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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Adam Fogerty

Stardust (2007)

Better than Goldust’s brother.

Tristan (Charlie Cox), a young man from the town of Wall, a small, quaint and lovely little town on the border of Stormhold, a magical kingdom where all sorts of crazy things happen. To hopefully win the heart and the hand of his girlfriend Victoria (Selma Miller), Tristan enters the magical world to collect a fallen star, in hopes that he’ll obviously win her over, but prove that he is quite the man that he always thought he could be. After little issues here and there, Tristan eventually collects the star who, to his surprise, is a woman named Yvaine (Claire Daines). However, Tristan isn’t the only one who’s looking for Yvaine; numerous witches, Kings, Queens, Princes, and Princesses also want this star and will do anything to get it, by any means. So now, Tristan’s job just got a whole lot harder. Not to mention that he and Yvaine, while initially not being able to get along with one another at all, start to see each other as equals and even, well, connect. In possibly more ways than Tristan has been able to ever do with his possible future-wife.

A pretty hot star.

Matthew Vaughn is probably the perfect director for a Neil Gaiman book, because no matter how strange, or action-packed, or even tense things get, Vaughn remembers not to take everything all that seriously. Meaning that we do get a lot of jokes aimed at the material, but it’s also very funny in the same way that the Princess Bride was – it respects the fantasy-genre up until the point of where it realizes how ridiculous it truly is. That’s a lot of Gaiman’s material and while there’s been plenty of attempts at recreating the same kind of odd-style that he has, Vaughn’s perhaps the closest one to achieving that.

And yes, it also helps that the movie is buckets of fun, reminding us that, when he isn’t trading quips and smart-ass remarks, Vaughn knows how to keep the action moving and exciting. Cause Stardust is a little over two-hours and about a bunch of silly witches and knights battling it out for a star, it can be a bit too much to ask for a non-lover of the fantasy genre. And yes, I am one of them.

However, Stardust is a much different tune.

It’s in on its own joke, it never really relies too much on exposition, or world-building, or certain other tricks and trades of these kinds of stories that can tend to make them a bit annoying. The story itself is already pretty straightforward and thankfully, Vaughn doesn’t try to over-complicate things; he keeps it simple, effective and most importantly, fun. He could have done anything he wanted with this movie and I wouldn’t have cared, because he knows how to keep it fun, even when you least expect it to remain as such.

That’s Michelle Pfeiffer? Uh. Yeah. Time has not done well for her.

And a whole bunch of that fun extends to the cast, too, who are, as expected, game for this kind of silly material. Charlie Cox, in a pre-Daredevil role, shows a great deal of charm as Tristan, a dork-of-a-man who we like right from the get-go and sort of stand-by, no matter where he goes, or what he does. Claire Danes is also quite great as Yvaine, the star with a whole butt-load of personality. Danes knows how to make this wacky material work and come-off not so wacky, and yes, her and Cox have a neat little bit of chemistry that transcends most other movies that are just like this.

In that we actually care and want them to get together in the end.

The rest of the cast is, thankfully, having a ball here. Michelle Pfeiffer shows up as the main evil witch, vamping it up and having an absolute ball; Robert De Niro may seem out-of-place, initially, as a pirate, but really blends in with this goofy-world; Mark Strong is, as usual, charming and a lot of fun as Prince Septimus, Tristan’s ultimate foe; and well, there’s plenty more where that came from. The real joy is just getting a chance to see everyone here show up, have a good time, and not make us feel like we aren’t involved with it, either.

We are and that’s the greatest joy of all.

Consensus: Despite its silliness, Stardust wears its heart and soul on its sleeve, with a fun and exciting pace, matched by an even more charming ensemble.

8 / 10

There were a lot of Italian pirates back in those days, people! Come on!

Photos Courtesy of: Paramount Pictures

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Snatch (2001)

SnatchposterDoes anybody even know what a “pikey” is in the first place?

Set in the London criminal underworld, two stories are unfolding that, more often than not, just so happen to connect or intervene with one another. One plot deals with the search for a stolen diamond, whereas the other with a small-time boxing promoter named Turkish (Jason Statham) who finds himself under the thumb of a ruthless gangster known as Brick Top (Alan Ford). Of course, there is more than just meets the eye with this premise as many happenings and characters find themselves in-and-out of the story.

