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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Category Archives: Random Thoughts

2017 Oscar Predictions

Tonight, my friends, is the night. It’s the biggest night in Hollywood and while most of you out there could care less, it’s still something that movie-nerds such as myself have been waiting for this past year. All of the predictions, ideas, conclusions, twists, turns and stories, have now all come down to this.

So, without further ado, here are my predictions for the night ahead:

 

lala3

BEST PICTURE:
WILL WIN: La La Land
SHOULD WIN: La La Land
COULD POSSIBLY PULL IT OFF: Moonlight
IF THE ACADEMY WANTED TO SHOW THAT IT’S FINALLY ACCEPTING OF SCI-FI FOR ONCE: Arrival

LLL d 09 _1627.NEF

BEST ACTRESS:
WILL WIN: Emma Stone
SHOULD WIN: Emma Stone
COULD POSSIBLY PULL IT OFF: Isabelle Huppert
IF THE THE ACADEMY JUST WANTED TO AWARD HER BECAUSE SHE GOT NOMINATED AND SHOWED UP, AGAIN: Meryl Streep

fences1

BEST ACTOR:
WILL WIN: Denzel Washington
SHOULD WIN: Casey Affleck
COULD POSSIBLY PULL IT OFF: Casey Affleck
IF THE ACADEMY WAS WILLING TO LET HIM GO UP ON-STAGE AND GIVE A SILLY SPEECH: Viggo Mortensen

moonlight1

BEST SUPPORTING ACTOR:
WILL WIN: Mahershala Ali
SHOULD WIN: Mahershala Ali
COULD POSSIBLY PULL IT OFF: Jeff Bridges
IF THE ACADEMY WANTED TO GIVE NOCTURNAL ANIMALS RANDOM LOVE: Michael Shannon

fences2

BEST SUPPORTING ACTRESS:
WILL WIN: Viola Davis
SHOULD WIN: Viola Davis
COULD POSSIBLY PULL IT OFF: Michelle Williams
IF THE ACADEMY WANTED TO TICK ME OFF BY GIVING THE MOST OVERRATED PERFORMANCE OF THE YEAR AN AWARD: Naomie Harris (seriously, is something wrong with me, or am I the only one?!?)

Zootopia13jpg

BEST ANIMATED FILM:
WILL WIN: Zootopia
SHOULD WIN: The Red Turtle
COULD POSSIBLY PULL IT OFF: Moana
IF THE ACADEMY WANTED US TO SCRATCH OUR HEADS: My Life as a Zucchini

Suicide2

BEST MAKEUP AND HAIRSTYLING:
WILL WIN: Suicide Squad
SHOULD WIN: Suicide Squad
COULD POSSIBLY PULL IT OFF: Star Trek Beyond
IF THE ACADEMY WANTED TO PISS EVERYONE OFF: Suicide Squad

moonlight3

BEST CINEMATOGRAPHY:
WILL WIN: James Laxton for Moonlight
SHOULD WIN: James Laxton for Moonlight
COULD POSSIBLY PULL IT OFF: Rodrigo Prieto for Silence (cause, hey, why not? The movie’s not nominated for anything else!)

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BEST COSTUME DESIGN:
WILL WIN: La La Land
SHOULD WIN: La La Land
COULD POSSIBLY PULL IT OFF: Florence Foster Jenkins

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BEST DIRECTOR:
WILL WIN: Damien Chazelle
SHOULD WIN: Damien Chazelle
COULD POSSIBLY PULL IT OFF: Barry Jenkins

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BEST DOCUMENTARY:
WILL WIN: O.J.: Made in America
SHOULD WIN: O.J.: Made in America
COULD POSSIBLY PULL IT OFF: I Am Not Your Negro

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BEST FILM EDITING, SOUND EDITING, MIXING AND VISUAL EFFECTS:
WILL WIN: La La Land
SHOULD WIN: La La Land

Salesman

BEST FOREIGN LANGUAGE FILM:
WILL WIN: The Salesman
SHOULD WIN: Toni Erdmann
COULD POSSIBLY PULL IT OFF: A Man Called Ove
IF THE ACADEMY REALLY WANTED TO STICK IT TO TRUMP:
“All nominees”

lala3

BEST ORIGINAL SCORE:
WILL WIN: Justin Hurwitz for La La Land
SHOULD WIN: Justin Hurwitz for La La Land
COULD POSSIBLY PULL IT OFF: Thomas Newman for Passengers (that would be hilarious)

lala3

BEST ORIGINAL SONG:
WILL WIN: “Audition (The Fools Who Dream)” from La La Land
SHOULD WIN: “Audition (The Fools Who Dream)” from La La Land
COULD POSSIBLY PULL IT OFF: “City of Stars” from La La Land (yeah, either way, La La Land‘s going to win this one)

