Can always count on men to be horny!
Erin Brockovich (Julia Roberts) is a single mother of three who, after losing a personal injury lawsuit, asks her lawyer, Ed Masry (Albert Finney), if he can help her find a job, since she has a pretty rough time holding one down. Because, in all honesty, Erin’s a bit of a problem for most employers out there – she’s brash, loud, and likes to speak her mind. So yeah, she can be a bit of a handful, which is why Ed hesitates to hire her, time and time again. Eventually, he gives her work as a file clerk in his office, and she runs across some information on a little-known case filed against Pacific Gas and Electric. She then begins digging into the particulars of the case, convinced that the facts simply don’t add up, and persuades Ed to allow her to do further research. Somehow, through non-stop research and eyewitness accounts on her own time and dime, Erin discovers not just a cover-up, but a potential health-crisis that has yet to be addressed in the slightest, leaving it up to Erin and Ed to have to band together and stick it against the big-wigs of the corporate world.
Steven Soderbergh loves to flirt with the idea of formula and most of all, mainstream film-making. Even if his most mainstream films (the Ocean’s trilogy), honestly feel more like homages and exercises in style, rather than an attempt at selling-out and just collecting a quick, easy paycheck. Granted, Soderbergh likes to have the studio money floating around for whatever weird, small, and unique indie he wants to make after the big, mainstream flick, but still, it’s not like his soul is being sold. His mainstream movies, like Erin Brockovich, still have a heart, a soul, and a passion to them that make them a step above our average, mainstream fare.
Even if it is, at the end of the day, average, mainstream fare.
That said, Soderbergh gets away with a lot in Erin Brockovich; he gets to play around with the idea of a biopic and how to tell a story, without focusing too much on the facts. See, most biopics of this nature get way too bogged-down by what happened, where, why, and the context of it all, which is dumb, because half of the stuff in these movies is just creative licenses after all. While there are still a lot of moments where it feels like we’re checking off certain facts and pieces of Brockovich’s life throughout, Soderbergh does know how to remind us that, underneath the case, is a real human being.
And as a result, it feels much more like a character-study, rather than a by-the-numbers biopic. Sure, having the case in here helps us get a better context of why she matters and why we’re having this story told to us, but Soderbergh also doesn’t forget to develop this character over time, allowing us to see more sides to her compelling, if sometimes flawed, persona. It’s neat that Brockovich was actually so involved and so accepting of this film (she actually shows up as a waitress), because the movie doesn’t always let her down easy – it can sometimes judge her and not let her forgive and forget, but that’s okay. The movie is showing us the true side to a person who, beyond all of the flaws of her character, wanted to do what was right, even if it didn’t totally convenience her.
Oh and it definitely helps that Julia Roberts was portraying her, too.
Yes, even though Roberts can mostly appear to be sleep-walking through almost every role she takes nowadays, there was a time, when the world of pop-culture and tabloids were done fawning over her, when Roberts was considered to be one of the best actresses working in the biz. And yes, even though it’s obvious to point out her Oscar-winning role here as her best ever, there’s no denying the fact that it’s a great role, as is, because it allows her to utilize all of the skills that we came to know and love her for. She’s not just beautiful, but she’s also lovely, funny, charming, and oh yeah, a bit of a hard-ass when push comes to shove and as Brockovich, Roberts gets the chance to let a little loose in a role that gives her not just enough to work with, but even dig in deeper with, too. It’s honestly the kind of role that Roberts has been working for ever since and it’s a shame that we haven’t seen another one from her since.
Steven? Will you come ‘a knockin’?
Consensus: As far as conventional biopics go, Erin Brockovich is one of the better ones out there, with an attentive eye to detail that not only remembers to develop its subject, but also give us a story to care about.
7.5 / 10
Photos Courtesy of: Brockovich