Is this what Criss Angel is up to nowadays?
Bo (Jacob Latimore) is a young guy living on the rough and tough streets of L.A., trying to get by and make a living for him and his little sister. But instead of doing what most of his friends are doing, like hustling, committing crimes, and selling drugs, Bo is keeping himself straight by performing magic on the streets. But honestly, after the death of his parents, it’s getting harder and harder for Bo to keep a roof over his head, so eventually, he turns to this life of crime where he falls under the tutelage of the local drug dealer (Dule Hill), who does not take kindly to people messing around with his stuff. But while all of this is happening, Bo meets Holly (Seychelle Gabriel) who, despite having a college education and plenty of other dreams in life, instantly falls for him. Now, Bo has more of a reason to live, survive and have all the things that he should want, but for some reason, the drug world just isn’t all that forgiving and it’s up to Bo to figure out just how the heck to get by it all. Then, something mysterious appears on his arm and things get odd.
Like really, really odd.
Eh. I’ve had more.
I have to give Sleight the benefit of the doubt in that it’s a low-budget film, with an incredibly diverse cast and relatively original premise. And yes, even a part of me is willing to forgive and get by all of the issues and problems had with this thing, just based solely on the fact that it’s so low-budget and got a lot working against it. But still, for some reason, I can’t get past the fact that Sleight, despite showing plenty of promise, never fully comes together.
In a way, it’s as if the budget needed to be bigger in order for director/co-writer J.D. Dillard to fully complete his vision. Clearly, some things got lost in the shuffle and it shows; there are far too many long-winding scenes where two characters are just sitting in a room, sort of talking, and seeming as if they’re going to never stop. In other words, yes, it’s called “character-development”, but it feels different here in Sleight – it’s as if Dillard had all of these scenes put in, because he didn’t have enough money to do other things.
Maybe this is just me talking, but either way, it slows the movie down to a halt.
And it doesn’t help that these characters aren’t the least bit interesting. Latimore is an interesting, bright, young talent who is surely going to go on and do great things, but his role here as Bo, when it’s not hitting every convention to be expected with a young whippersnapper growing up on the streets of L.A. (minus the whole magician angle), feels weak and almost underwritten. We’re supposed to see all of these different sides to him, but really, it’s just one where he always looks like a patron saint, taking care of all those around him, no matter what, and against all odds.
Giving David Blaine a run for his money. That guy’s still alive, right?
Dillard tries to even make his situation more interesting and therefore, compelling, but even that feels like it can get lost. A late-minute twist comes literally out of nowhere and while definitely cool, almost feels like it was thrown in there because Dillard got an extra check thrown his way from WWE Studios (who also helped distribute it). And I know a lot of what I’m complaining about is how it has a small-budget and clearly shows, but that’s not all it – it’s more that it’s a movie with a solid premise, yet, doesn’t take full advantage of it, mostly because it wants to play all of these different sides.
Dillard seems like he wants it to be a honest, raw, and gritty tale about growing up on the streets of L.A., but also wants it to be a sweet, youthful and lovely look at young love. Dillard also seems like he wants it to be a stone-cold drama about drugs, crime, and bad people, but also wants it to be about a kid possibly developing superpowers, or something of that nature. Honestly, it’s a mixed-bag overall, because it offers so many different sides and angles, yet, never fully comes together on one.
Just one. That’s all it needed. But nope. Couldn’t do that.
Consensus: Budget constraints aside, Sleight is a messy movie that’s filled with ideas and possibilities, but ultimately, never comes together perfectly. Oh, and yeah, its budget holds it back.
4.5 / 10
Wish the force was strong enough to get more “0’s” on them checks.
Photos Courtesy of:Indiewire