Moonlight

BEST ADAPTED SCREENPLAY:
WILL WIN: Moonlight
SHOULD WIN: Moonlight
COULD POSSIBLY PULL IT OFF: Hidden Figures

lala3

BEST ORIGINAL SCREENPLAY:
WILL WIN: La La Land
SHOULD WIN: The Lobster
COULD POSSIBLY PULL IT OFF: Manchester by the Sea

Enjoy the show, everyone! Let’s hope it’s a goodie!

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Top 10 of 2016

Well, well, well. 2016. What a year. Perhaps one of the more controversial ones in recent time, where we not only elected a reality star into office, but saw the deaths of one too many beloved figures. That said, it was also a year chock full of, surprisingly, really good movies. While 2016 did see me grow up a tad bit and start to look at movies in a far more subjective manner than I used to, much to my surprise, I still found a lot more movies to love this year, than probably since 2012 (meaning, that it was harder to actually choose just ten, this year).

Enough said, though. Here’s my Top 10 for a pretty remarkable year, if only for the movies listed here:

deadpool-210. Deadpool
In the years since Iron Man, there’s been an awful lot of superhero movies to bite on – perhaps more than is necessary. And because of this, most of them tend to be just “fine”, or “okay”, almost to the point of where it seems like average mediocrity will continue to forever and always be the norm when it comes to the superhero genre, so long as the people are still buying tickets and merchandise. And that’s why something like Deadpool is so lovely, magical, and well, rare – it’s the kind of superhero movie that’s so crass, so odd, so unique, so original, and so in-your-face, that it basically challenges all of the others against it. While there is no doubt in my mind this may bring on some lame copycats within the genre, just know this: Deadpool is a great movie in its own right and it may be one of the better superhero flicks, ever. Yup. Said it. Not going back, either.

silence9. Silence
As far as passion projects go, Silence is one of the better ones to have ever come out. It was Scorsese’s dream to make for the past three decades or so and by the time he finally got a chance to fulfill that dream, well, it really did pay-off. Sure, is it slow? Yep. Is it a little vague on its meaning? Perhaps. But is it emotional, compelling, affecting, and felt on such a deep and personal level, that you can almost hear Marty sobbing behind the camera? Definitely. And that’s why Silence, while not a perfect movie, is still a stunning one: It shows us that a master like Scorsese, someone who doesn’t have to prove anything more to the world, still has stories to tell and will continue to do so until he can’t even see anymore. And who knows if he’ll even quit then, quite frankly.

Dory28. Finding Dory
Sure, Finding Dory probably won’t go down as Pixar’s best movie, ever, but then again, which one can we really say is? Up? Toy Story? Toy Story 2? Toy Story 3? Finding Nemo? Wall-E? Inside Out? There are so many options to choose from that even a movie a like Finding Dory, where it’s clear that it’s following a pretty familiar thread, can still hit one out of the park. It’s the rare sequel that I didn’t care much for, going into, then I saw it, cried my eyes out and realized that yes, we did need this tale to be told and guess what? I wouldn’t have a problem if they continued to do on with Dory, Nemo, and Marlin. So long as Pixar keeps itself on the right track. (Also, bonus points for the best Sigourney Weaver cameo of this year)

Green37. Green Room
Absolutely, positively and without a doubt, not just one of the most brutal movies I’ve seen this year, but in perhaps the past five or six, or maybe even more. I don’t know. What I do know is that very so often does a movie as gory, as brutal, as painful, and as grueling as Green Room come out, without it feeling like it’s taking cheap-shots. Most of the time, we’ll get these low-budget horror flicks, that just love and crave the attention of being as torturous and as nasty as they can be, but there’s no rhyme, there’s no reason, and there’s sure as hell no cause for it all. In Green Room, the rough, the ragged and the honest-to-God brutality is expected and it goes over so many borders and edges that, after awhile, you sort of just give in and let it do it’s thing. If anything, Green Room didn’t just remind to never step foot in a Nazi club in the first place, but to never, ever forget the name “Jeremy Saulnier”. Man, that guy’s going to do some great things. Can’t wait. Also, RIP Anton Yelchin. A talent gone way, way too soon.

