Ming Ding (Charles Jang) is an illegal Chinese immigrant working as a deliveryman for a Chinese take-out shop in New York City. On a typical day, Ming puts up with a lot of crap from customers who are either too rude, or too unappreciative of someone of his delivery-skills. But because Ming knows very little English and is just trying to get by, he doesn’t care too much – he just continues to ride on, delivering treats to random New Yorkers, and getting very small tips, whenever they do come around. Problem is, Ming is behind with payments on his huge debt to the smugglers who brought him to the United States and he’s got until the end of the day to deliver the money that is due. After borrowing most of the money from friends and relatives, Ming realizes that the remainder must come from the day’s delivery tips. In order to do so, he must make more than double his average daily income.
You’ve got to love co-writer and co-director Sean Baker, who did this movie with Shih-Ching Tsou, for not ever bucking to convention. Mostly all of his movies focus on the outliers of society, the ones we don’t normally see as the main focus in a full-length feature-flick, where they aren’t just given the spotlight, but the ample opportunity to show their side of the story and the argument that sometimes comes with having a story be all about them. It’s also always interesting of Baker to never make it seem like his movie’s following any certain conventional plot, or story – mostly, we’re just plopped-down in the middle of someone’s life, where we are forced to sit there, watch, observe, and take them all in for what they are. Of course, this can be awfully intimate and uncomfortable, but that’s kind of the raw beauty that Baker gets away with in all of his flicks.
And Take Out is no exception. In fact, it’s one of his better ones.
By focusing on the small, meek, mild and awfully quiet Ming, Baker is able to tell us a great deal about this person’s life, without really telling us much of anything at all. He goes about his day, delivering food, getting crappy tips, and constantly wondering if he’s going to have enough cheddar to pay-off his dealers. We of course learn more about his life over the course of the movie, but Baker gives us character-development in smart, small ways that sort of happen without us ever really knowing; just sitting there and watching him gives us a better sense of the rhythm in which his life is lived.
And therefore, we are not only more sympathetic to Ming himself and his situation, but many more out there just like Ming in our country, trying their best to survive, with very little resources. So often we see in today’s day and age the criticism of immigrants coming over to the U.S., soaking up benefits, taking up space, and generally taking away jobs from those natives who deserve it the most (this is all ridiculous and false, mind you), but little do these irate and pissed-off people know and understand that what they are doing, what they are trying to accomplish is, above all else, the American Dream. They, just like you or I, want to get by, be safe, happy, and have a little bit of money in their pockets, in hope of a better future for themselves, or their loved-ones.
It’s the notion of what this country was built on and to rob others of that privilege, is awful.
Take Out is the kind of movie that shows this, but never quite hits us over-the-head with it; Baker’s way too smart to really stand on a soapbox and preach to the rest of the world. Instead, he gives us a small, contained, but always compelling feature about someone doing what they can to survive and make a life, in the Big Apple, and not quite knowing full-well what’s going on around him. He’s just a small fish, in a very large pond and there’s a lot more out there like him.
Consensus: With a naturalistic look and feel, Take Out never feels too stylistically challenging, but is better off for that, giving us a glimpse into the life of an interesting, yet, all too sad individual who is far too similar to others out there in the world.
8.5 / 10
Photos Courtesy of: Take Out the Movie.com