Being comfy is key to fighting crime.
George Beard and Harold Hutchins (Kevin Hart and Thomas Middleditch) have been friends for as long as they can remember. Mostly, they’re love for comic-books and pranks have what kept them together and such good friends for so long, but it looks like that may all start to end, with Mr. Krupp (Ed Helms), the evil and pissed-off principle of their school, none too pleased with all of their hijinx. He plans on separating them and putting them into two different classes, which is a nightmare that Harold and George have had wanted to stay away from all of their lives, but now, may become all too real. However, the two decide to hypnotize Mr. Krupp into believing that he’s one of their creations, Captain Underpants, a superhero who, get this, fights crime, in his underpants. It’s something that George and Harold love to use to their advantage, but when an evil-doer like Professor Poopypants (Nick Kroll) comes around, promising to rid the world of laughter, the two decide that it may be time for their little joke to be used for the greater-good.
Needless to say, Captain Underpants, the books, were a great part of my childhood. Every edition was better than the last and while they were no doubt filled with insane deals of potty-humor, that was kind of the point. They were much smarter books than they were given credit for, sometimes not just making me laugh, but my dad as well. Which is why when I heard they were making a movie of it, immediately, I got so defensive.
That, or I just didn’t want to be reminded that I used to laugh at something so childish and silly as this.
But hey, that’s why Captain Underpants is pretty charming: It knows what it is, makes no mistakes, and definitely doesn’t ask for forgiveness. Instead, it’s a silly little movie aimed for the whole family, because while there are a chock full of jokes aimed at the kids, there are also plenty others that the parents will appreciate, too. It’s what every animated-movie should strive for, but in fear that the box-office returns won’t be so excellent, so many stay away from.
Thankfully, director David Soren and writer Nicholas Stoller know what they’re working with and try not to go above and beyond what’s already here. If anything, the movie runs into the problem of never seeming to settle down, with constant jokes, visual-puns, and bright, big colors, shapes, sizes, and general craziness, coming out of nowhere. It helps when a movie is always moving, never slowing, but it can also help when a movie realizes that the best way to work is to not constantly throw everything including kitchen-sink, at us all at once, but instead, a few things, and maybe not the kitchen-sink, at us, one at a time. Call me a slow-poke and too grown-up, but I don’t know, I like my movies to take a chill-pill every so often.
Even in my kids movies.
Consensus: Keeping the same heart and soul of the goofy source-material, Captain Underpants: The First Epic Movie doesn’t forget about the kids, nor does it forget about the adults, either.
6 / 10
Photos Courtesy of: 20th Century Fox