Oh yeah, and that guy.6. 13th
With the year we’ve had, you’d think that a documentary like the 13th, that’s about the racism and imprisoning of any and all African men and women in the United States, would be too much, but man oh man, did we need this. It’s already dealing with such a hot-button topic in the first place, but what Ava DuVernay does, as a director, is tell each and every side to this story. That means that not only do we get to hear from the people that support what sort of angle she may have, but the opposite as well. Sure, it sounds simple and obvious that any documentary should do this, but so rarely, do we ever get it as present as it is here; after all, DuVernay herself takes a bite out of Trump, but also doesn’t forget to nibble at other political persons just like him, like the Clinton’s, the Bush’s, or even the Reagan’s. Definitely a must-see and hey, it’s on Netflix. So getsa streaming!

manchester35. Manchester By the Sea
As a writer and director, Kenneth Lonergran hasn’t done much for me. Both of his movies (Margaret, You Can Count On Me), while are both entertaining and well-done, still didn’t quite connect. They didn’t seem funny, dramatic, or even tragic enough to really go deeper than perhaps Lonergran himself wanted them to. But it all came together so perfectly well with Manchester By the Sea, the movie where it seems like everything Lonergran has ever wanted to do, finally pays off. It’s the one movie where, one second, you’ll be belly-laughing till it hurts, and then, the next scene, bawling your eyes out as if a dog died. The performances are all great and sure, Casey Affleck will probably win the Oscar, but the way I look at Manchester By the Sea, isn’t an actor’s showcase, but a showcase for a writer/director who may finally get the chance to break out of the indie-world and really tear out our hearts some more.

tickled14. Tickled
I know that I’m probably going to get some heat for this choice, but so be it: I’m putting the documentary about underground, competitive tickling higher on my list then 13th. But here’s why: While 13th is a solid piece with facts, upon facts, upon facts, and then some more, Tickled is much more of a movie, in the sense that we get a story, a start, an end, a conflict, a cast of colorful characters, and guess what? It’s all real life. The movie starts out as a simple look into this weird world of competitive tickling that probably no one has a clue about, but about half-way through, it all changes into something far more strange, with tension, controversy and suspense everywhere you look. It’s the rare kind of documentary that literally unravels before your very eyes and because of that, it’s hard to ever get bored. Tickled does bring up some fair and honest points about the internet, what constitutes privacy, and just how far some people will go into this world to achieve any and all sorts of power that they can hold, but it’s also a ride and an adventure that I’ll soon never, ever forget about.

moonlight13. Moonlight
One of the more unique and emotionally draining movies I saw this past year and man oh man, I have not stopped thinking about it since. Sure, a good portion of this pick has to do with the fact that it’s become so loved and adored by critics, audiences and even Oscar-voters, alike, but you can’t blame me – movies like Moonlight often go under-the-radar and are only ever heard from hardcore cinephiles, or addicts to Netflix. It’s a small, subtle and absolutely raw look inside the life of a person we never thought we wanted to know more about, but by the end of the two hours, you’ll absolutely want to see what happens in his life next. Honestly, would have been a tad higher had it not been for Naomie Harris’ performance. Why I’m the only person to have a beef with the way she played her role, must just be my own personal issue. Oh well. Still a great movie and yes, Mahershala Ali deserves that Oscar.

lala32. La La Land
In a year like 2016, trust me, we needed La La Land. It was one of the sweetest, most enjoyable, loveliest, and most exciting movies of the year, but it also didn’t wear out its welcome, like most musicals so clearly do. In a way, too, it’s also the very rare musical where, yes, there is a compelling story to accompany all of the tracks and tunes and yes, you do want to see how it plays out. I’d say more about this, except I think I bruised my fingers typing about it in my review, so if you want to know more of why I loved it so very much, just check that out.

american-honey1. American Honey
No matter how many years go by and how many more great and exceptional movies I see, I’ll never forget American Honey. Just going into it, knowing the cast, the crew and the run-time (164 minutes), I had no idea what to expect, yet, at the same time, didn’t really know if I wanted to be sitting, watching what I was about to watch. Then, the most enjoyable, most exhilarating, most emotional and most compelling near-three hours of my life occurred and I had no clue what to do, think, or feel. Seriously. I hate sounding this corny and melodramatic, but honestly, American Honey did a number on me. It made me want to go out and explore the world some more; meet all sorts of wacky, wild and interesting people; fall in love with something that wasn’t my laptop; and dammit, man, it made me want to hang-out with Shia LaBeouf. Seriously. This doesn’t happen to me often, people and you know what? It may never happen to me again. That’s why American Honey isn’t just my favorite of 2016, but my favorite in the past couple of years or so. See it. Please. Just see it.

