NASCAR just got actually, well, fun.
West Virginia family man Jimmy Logan (Channing Tatum) has got a lot of issues right now in his life and money’s just holding him back from everything. He just lost his job, he’s got a bunch of child-support payments to pay, and oh yeah, may lose his house. Basically, he’s in a pinch and the only way he can see of getting out of it is walking in on a large sum of cash. But how? Well, that’s why he decides to team up with his one-armed brother Clyde (Adam Driver) and sister Mellie (Riley Keough) to steal money from the Charlotte Motor Speedway in North Carolina. Jimmy also recruits demolition expert Joe Bang (Daniel Craig) to help them break into the track’s underground system. But of course, this takes a lot of planning, not just with Joe Bang being in the slammer and needing to be broken out, but because the heist is supposed to take place during the most popular NASCAR race of the whole year. How the hell can they pull this off? Will the Logan family-curse continue to live on?
It’s all in the facial-hair.
Though he technically hasn’t been out of the game since his so-called retirement after Side Effects in 2013, there’s just something nice and sweet about having Steven Soderbergh back to making movies again. Sure, it helped that Logan Lucky is a solid movie and a return-to-form for Soderbergh, but even if it wasn’t quite the joy it turned out to be, it would still remind us why it’s a good thing to have Soderbergh around in our world, making movies, as opposed to not having him around and making movies. The man is an artistic genius who finds a way to make what he wants, when he wants, however he wants, regardless of fame, fortune, or budget constraints.
Basically, he’s what any aspiring film-maker hopes to be. And Logan Lucky is, like I said before, a solid reminder of that.
And it’s not like Logan Lucky is a perfect flick; the comedy bits can be a bit straining and stupid, the pace meanders for awhile, and the characters, other than the Logan brothers, don’t feel as developed as they should be. But that said, it’s still a fun movie that shows us the lighter-side to Soderbergh that hasn’t been seen in quite some time. No, he knows breaking down genre conventions, or boundaries here, but what he is doing is offering us a good time, no alcohol or illegal substances required, which is a nice thing to have in the late-summer movie season, when it seems like everything’s getting a whole lot dumber and more dull.
But nope. Logan Lucky is anything but dull. It shows that Soderbergh isn’t afraid to goof on himself on a bit, while still giving us all of the trademarks we’ve learn to love and expect from him. The score is still jazzy; the pace is still breezy; the camera-work is still tight and efficient; and the performances, while not always working, are still surprising. Sure, Driver, Tatum, and Keough are great as the dynamic trio, but it’s pretty cool to see the likes of Hilary Swank, Katie Holmes, Jim O’Heir, Sebastian Stan, Seth MacFarlane, Katherine Waterston, and most of all, Daniel Craig, show up here and try to bring some light and fun to these proceedings.
Once again, not all of these performances work – Seth MacFarlane’s role as a British manager who loves social media, for some reason, feels incredibly out-of-place – but it’s a nice ensemble that reminds us all what Soderbergh can do when he’s just having fun. It helps that the story plays out in an exciting, thrilling manner, with the heist itself continuing to get more and more compelling to watch, but it’s all about the tone and the mood, and in Logan Lucky, it’s a fun one.
That’s all it needed to be and that’s all it is. Stop asking for anything more, people!
Consensus: Stepping away from his much more serious pieces, Logan Lucky is a solid return-to-form for Soderbergh who shines, utilizing a talented ensemble and having an overall good time.
7.5 / 10
Finally. A bright new future with Stevie back.
Photos Courtesy of: Indiewire