Secretly, all men want a Manic Pixie Dream Girl to spend the rest of their lives with.
Writer Calvin Weir-Fields (Paul Dano) is sort of like the literary definition of what it means to be a “one-hit wonder”. The guy had that one book that practically took the whole reading world by storm, and then somehow fell off the face of the planet without a clue or idea of what his next book might be. As his fans continue to wait more and more desperately for what he has next to bring to the table, he can’t seem to get his head around the fact that he simply has nothing. That is, until he starts writing about the latest creation in his head: Ruby Sparks (Zoe Kazan). At first, Ruby only appears to him in his dreams and in his writing, but suddenly it becomes all too real and Calvin realizes that he actually has a real-life girlfriend that goes by the name of “Ruby Sparks” and will do anything and everything he writes about her doing.
And there you have it: The male fantasy, given to one geeky, antisocial writer. What a waste!
Ruby Sparks, like a lot of other indies of its own kind, deals with an originally wacky and quirky idea, but you know what? It milks it for all that it’s worth. It’s hard to take it entirely seriously, until you realize that, after awhile, the movie itself is in order to deal with the greater aspects of life, like, for instance, love itself. Ruby Sparks shows us how no matter where we go in life, no matter who we date, or no matter how much we try to change the other person, that idea and sense of love will always be there, as much as we may injure and toy around with it. A person can change their look, style, views, friends, favorite places to eat, etc., but they can’t change the inner-self that makes them a person, especially one that deserves to be loved by anybody or anyone. People forget about that because you think about that one person not being with you and how much he/she has changed without you around to talk or be with, when in reality, they are still the same person, just with some changes here and there.
In other words, the bolts and crannies may be loosened, but the gears are still turning and moving the way they once did.
So yeah, Ruby Sparks can be funny and a little silly, but it’s also very deep and has something to say. Where it begins to run its unfortunate course is within the actual characters themselves of Calvin and Ruby. You see, the double-edged sword behind Calvin and Ruby is that you love them when they’re together and being all cute with one another, but once they get away from all the cuteness and start getting semi-serious, mad, and sad, then, you begin to realize that they aren’t as likable as you had once imagined. I don’t know if Ruby can count since she is practically a character that was made on the page and does next whatever Calvin rights her to do, but he sure as hell can since he’s not a real nice dude to begin with.
Maybe I’m alone on this boat, but I’m not always there rooting for the “troubled-soul of a writer who can’t come up with an idea and treats everybody around him like crap”-aspect of most movies. I do get that writers going through writer’s block tend to be awful to those around them, no matter who it is around them, but Calvin turns out to be just an unpleasant guy that you can’t really seem to be happy with when he’s happy, or even sad when he’s sad. You just sort of don’t care. Or, if you do care, it’s mainly for Ruby since the poor gal actually loves the dude for who he is, rather than what he should be in her mind, something he can’t seem to avoid with everybody he runs into.
That’s not to say that Zoe Kazan and Paul Dano aren’t good in this movie, whether they be together or separate, it’s just that their characters aren’t written as well as the ideas and thoughts of the premise were. That’s especially surprising since Kazan wrote the screenplay herself, and you’d think that there would be more to her characters than just stock, but that’s sadly not the case. Dano does what he can to make Calvin a nice, charming-enough dude to stand to be around, but it doesn’t amount to much other than another case of a guy who can’t seem to check himself into reality just yet. Kazan is good as Ruby, which also helps since the chick is literally as cute as a button that I hope to see more of in the near-future.
But not like a hipster. Please, no more of that.
Though the leads don’t knock anything out the park, the supporting cast is at least better and worth mentioning. Chris Messina plays Calvin’s slightly jealous, envious brother that wants to have the same advantages that Calvin has in his easy-going life, but just can’t because he’s married, has a kid, and a little thing called “responsibilities”. Messina is great at these types of roles and always finds a way to make them the least bit likeable, even if the characters he plays do seem a bit dick-ish, at a first glance. Annette Bening and Antonio Banderas play their parents that are the old-school, stoner hippies that haven’t realized ‘Nam ended some time long ago; it’s nice to see Elliott Gould working again, even if it is just a small-role as Calvin’s just-as-inspired therapist; and Steve Coogan, once again, plays a dastardly character.
Consensus: The idea behind Ruby Sparks is smarter and more thought-out than the actual characters, but Kazan’s writing always remains compelling and interesting, even when it does detour in obvious territories like the fight every couple should have, or the thing that’s keeping them from really loving each other. However, this time, it’s with a twist!
7 / 10
Photos Courtesy of: Fox Searchlight