And there you have it, folks. Two movies I really dug this year and forgot to include (Captain America: The First Avenger, the Invitation) were pretty great, too, but honestly, there just wasn’t much room. Either way, see them, in addition to the other ten here and consider yourselves lucky and happy individuals.

As for 2017? There’s nowhere to go, but up.

Let’s just hope it stays that way.

Top 10 of 2015

It’s that time of the year, folks! Well, it’s been that time of the year since late-December, but hey, it took me awhile to get to some of these movies and now that I have them, it’s time to rank the best that 2015 had to offer!

Overall, pretty good movie year. Of course, there were some stinkers to remind me why I despise it when people make bad movies, but for the most part, it seemed like 2015 was the kind of year where most of the movies were actually quite fine, if not great. You could say that about every movie year, honestly, but really, 2015 gave some real great films.

But enough of me going on and on about nothing! Here’s my list for the Top 10 best of 2015, in a particular order, of course!

10. The Hateful Eight

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It wasn’t Tarantino’s best, but the more and more I got to thinking about it, the more I appreciated it for all of the neat, Tarantino-ish things that happened here. Of course, the cast was amazing and handled the dialogue perfectly, but it was really Tarantino who had the last laugh. He showed that he was allowed to make whatever movie he wanted to, and at this stage in his career, he doesn’t care what people say or think about him. He’s just going to make the movie he wants to make and everybody else can go screw themselves! Or, see his movie. In 70 mm, no less.

9. Cop Car

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Totally under-the-radar and under-seen, but definitely deserving of a watch. It’s the little movie that set-out to do so much, yet, at the same time, didn’t show it. Also, bonus points for making a coming-of-ager where the kids actually acted like kids, and weren’t these precocious little a-holes that we so often see in movies made about kids. Let’s hope that director/co-writer Jon Watts can keep the good vibes going with the next Spider-Man movie!

8. It Follows

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It was the rare horror movie that, yes, was scary. However, at the same time, did so many interesting, different things to make itself scary, without ever seeming like it was trying too hard, or trying to make a “statement”. If anything, it was just a generally freaky flick, that featured the age-old horror movie cliché of teens having sex, but rather than judging them for it, showed them as teens who just wanted to do the dirty, even if they knew that death was soon coming their way. Allegory about AIDS/HIV? Maybe, but then again, maybe not! Who cares? It’s scary!

7. Carol

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It doesn’t matter that the romance at the center is between two women, because it’s a story between two humans that features a romance you don’t just believe in, but actually feel, as well. Todd Haynes has always been a mixed-bag for me, but here, he really does capture the sheer emotion and passion that comes with falling in love with someone else, even if you’re not too sure you want to be with them, or what it is that you want to do with your own life. But what Haynes does best, is that he doesn’t forget about the male suitors on the side of Carol and Therese who are not only trying their hardest to get these women back into their lives, but also heartbroken about it. With this, Haynes shows that love can sometimes take on many forms and impact people differently, for better and for worse.

6. The Revenant

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As unrelenting, as bleak, and as grim as you can get with a movie. Add on the fact that it’s nearly two-and-a-half-hours and you’d think you have a slug of a movie to get through. A lot of people thought that, but not me, as the Revenant, from the very beginning, had a tight, firm grasp on me and never let go. Despite the movie looking like a natural thing of beauty, it’s surprisingly gory and gruesome, which it all the more of a treat because when’s the next time we’re going to get a big-budgeted flick like this?

5. Inside Out

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Welcome back, Pixar! Not only was Inside Out a return-to-form for Pixar in showing that it could handle heart, emotion and hilarity all in the same hand, but that their creative-genius could not be messed with. Sure, kids may have not been able to fully get or understand the premise, but it was still the perfect movie for them as it didn’t just cater to them with slap-sticky jokes and silly-looking characters, but that it also taught them a lesson about life. In other words, it’s fine to be sad; it’s a way of life and sometimes, you just have to let yourself sit down, think, and let out a little cry. It’s fine. Life will go on and you’ll feel a lot better about yourself and life as a whole.

