Thanks, supermodels! What influences you all are!
Ellen (Lily Collins) is an unruly 20-year-old anorexic girl who spent the better part of her teenage years being shepherded through various recovery programs, only to find herself several pounds lighter every time. There’s no real rhyme or reason or why she’s stopped eating and allow for her body to get so frail – it’s just something that happened and has forced everyone around her to take notice and wonder what they did wrong. It’s even gone on to influence Ellen’s art which, as a result, even influenced a fellow girl her age, to kill herself. Once again, why? No one really knows, so Ellen gets sent away to find some sort of a solution to a group home for youths, led by a non-traditional doctor (Keanu Reeves), who believes much more in talking and getting to the root of the problem, rather than diagnosing it and expecting all sorts of issues just to go away. Through this home and the people she meets, Ellen begins to grow up a bit and start think about the life she has and why it’s actually worth living. And also, why it’s best to just chew down, as opposed to not at all.
To the Bone is a step above the usual, cookie-cutter movie-of-the-week junk we get on TV nowadays. But it’s still a small step that features cursing, sex talk, drug use, and some other disturbing material that also makes it seem like it’s trying a bit hard, but at the same time, not, because it’s actually giving us real teens, with real issues, talking the way that real teens talk. Does that make it great? Nope, not really. But if anything, that makes it more noble than anything that Lifetime can offer you.
And if that’s the standard, then really, what’s the point, right?
Anyway, To the Bone mostly gets by on Lily Collins performance in which, not only does she totally dress herself down in an unhealthy and scary way, but also allows for her character to grow over time. It helps that Ellen is more than another angsty teen who has family-problems and doesn’t really know how to express herself, as she’s much more of a teen who just doesn’t know what to do with her life; the fact that she was mostly pushed to the edge of her life through someone else’s suicide, already makes her a tad different than other protagonists like her, in other movies. And yes, Collins is quite good, too, showing a great deal of sadness, as well as fun and light in a character that, honestly, should have just had a whole movie dedicated to her and to her alone.
Because it’s in the supporting characters that the movie sort of plays its hand a bit too much and, dare I say it, get a bit annoying. For instance, Alex Sharp’s romantic love-interest character, while well-intentioned, comes off a bit goofy and pretentious. It’s as if he jumped right out of the Fault in our Stars and decided to give this movie a bunch of annoying comedy that, quite frankly, it didn’t really need. We get it, he’s different and a bit light on his feet, but does that really mean every line he has, has to be some sort of lame joke that sounds like it came from your weird uncle?
Probably not and it’s why To the Bone struggles to figure out just what it’s about.
Either it’s about anorexia and what draws a person to this way? Or, it’s about this one girl, trying to live, trying to survive, trying to find happiness, and just trying to be herself, even when she doesn’t know how to be? The movie flirts with both angles and after awhile, it makes you wonder where it wants to go, what it wants to say, or what it even what it wants to be about. Both stories are interesting and could work, but side-by-side, they don’t and it ends up making the movie feel like a bit of a mess, even if yes, it’s one step above something from Lifetime.
But then again, is that really the peak?
Consensus: Though it flirts with some interesting ideas about anorexia, depression, and coming-of-age, ultimately, To the Bone feels a little melodramatic and light to really dig deep into what it wants to develop.
5 / 10
Photos Courtesy of: Aceshowbiz