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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Agam Darshi

Colossal (2017)

Sometimes, you don’t need to go home. Or anywhere.

After losing her job, as well as her boyfriend (Dan Stevens) in New York City, Gloria (Anne Hathaway) decides that it’s time to head on back to where she grew up in upstate New York, where she can hopefully find some time to get her life back in order and figure everything out. While there, she meets back up with an old friend from school, Oscar (Jason Sudeikis), who instantly remembers her and is so happy to have her back into his life. Gloria doesn’t know what she did to make him so happy, but for some reason, she’s willing to go along with whatever Oscar throws at her, like always drinking and even working at his local bar. For awhile, Gloria seems to be so very happy, but then, this weird thing begins happening: Somewhere out in Tokyo, a huge monster is destroying everything and everyone in its path. And the news in the U.S. is constantly covering this, with people either in total shock and horror, or just absolutely happy that it’s not them. Gloria doesn’t know what to think, except until she finds out that it may be her causing all of this death and destruction, somehow.

“Agent? Yeah, more stuff like this.”

When I first heard of Colossal, I remember it being pitched as a mixture between Lost in Translation and Godzilla. Interesting for sure, but could it work? Honestly, I wasn’t sure, but it was a bold, brave enough idea to take on and considering the current-day, big budget monster movies we seem to get, it would definitely offer a nice breath-of-fresh-air.

Which is exactly what Colossal is, although of course, it runs into its problem.

Most of the problems with the movie come from the fact that the idea, while interesting and definitely neat, also leaves a lot of questions when all is said and done. It all comes down to certain questions about sci-fi, how things would work, and what would happen, if say something such as this happened. It’s the kind of general questions that plague sci-fi and it’s honestly what bugged me for quite some time during Colossal; it wasn’t that I couldn’t give in to the idea and just run with it, it’s that it seemed to make itself more complicated as it went along, but without ever answering the questions it presented.

Still, for a movie about a bunch of hipsters and monsters, it still sort of works. Writer/director Nacho Vigalondo knows that he’s playing around with genres and tones here, but doesn’t ever make it seem too flashy; he knows he’s got something interesting on his plate, so rather than taking away from it, he gives us more to watch and be curious about. Sure, it’s interesting just how all of these monster shenanigans go down and play out, but Vigalondo’s also smart enough to know that having compelling characters make the monsters all the more compelling, too.

And with these characters, Colossal seems to be more interested in them, rather than the monsters, which is, once again, another smart move.

“Wanna PBR?”

Like, for instance, Gloria does, initially seem like a bit of a pain, but as time goes on, we begin to see that there’s more to her and her troubled-past. It also helps that Hathaway is pretty great in the role, allowing for us to Gloria as a bit self-destructive, yet also, at the same time, a smart and relatively independent gal who is capable of making her own decisions, as dim-witted as they can often times be. It’s a low-key and not all that showy role for Hathaway, but it’s the right kind of role for her and it shows why she can be so charming.

Sudeikis is also quite good in the role of Oscar, who seems like a very charming and sweet guy, but slowly begins to unravel into these sad, lonely and angry individual. His actions later on in the movie are questionable and make you wonder if it’s necessarily the right direction for him to go in, but there’s no denying that Sudeikis is actually quite surprising in the role. We grow to love him, but at the same time, pity him. He and Hathaway have a nice bit of chemistry, too, to where you can tell that they probably enjoyed working with one another, as it shows in their smaller, much more intimate moments.

You know, without all of the cool and kick-ass monster fighting, which, for a small, low-budget indie, is pretty good.

Makes you wonder why Hollywood tends to get it so wrong, sometimes.

Consensus: With an interesting idea to work with and a very good cast, Colossal is smart, even if it doesn’t answer all of the questions it lays down by the end.

7.5 / 10

There’s Anne, guys. Always charming and lovely, but for some reason, ya’ll hate her. Get over it!

Photos Courtesy of: Indiewire

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Snakes on a Plane (2006)

It’s all in the title, folks.

This is going to be a bit of a struggle, but I’ll get through it somehow. Anyway, the story goes a little something like this (I think): Agent Neville Flynn (Samuel L. Jackson) boards a plane in order to protect and guard a key witness (Nathan Phillips) in a crime he is investigating. There seems to be no problems whatsoever with the flight once it first gets off and running, as there are plenty of fun, vibrant people from all walks of life gathered together to reach their destination of L.A. However, there seems to be one problem, and one problem only that nobody on-board ever anticipated: Fucking Snakes, man! Snakes are on this motha fuckin’ plane!