4. The Martian

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The best “comedy” of the year? Starring Matt Damon? Directed by Ridley Scott? I never once believed it for a second, until I saw the Martian and realized that it was not only the funniest movie of the year, but perhaps the best sci-fi blockbuster in a very long time. Sure, there’s been plenty, but what the Martian did that so many of those other movies failed to do, was that it gave us a simple plot-line of one man being stranded on Mars, but didn’t once forget about the person himself, nor those who were trying to save him with all their might and incredible genius. Of course, you could look at it as some sort of living, breathing advertisement for NASA, but if that is the case, it’s fine, because as long as the people in NASA are using their noggins and constantly thinking things through, then this little planet we call Earth, will be alright.

3. Steve Jobs

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People absolutely love, or absolutely hate Aaron Sorkin with a fire-breathing passion. I’m more in the former party, which is why I was hooked on Steve Jobs from the very first second someone let out a snarky “Sorkinism”. The cast was perfectly put-together, of course, but what mattered most about Sorkin’s writing, other than that it was funny, snappy and entertaining, was that it shined more of a light on what kind of person Steve Jobs was. Sure, we’ve all heard the stories about him before, but Steve Jobs, the movie, didn’t at all turn away from the issues this man had in his life, as well as all the wonderful, albeit amazing things he did for society. Totally didn’t deserve to bomb at the box-office, but hey, sometimes the best things are the ones that nobody really sees. That’s actually not a thing, but it’s something I like to say to make myself feel better about the fact that more people probably saw Ashton Kutcher’s Jobs, over this.

2. Room

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Was going to put this in the position that Steve Jobs holds, but after much time and thought, I’ve realized that this movie had more of an emotional impact on me than that one ever did. Every step, move, or maneuver that Room makes, is surprisingly the right one and while you may not expect it to grab a hold of you the way it wants to, give it time and it’ll work its magic. That’s what happened to me and it took me until the five-minute mark of my sobbing that I realized that it was kind of tearjerker, that I was perfectly okay with pulling the box of Kleenex out at. Also, very happy to see Brie Larson getting more notice for this, as well as probably win the Oscar. Hopefully, this means a whole lot more of her for the near-future.

1. Spotlight

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It’s probably no surprise to those who know me that I chose a movie about journalism as my #1, but so be it! It wasn’t just the best movie about journalism I’ve seen for so very, very long, but it was everything that a solid movie should be. Fast, exciting, entertaining, dramatic, infuriating, funny, well-acted, intricately directed, and above all else, smart. It took certain steps to tell its story the way it wanted to, without ever burring the led. No other movie, blockbuster, indie, arthouse pic, short film, TV show, podcast, etc., this year was as electrifying as Spotlight. And at the end, it showed that something was done to open-up the scandal within the Catholic church, and although there’s plenty more to be done, at least someone finally opened their eyes, spoke up, and showed the world the true problem within. Why more movies aren’t like Spotlight is totally beyond me, but it’s the reason why I love movies to begin with.

Photos Courtesy of: Indiewire, Aceshowbiz, IMDB

2014 Oscar Predictions

Tonight is the night, everybody! It’s the one we all love to bitch and moan about not mattering one bit, yet, we still sit back, get tense, and watch attentively as people win, and lose awards that seemingly don’t mean much. But in all honesty, who cares about all that?!?!

It’s Oscar season, baby!! Woo hoo!

With that said, here are my predictions for who I think will win, should win, and I think we’d all love to see happen (even if it seems highly unlikely). So, without further ado, here are my picks and predictions:

Birdman1

Best Picture:
WILL WIN: Birdman
SHOULD WIN: Boyhood
IN A PERFECT WORLD: The Grand Budapest Hotel
IF THE ACADEMY DIDN’T WANT TO SEEM RACIST: Selma

Alice3Best Actress:
WILL WIN: Julianne Moore for Still Alice
SHOULD WIN: Julianne Moore for Still Alice
IN A PERFECT WORLD: Rosamund Pike for Gone Girl
IF ALL YOU HAD TO DO WAS GET NAKED, DO DRUGS AND HAVE LOTS OF SEX TO WIN: Reese Witherspoon for Wild

Theory1Best Actor:
WILL WIN: Eddie Redmayne for the Theory of Everything
SHOULD WIN: Michael Keaton for Birdman
IN A PERFECT WORLD: Steve Carell for Foxcatcher
IF THE ACADEMY DIDN’T CARE ABOUT WHAT PEOPLE HAVE BEEN ARGUING ABOUT SINCE IT CAME OUT: Bradley Cooper for American Sniper

Whiplash2Best Supporting Actor:
WILL WIN: J.K. Simmons for Whiplash
SHOULD WIN: Edward Norton for Birdman
IN A PERFECT WORLD: Ethan Hawke for Boyhood
IF THE ACADEMY JUST WANTED TO PISS ME OFF EVEN MORE: Robert Duvall for the Judge.

