The older the house, the creepier the s**t in it is.
Grace (Jennifer Lawrence) is a stay-at-home wife who dreams of being a mother very, very soon. However, her poet husband, Eli (Javier Bardem), is a bit too distracted to really get up on that supposed promise. If anything, he’s too distracted to really focus on his young and beautiful wife, as he’s searching for inspiration for whatever work he can come up with next. He starts to find that when two strangers (Michelle Pfeiffer and Ed Harris) show up and make the house their own. Of course, he has no problem with this, but Grace does and because she’s constantly dealing with some sort of mental-health issues, as well as the duties of keeping up this new house of hers, she can’t help but feel a little off about this all. Eventually, weirder and weirder stuff begins to happen, almost to the point of where Grace doesn’t know if she’s safe where she’s at any longer, or if it’s time to leave the house, her husband, and the life she was supposed to be living.
Put a shirt on, dammit! You’ve got company! I think….
Mother! is definitely not for everyone. Hell, I’m not even sure it’s for me. It is, however, a Darren Aronofsky flick, which means that it’s going to be weird, creepy, out-of-this-world, ambitious, and oh yeah, ridiculously disturbing. But that’s what we’ve come to expect from him now, nearly 20 years into his career, so why should we expect anything different? Can we really criticize a person’s work for being exactly on-par with everything they’ve been doing for the past two decades? Or do we have to hold them up to a certain candle where they have to sort of get with the times and make their rather hard-hitting style, well, work for others?
Say, like the norm?
Well, not really. And that’s why Mother! works; it seems like another case of Aronofsky sticking the middle-finger up to everyone who thought he sold-out with Noah, as well as one to those who think he’s almost too weird for his own good. This time around, Aronofsky’s taking what is supposed to be a relatively conventional story about a woman, probably, losing her mind, then turning it on its head, its side, and on its back, almost to the point of where we don’t really know if it can be turned anywhere else, anymore.
In other words, Aronofsky’s not playing around here and it’s an absolute delight to watch. Sure, it’s a slow-burn for quite some time, with all sorts of visual and literary metaphors to chew apart and piss us off, but it’s also a visceral ride through a possible hell. Aronofsky’s not afraid to go that extra mile into the dark and cruel abyss that some directors like to stray away from – he could care less and it’s hard not to be excited by this, but also put-off by just where this goes and where this ends up.
Cause in all honesty, I’m not even sure what the movie means.
Actually, scratch that. I sort of do and I sort of don’t. The movie’s final-act is so twisted, so disturbing, so messed-up, and so insane, that it’s hard to actually put into words. But just like the rest of the movie, it’s in-your-face and absolutely hard to look away from. This may put a lot of people off, as well as it should, but for someone like me, it was hard not to be mesmerized by what was going on, even if I couldn’t pick my finger on what exactly it was.
Long hair, clearly cares.
Meaning, yes, Mother! deserves and will probably benefit from multiple viewings. But that aside, it’s still a very creepy movie, with Aronofsky himself taking advantage of this tight and confined space, where it seems like there’s a nightmare every corner you turn, as well as his sounds. There’s a dark and brooding rhythm that’s constantly felt throughout, almost to the point where even the light-hearted and rather sweet moments, are still impossibly rough.
Once again, Aronofsky’s not afraid and it’s not hard to love that.
Also, Jennifer Lawrence puts in another great performance here, but also, her most demanding and grueling to-date. She’s never charming, or even lovely – she’s dark, twisted, and sad, seeming like she’s about to break-out into insane fits of anger and rage, at any minute. Aronofsky keeps the whole movie squarely on her, with her face covering up the screen for about nearly an hour of the run-time, making it hard not to sit there and dissect her every move. And she’s up to the task, too; she never lets us forget that there’s something simmering deep down inside of her, but also, because she’s Jennifer Lawrence, we sort of trust her, too.
Is that a smart move? Or a bad one? After all, this is an Aronofsky flick, we’re talking about and nothing’s to be trusted.
And man, more movies need that danger.
Consensus: Hard-to-watch, disturbing, and layered with a certain uneasiness that’s hard to shake-off, Mother! will not be for everybody, but those who appreciate it, will also be a witness to one of Aronofsky’s more demented creations.
8 / 10
“Everyone is waiting, Jennifer. Let’s have some fun.”
Photos Courtesy of: Aceshowbiz