If you’ve seen one movie of Guy Ritchie’s, you’ve mostly seen them all. In ways, that’s a good thing, but often times, it can feel as if it’s a tad bit repetitive and over-done. But that’s not me talking, as I’ve come to appreciate the kind of style the dude’s worked with over the years and how it’s single-handedly help save some of his movies from being bore-fests.

Except for Swept Away. There was no way of saving that movie.

Who needs Apollo Creed, when you've got two drunk Irish morons.

Who needs Apollo Creed, when you’ve got two drunk Irish morons.

What Ritchie does so well, is style; it’s the same type of hip, kinetic, and goofy style that we saw in his earlier flicks but who cares? If it works, it works. Ritchie keeps the plot moving in an entertaining fashion, but at the same time, still keeps these plot-lines interesting. This makes it all the more with it when they all seem to converge with one another and make Ritchie’s writing a whole heck of a lot smarter.

Most of that smartness comes from the whole idea of this flick is just to be a big goofy take on the crime-noir genre by substituting all of those hard, mean characters, with lovable, colorful ones that we all actually care about. However, don’t have you think that Ritchie softens up because of this. Instead he lets all of the violence happen as if it normally would in any other film of this genre and it’s just a whole bunch of fun to watch, even if you do know what’s going to happen next.

Also, subtitles may definitely help at certain times, too.

I don’t know what it is about Ritchie piss so many people off because this guy really seems like he’s having a ball when it comes to him making movies. Does he have an energetic style that can sometimes be straight in your face? Yeah, but does that neccessarily make him a bad director? I guess it all depends on how you feel about watching movies. Either you want a slow human-drama about life and love in the world we live in, or you want a fast-paced, suspenseful, and wild gangster flick that takes no prisoners and makes no apologies for calling each other that dreaded “c-word”.

Yup. Totally not crazy.

Yup. Totally not crazy.

My problem with this film just lies within the fact that I think Ritchie does not stray far away from what he did with his debut and that’s sort of annoying, considering it seems a bit cheap once you think about it. Take for instance, Vinnie Jones’ character. Jones, as we all know and love, is basically type-cast as this wild, insane, and freakishly scary a-hole that would be able to rip your heart out with his teeth. Those are the types of roles the guy gets nowadays and without Ritchie, he wouldn’t have ever been known far-beyond his Rugby days. Therefore, it seems like Ritchie felt the need to not only place a same type of character as that in this movie, but also give Jones the same exact role that sort of comes off as lazy and a bit unoriginal in terms of casting. There’s a couple of other actors and characters here that seem like carbon-copies of the ones from Lock, but Jones was the one who really stood-out for me as the laziest of all, even though he kicked plenty of arse, as usual.

But even besides that, Jones is still good here. And the same goes with everybody else who shows up, utilizing their talents as actors for what would be ultimate challenging of handling Ritchie’s sense of dialogue. Though they may seem like odd choices at first, the likes of Benicio Del Toro, Dennis Farina, and Rade Serbedzija, all do perfectly fine here and show that they’re charming enough to carry along the movie, even if Ritchie’s dialogue may sometimes get in the way of his actors.

However, their not prepared for the most inspired casting decision of this whole flick.

Brad Pitt as the illiterate “pikey” Micky O’Neill, may have seemed crazy, but eventually, you wonder why anybody would have ever thought that. Pitt’s whole act in this flick is to not make any sense no matter what he mumbles, but still be able to get what he’s saying across by the look on his face and the body language he displays. Maybe that’s a bit too much of a detailed study for a character that is first shown taking a dump right in front of his home, but Pitt nails it and makes every piece of dialogue he mutters out hilarious. So hilarious in fact, that the Netflix subtitles couldn’t even decipher what the hell he was saying but that was the point! It was funny, it made me laugh, and made me see what types of roles Pitt can do, and still take total control over even if he isn’t the main star of the show. Everybody else here, kicks some fine-piece of arse that’s worth mentioning but to be honest, just go out and see the ensemble for yourself. They are all so perfect together and you wonder how Ritchie was able to get them all to be in the same freakin’ movie in the first place.

Consensus: Though we’ve seen this style done before, Snatch still utilizes a lot of Ritchie’s strengths as both a writer, as well as a director.

8.5 / 10

Morgan?

Morgan?

Photos Courtesy of: Movie Room Reviews