a movie like the House.
Then again, maybe I’m not. Maybe I just appreciate it when a movie with as funny and as promising as a premise as the House, actually delivers on not just the funny, but also the promise, and gives us a, get this, a solid comedy. It doesn’t have to change the world, it doesn’t have to break down any barriers, and it sure as hell doesn’t have to be perfect – all it has to do is be funny and feel like it was at least written more than half-way through. The House doesn’t feel like that, though, and it not only suffers because of it, but so does everybody else, too.
And yes, this is to say that Poehler, Ferrell, Mantzoukas, and so many other well-known, talented and reliably funny people here who show up and give it their all, are indeed funny, but at times, it can’t help but feel like their talents are being wasted. Literally, not a single one of them play an actual character that makes sense, or at the very least, works in this movie’s small world; sometimes, even the bittiest kind of character-development can go a long way into helping us realize just why a person is why they are and why watching them is so funny to begin with. It’s simple movie-writing 101 and honestly, I shouldn’t even have to state this, but unfortunately, movies like the House exist and continue to come out, therefore, making it all the more understandable to bring up why a script matters.
Even for, yes, a comedy.
Consensus: Although everyone tries and can occasionally be funny, the House doesn’t live up to the promise of its premise, nor does it really have all that many laughs to help guide along its incredibly short 80-minute run-time.
4.5 / 10
Photos Courtesy of: Kenwood Theatre