Arranged marriages are all the rage.
In the year 1865 in rural England, a young woman, Katherine (Florence Pugh), is in a loveless marriage to an older man, Alexander (Paul Hilton). She doesn’t care for the man and in fact, he’s quite awful to her, but she puts up with it all because her father couldn’t take care of her any longer and now she’s got plenty of time to just sit around, drink, and eat, while occasionally having to sexually satisfy her hubby who, for some odd reason, doesn’t actually like being physically intimate. Either way, yeah, Katherine’s not happy about the arrangement, which is why she takes full advantage of the freedom she gets when her husband heads out for a business trip and is planning on being gone for quite some time. But her idea of “freedom” gets to be a bit much when she starts something of a relationship with the helper (Cosmo Jarvis), who enjoys having some hot, steamy sex with the lady of the house, but at the same time, also understands the dangers. This is something that Katherine doesn’t fully take into consideration and it all comes back to hit her in the face when people start coming around and sniffing about her place, wondering what’s going on.
Lady Macbeth is a pretty bleak film and because of that, it’s actually pretty hard to enjoy. Even in its 89 minutes, it’s quite repetitive and almost feeling like its script was written without any dialogue at all, but instead, just actions and sounds. In that way, it’s a movie that deserves and requires a lot of time, focus and attention, but mostly, it gets by on being a little dark, a little creepy, and a little eerie.
And yeah, that’s about it.
It does deserve to be said that director William Oldroyd approaches the material well; like stated before, there’s a lot of long, silent pauses where you can literally just hear the wind hitting the windows outside. Some may find this “boring”, but it works in this movie’s favor because it helps create an odd sense that something isn’t quite right here, even before bad stuff actually does start happening. And even when the supposed “bad stuff” does begin to happen, the movie thankfully doesn’t delve into any of the melodramatics you’d expect it to – it’s just chilling and creepy and that’s all it needed to be to get the job done.
Oh lord, The dreaded vial!
And yes, Florence Pugh is also pretty great in the lead role as Katherine who, over the hour-and-a-half, does a lot of changing (literally and figuratively), and finds a way to make all of the sides to her, at the very least, believable. That’s hard to do, too, with a character who we initially feel sympathy for, but know very little about, other than that she’s poor, in a crappy situation, and obviously miserable. However, Pugh has a certain look to her that makes any scene she’s in (which is every one), watchable, because she’s always on-edge and seeming like she’s one step ahead of us.
But like I said before, Lady Macbeth works because it is so chilling and, at times, disturbing. But at other times, it can’t help but feel like the same scene, over and over again, only just continuing on and on until it eventually hits the conclusion. Maybe this was intentional to give us a better sense of how empty and lame these character’s lives were, but it also does help but feel like a waste, even when the movie, like stated before, is so short in the first place. It’s one thing to not really have much of a script, but to have one, with, essentially, the same scene happening, over and over again.
It’s just lazy, honestly.
But man oh man. Thank heavens for Florence Pugh. That gal’s going to go some places.
Consensus: As short as it may be, Lady Macbeth still gets by as a chilling and upsetting psychological thriller, anchored by a solid performance from Pugh.
7 / 10
There’s that happiness again!
Photos Courtesy of: Indiewire