Yeah, I don’t know either.
It’s the 28th century, and special operatives Valerian (Dane DeHaan) and Laureline (Cara Delevigne), whenever they’re not working together to maintain order throughout the human territories, are also trying hard to figure out just what they’re doing together. Are they in love? Do they want to get married? Or do they just want to keep on doing what they’re doing, because it’s easy, simple and not all that made for dedication. Whatever the answer to their dilemma may be, it doesn’t matter, because they soon gather an assignment from the minister of defense (Herbie Hancock), to embark on a mission to Alpha, the ever-expanding metropolis where diverse species gather to share knowledge and culture for a hefty fee. But both Valerian and Laureline realize that something is off about their discovery and because of that, they’re hunted from all over the place, forcing them to run all over space and hop on different planets, where something odd and interesting is happening just about all of the time.
So yeah, Luc Besson is clearly going completely out of his way to ensure that the world gets a dose of Valerian and because of that, the man deserves some credit and above all else, respect. Word is, he not just put took a pay-cut on this one, but even went so far as to put his own money in the project; it’s currently the most expensive independent flick ever made and it shows. The movie is, for lack of a better word, beautiful; the CGI-team must have been hard-at-work, day and night, without any sleep whatsoever, trying to make sure that every piece of this crazily original and wild fantasy world was explored and shown to perfection.
It also does help get us past the fact that the movie’s story and script are troubling, to say the least.
But it’s obvious what Besson is doing here – clearly it’s been over two decades since we got the Fifth Element and because of that, we’ve got something of a new one for Generation-Y. In that sense, the movie can be pretty fun, because it’s so willing to be as ridiculous and as nutty as that movie, but at the same time, it doesn’t always work out. For example, the central romance between Delevingne and DeHaan, while somewhat cute, never works in this great, big universe where crazy, ugly-looking creatures show up left and right, spouting gibberish. It’s as if Besson wanted to have it both ways and because of that, the movie doesn’t always work and never quite figures out what it wants to be.
But Valerian is also a fun movie, that enjoys its own zaniness. It doesn’t have to always make sense of its universe, its characters, or even its central conflict – all it has to do is offer enough weirdness and electricity to remind us why these kinds of sci-fi movies, especially from Besson, can be a joy to watch. The movie doesn’t always figure out what it wants to do, what it wants to say, or hell, even where it’s going, but it does move so quick, it’s hard to always care.
And yes, the movie is almost two-and-a-half hours and somehow, yeah, it does go by.
Granted, there’s rough patches all throughout, but that’s expected here. Valerian may not be the cleanest, or smartest movie out there on the market, but Besson seems like he truly adores and cares for this material, regardless of if anybody else does. He’s putting it all out there on the line and while it may be too hard to ask for someone to pay for his water, or electric for the next month, I don’t think it’s too hard to say, “Hey, go check it out.” It’s weird and it’s supposed to be, so just get a little used to it and try to have some fun.
Please. Do it for Luc. He needs us all now, more than ever.
Consensus: Big, bright, loud, and ambitious, Valerian is certainly an original, but is also certainly uneven and a bit messy, making it feel like a cluster of a lot of different things that don’t always come together, but still somehow compel.
6 / 10
Photos Courtesy of: Indiewire