So yeah, as you can tell, I didn’t really have to go into too much detail with that premise, because it’s all pretty simple: There are snakes, who are very high, that also just so happen to be on a nearly-packed plane, where nobody is expecting these sorts of mofos to come right at them as they put on their gas-masks. Sure, you could say this is terribly stupid, and if you did say so, I wouldn’t hold it against you one bit. In fact, I’d applaud you for at least noticing the sheer-stupidity that comes along with a movie when you’re title is in fact Snakes on a Plane.

So fake, but so cool!

So fake, but so cool!

However, I would hold it against you if you weren’t the slightest bit interested in seeing something like this, because even the reprehensibly idiotic movies have to have at least something worth seeing, right?

Well, I’d say have to say yeah, because this is what happens when you take your B-movie premise, your B-movie title and a meager-enough budget to make something that’s not only quite dumb, but actually know that it is, not try to make any mistakes by adding unnecessary melodrama and give it all you got. Because hey, if you fail at making a dumb movie, you’re just a terrible person who should never work a movie camera in your life ever again. Just saying, but it’s true.

Thankfully though, director David R. Ellis knew exactly what he was getting himself into with this kind of material and doesn’t step-back once from pushing it over that extra-step into total “crazy town”. Think about it, when all you have is an-hour-and-a-half-movie dedicated to snakes on crack, slithering around, eating and killing people in whatever possible way you could imagine, you have to have a bit of fun, right? Hell yeah! And that’s why Ellis, deserves credit here for not trying to get too serious here or too dry. Sure, the humor is pretty awful, and so are most of the lines, but at least the guy doesn’t focus on them too much in hopes that people catch onto that aspect of the movie and have an even better time with it.

That would have definitely helped, but I think Ellis was fine with just relying on the action, tension and pure fun of watching some dude’s junk get attacked by an Anaconda. Especially when your target-demographic for something like this is drunken-teenagers, then you have to give them what they want, and that’s boobies, banging, blood, snakes, guns and Samuel L. Jackson yelling, screaming and doing whatever the hell he wants.

And yes, I did just spell-out your recipe for “What Makes an Awesome Movie”. You can all thank me later when you’re rolling in the hundreds of millions and billions of dollars.

But once again, I know I’m stretching it a bit here trying to go into this as much as I can, with as much detail as possible in order to have your opinion swayed on this in any possible way whatsoever – but I really can’t. All it really comes down to is whether or not you’re willing to put-up with a bunch of talented-people, yelling some cheesetastic lines, running away from CGI snakes and, at the end of the day, trying to look as if they aren’t doing it just for a paycheck. Maybe some of them are, but that’s not the point; the point is that this is a movie that realizes it’s not made for those who want to see a piece of grand cinema.  In fact, they’re much more attuned to the movies that don’t need much thought or even plausibility; just expectations of pure schlock, craziness and fun. That’s all.

Totally slumming it here. But it's all for a good cause!

Totally slumming it here. But it’s all for a good cause!

People nowadays go out and see something like Sharknado, or Croctopus, or whatever animal-and-natural-disaster-equation you can come up with, for the pure fact that they are going to see something that isn’t weight, isn’t thought-provoking, and sure as hell doesn’t need to be seen with a clear mind. And there is absolutely, positively nothing wrong with that, because sometimes, when done right, those types of movies can work all sorts of wonders. In ways, they can make people laugh their assess off; in other ways, they can even go so far as to transport that viewer into a whole different world where nutty shit happens, just for the sake of pure entertainment. Now, I don’t know what any of ya’ll out there think, but isn’t that the whole point of going to the movies in the first place? Sure, you want to see those real heavy, real dramatic and real life-changing pieces of film where you can’t seem to get its memory out of your head, nor can you stop allowing it to affect you and your daily-life. Those movies are all fine and dandy, but when I want something to be in front of my eyes, not only entertaining me, but not trying to make too much room in my head, for it to pick my brain to pieces and leave me in whatever shape it leaves me in, I’ll go with something like this. Not saying you totally should, but give it a whirl and see what happens.

But hey, don’t just listen to me, let Samuel L. tell you what it’s all about. Oops, wrong one! But you get the idea.

Consensus: Undeniably stupid in every aspect of its existence, but that still doesn’t keep Snakes on a Plane away from being a good time for anybody who wants pure, unadulterated, non-thought-provoking fun for a quick hour-and-a-half.

7.5 / 10 = Rental!!

Yeah, you heard me! MUTHAFUCKA!

Yeah, you heard me! MUTHAFUCKA!

Photo’s Credit to: IMDBColliderJobloComingSoon.net