Those poor white people. Right?
US Fish and Wildlife Service agent Cory Lambert (Jeremy Renner) is sent to the Wind River Indian Reservation, where he will hopefully be able to track, find, and kill a bunch of mountain lions who have been killing all of the livestock. While searching for them, he stumbles upon the body of a woman, who, from what it seems like, was raped, possibly murdered, and left to freeze in the below-zero snow. After catching wind of this, the FBI sends in rookie agent Jane Banner (Elizabeth Olsen), who seems like she’s not just unprepared for the harsh winter of Wyoming, but for this case in general. Because she doesn’t really know the area that well, how to navigate through it all, and/or whether what the rules are, she depends a lot on Cory, who is also now taking an extra interest in this case, for personal reasons. The two begin to stumble upon a rather dark and vicious secret lying within the mountains and makes them not just question their own humanity, but the United States’ history, altogether.
Wind River is the directorial debut of writer/director Taylor Sheridan who, both with Sicario and Hell or High Water, seems to have found his niche. He loves these tales of crime, violence, and darkness that start off slow and melodic, only to then burst into full-fledged blood, guts, bullets, octane, and guns. And it’s interesting because while Wind River feels a lot like those two other movies, something is oddly missing.
Still don’t know what it is, but you can feel it.
Either way, as a director Sheridan is fine; he captures the deadly cold of this winter-y landscape and shows it as a solid backdrop for even more viciousness and deadliness that we eventually start to see. He gets a bit out-of-hand with all of the visual symbolism and expository dialogue, but as a whole, he knows when to shut up, give us action, characters, and a plot that’s interesting to follow along with. And I know that sounds like film-making 101, but you’d be surprised how many movies screw things up for themselves, just by getting a little distracted by other stuff that doesn’t matter.
Wind River, as a whole, is a pretty straightforward tale of humans acting at their worst, but also at their best, and because of that Sheridan does a lot with very little. He’s able to draw us into this setting, understand its history, the characters, and why these characters matter. Renner’s Cory, while feeling like he may have initially been a Native American in the first few drafts, still works as a white guy because he has a certain connection this land, to these people, and to what they represent; it also helps that the movie does sort of call him out for trying to be a white savior, making it seem fine that he’s a white guy, trying to save the day. Sheridan’s writing isn’t very stylish, but he’s got a certain noir-aspect about him that works in making us know everything we need to know about these characters, without getting too carried away.
Eh. Doesn’t look so bad.
It’s constantly moving and that’s why Wind River works.
And as Cory, Renner is quite good; he’s his usual charming-self, although he doesn’t overplay that too much. He’s still a screwed-up guy who has had to deal with a lot in his life and doesn’t allow us to forget about it. His chemistry with Elizabeth Olsen is also pretty good, in that the movie never allows it to get too romanticized or cloying. They’re just both trying to figure out this case, who the baddies are, and do their jobs, like normal, everyday human beings who want to make the world a better place.
Olsen is also very good in this role, despite being very young and seeming in-over-her-head. But then again, that’s sort of the point, so it works out well; Gil Birmingham, who shined last year in Hell or High Water, has a nice few emotional scenes that work well; Graham Greene, as usual, is great, giving us a lot of comedy to go along with a lot of the seriousness; and Jon Bernthal, in a few scenes or so, does a great job, too. However, it’s his role and a few others that I have a problem going on further about because, well, the movie sort of surprises us with these characters randomly by the end.
But hey, just see it and you’ll know what I’m speaking of.
Consensus: Cold, dark and pretty brutal, Wind River may not measure up to Sheridan’s past two movies, but still fits in well with them, providing plenty of solid thrills, to go along with the chills.
7 / 10
Always depend on the whites to come in and save the day.
Photos Courtesy of: Indiewire