Boyhood1Best Supporting Actress:
WILL WIN: Patricia Arquette for Boyhood
SHOULD WIN: Patricia Arquette for Boyhood
IN A PERFECT WORLD: Emma Stone for Birdman
IF THE ACADEMY WANTED TO STILL SHOW THAT THEY LOVE HER SO VERY MUCH: Meryl Streep for Into the Woods

SongBest Animated Feature:
WILL WIN: Song of the Sea
SHOULD WIN: How to Train Your Dragon 2
IN A PERFECT WORLD: Big Hero 6 (or better yet, just Baymax)
BECAUSE ABSOLUTELY NOBODY SAW IT: The Tale of the Princess Kaguya

Grand3Best Makeup and Hairstyling:
WILL WIN: The Grand Budapest Hotel
SHOULD WIN: The Grand Budapest Hotel
IN A PERFECT WORLD: Foxcatcher (it’s all in the nose, people)

Birdman2Best Cinematography:
WILL WIN: Birdman
SHOULD WIN: Birdman
IN A PERFECT WORLD: Mr. Turner (just to hear “Dick Poop” again)

Grand2Best Costume Design:
WILL WIN: The Grand Budapest Hotel
SHOULD WIN: The Grand Budapest Hotel
IN A PERFECT WORLD: Inherent Vice (cause the 70’s ruled, man)

richardBest Director:
WILL WIN: Richard Linklater for Boyhood
SHOULD WIN: Richard Linklater for Boyhood
IN A PERFECT WORLD: Wes Anderson for the Grand Budapest Hotel
IF THE ACADEMY JUST GAVE IT TO A PERSON WHO LET HIS ACTORS DO MOST OF THE WORK: Bennett Miller for Foxcatcher

Snowden3Best Documentary:
WILL WIN: Citizenfour
SHOULD WIN: Citizenfour
IN A PERFECT WORLD: The Salt of the Earth (more Wim Wenders love, ya’ll)

Birdman3Best Film Editing:
WILL WIN: Birdman
SHOULD WIN: Birdman
IN A PERFECT WORLD: Interstellar (because Chris Nolan needs some love, you know?)

Leviathan1Best Foreign Language Film:
WILL WIN: Leviathan
SHOULD WIN: Ida
alexandreBest Original Score:
WILL WIN: Alexandre Desplat for the Grand Budapest Hotel
SHOULD WIN: Alexandre Desplat for the Grand Budapest Hotel
IN A PERFECT WORLD: Hanz Zimmer for Interstellar (hey, at least it wasn’t the BWONG sound anymore)

commonBest Original Song:
WILL WIN: “Glory” by John Legend and Common
SHOULD WIN: “Everything is Awesome” by Teagan and Sara and the Lonely Island
IN A PERFECT WORLD: “Everything is Awesome” (oh, the irony)

Interstellar3Best Sound Editing, Mixing, and Visual Effects:
WILL WIN: Interstellar
SHOULD WIN: Interstellar

Imitation3Best Adapted Screenplay:
WILL WIN: The Imitation Game
SHOULD WIN: Inherent Vice
IN A PERFECT WORLD: Whiplash (I guess since it’s based on a short that it’s “adapted”, but whatever)

Boyhood2Best Original Screenplay:
WILL WIN: Boyhood
SHOULD WIN: Boyhood
IN A PERFECT WORLD: Nightcrawler (Lou Bloom, folks)

And there you have it, folks! Another year down, which means, another time for Oscars where people lapse into meandering speeches and occasionally get played-off by the music. Neil Patrick Harris will do a fine job tonight, although, I wonder whether or not he’s going to try and order-up any pizza, or take Twitter-crashing selfies. Either way, it’ll be a fun night!

Hope you all enjoy it!

Photo’s Credit to: IMDBColliderJobloComingSoon.net, Google Images