Now how much is a red cup going to cost?
Before they became pals working at Monsters Inc., Sully and Mike (John Goodman and Billy Crystal) were just your ordinary college student. They were young, ambitious, hopeful, happy, and willing to allow anything to happen, just as long as they finally had a chance to get their dream job. However, what some may be surprised about is that they weren’t friends right from the beginning and actually found more things to dislike about each other, than actually like. But through certain bits of challenges and obstacles, they will come together to realize who’s scarier, who’s wiser, and why they don’t like each other in the first place. Oh, and it’s also at a college so mind you; there may be some underage drinking involved.
Ending on the note that Monsters, Inc. did back in the day, it’s an honest surprise that they didn’t go forward with the sequel instead. We do like these characters and we would like to visit them again, but does it really have to be a prequel, especially one that takes place on a college-campus? I didn’t think so, but Pixar seems to really be scrounging the Earth for ideas, so it’s no surprise they re-hashed something that they knew would win over the older-crowd that still gives them money, day-in-and-day-out, thinking that they’re going to see the next Wall-E or Toy Story; as well as the new crowd that’s probably expecting something like Brave.
Those youngsters. What silly little creatures they truly are.
“Dammit, Mikey! Don’t you dare mention the name “Boo”. She doesn’t even exist yet!”
However, I loved these guys so much in the first place that I wasn’t so depressed in seeing them when they were younger, more hopeful monsters, but at the same time, I wish the movie did more with the idea/premise. Basically, it’s just Revenge of the Nerds/Animal House, but with Pixar, so hold all of the f-bombs, the kegs, the nudity, the hardcore partying, drugs, sex, and pretty much everything else you’d come to expect and see with college, or a movie that revolves around college. That said, it’s a kids movie so I can’t complain about how mild and tame the material is, but I can complain about how unfunny the idea plays-out, which is a major bummer because Pixar has been known to take something, anything familiar to the common-brain and spin in it on it’s own head, with their own smart way. Sadly though, this wasn’t one of those “smart ways”.
The movie gets you with a couple of chuckles here and there, mostly through random references you may or may not catch, but overall, it’s a pretty dry experience. Nothing with this humor catches you off-guard like Pixar has been known to do, and is a lot more slapstick-y than it has been in recent years, mainly to get the kiddies laughing and happy. Which, once again, is dandy and fine, but what are the parents supposed to do? Just sit there in near-misery as their kiddie-bops laugh their rumps off by some monsters falling down a flight of stairs? Well, I guess so, but knowing Pixar the way that I do and sticking by them for as long as I have, I’ve come to expect more from them and know that they are about making the little tikes laugh, but also the older-peeps that brought them to the theater as well. Plenty of kids were howling like crazy at my screening, but the adults that surrounded me couldn’t really go along as it was just for them, and nobody else.
Poor parents. You deserve better. Except for when those innocent children all turn 14, then you’re dead to them!
But where Pixar really picks up the slack in is with it’s heartfelt message that is usually supposed to make the kiddies think, and touch the parents as if they were little ones as well. Actually, you could even go so far as to say that it’s Pixar’s strong-suit: if the comedy doesn’t work, get them long and hard with a message for everybody all over the globe to listen and feel something towards. However, what separates this flick from those others is that it’s message does not seem to really click with me as much as I would have expected, and I don’t know if that’s the flicks fault, or of my own.
Basically, the message is that all kids should not really set their standards too high, because if you live life long enough, you know that all of your dreams aren’t going to come true, but to also still settle for mediocrity. Personally, I believe that telling a kid that they should not believe in their hopes and dreams is bullshit because they’re kids and what else are they going to dream about, and also, I think telling them to settle for any sort of mediocrity is just plain and simply wrong. When the kids become older and begin to realize that the world isn’t going to hand them everything they want on a silver platter with a cherry on top, then I would say is the time to let your dreams go away and settle for whatever you can get. But when you’re a kid, and just about anything is possible, with your whole, bright future ahead of you, then I think you should stick to your guns, live the wild and young life you want to live, and if it doesn’t pan out the way you want it to, then big deal. Just don’t get yourself down when and if it does in fact happen.
However, that’s just me though, so maybe other parents want their kids to think the way this movie is telling them to. If that’s the case, it’s their prerogative, but mine is that kids should be themselves and be able to keep their dreams afloat, regardless of what the real world tells them is reality. Hey, I was a kid once too, and I had dreams. They sure as hell weren’t to become a movie critic of sorts, but they were dreams that I at least went for until I realized they had gotten too far for me to even grasp. That’s just the reality of the situation, but I can understand why some parents wouldn’t want their own kids having to go through with that themselves. Call it “babying”, call it what you will. It’s just life, man.
“I pledge to scare the shit out of every boy and girl in the world.”
No matter how far into mediocrity this flick went, the glue holding it all together was Sully and Mike, voiced terrifically once again by Billy Crystal and John Goodman. Together, they make a great team and even though I don’t fully believe their obviously-adult voices as ones of college freshman, I was still able to enjoy myself and be reminded of what these guys were like in the first movie (which still ranks as one of my favorites as a kid, and still holds up for me, believe it or not). They’re fun to watch together, by how different and alike they are, but also by how they come together in ways that are believable and easy to understand, especially when you know what these guys are at the beginning of the first movie. I didn’t need to see these characters on the big-screen, but it wasn’t such a bad trip down memory lane once more.
Steve Buscemi also returns as Randy, who actually has an odd twist here that makes you understand why he is the way he is in the original; Helen Mirren plays up her “ice queen”-act as Dean Hardscrabble, the one and only monster who holds the all-time record for most scares, ever; Nathan Fillion is awesome and bad-ass, even with his voice, as Johnny, the head brother of the biggest fraternity on campus; and Joel Murray does an effective job as the older, but equally as goofy member of the frat, Don, who shows some chops for comedic-timing. And trust me, there is plenty, plenty more recognizable voices, and even some faces (I’m talking about the actual characters), that you’ll hear and/or be happy to see.
Consensus: Despite not being a flick we really needed to see after the original ended so perfectly almost a decade ago, Monsters University is still a pleasant, enjoyable movie for the family, but seeing as this is Pixar and knowing what it is that they can do with their originality, it does come as a bit of a disappointment, especially for most die-hard fans, if there are such people.
6 / 10 = Rental!!
Like us, Mike Wazowski too dreams of having the greatest time of his life in college and getting that one job he oh so desires when he leaves. But this is 2013, and those dreams and hopes of a college freshman have all been dashed by now. Sorry, Mikey.