Honestly, real-life creepy clowns are creepier.
Derry, Maine is just like any other small-town in America. Quiet, quaint, and yes, quite a lovely little place. But look a little bit deeper, and there’s some true darkness lying underneath. And said darkness begins to show up more and more when kids randomly start disappearing left and right, without any signs of how, why, and where they may even be. Some kids believe it’s just kids being kids and getting lost somewhere in the woods, but for a select-few of other kids, they think it’s the one, the only, the infamous, and the incredibly dangerous Pennywise (Bill Skarsgård), who lurks somewhere in the sewers, luring little children with his evil, magical powers. And the few kids who do see Pennywise, are quite screwed-up and don’t really know what to do with it, mostly because they’re too busy figuring out their own lives. For instance, there’s Bill, (Jaeden Lieberher), who has a stuttering problem; Ben (Jeremy Ray Taylor), the chubby kid who’s also new to town; Beverly (Sophia Lillis), a gal who’s daddy may have a serious problem touching her; Richie (Finn Wolfhard), who enjoys making fun of every situation; Eddie (Jack Dylan Grazer), who’s a germophobe, but maybe because his mom only tells him he is; Mike (Chosen Jacobs), who seems to be the only black kid in town and is constantly bullied for it; and Stanley (Wyatt Oleff), who’s Jewish faith continues to guide him in his life. Together, they’ll try to stop Pennywise, once and for all.
Nothing bad’s ever on a old-school Super 8 flick.
The reason why It works so well beyond many other Stephen King adaptations is because it hints at something truer, something meaner, and something darker than just what we see. See, in It, this new adaptation, while Pennywise is no doubt the true evil and scary-being here, it’s really other elements like rape, incest, murder, racism, and even time itself that seem to be the true evils. Like mostly all of King’s work, It shows us that the truest evils aren’t just ghouls an ghosts, but more or less, life and how it can be ruined by just some of the most dangerous and disturbing people imaginable.
But yeah, also killer clowns.
Still though, what works about It is that it’s not afraid to go the extra distance to get as dark and as disturbing as it wants. Director Andy Muschietti seems to know that the key-element to making material like this is not holding back and going as far as one can go with a hard-R rating. Meaning, we get a lot of blood, gore, cursing, nudity (sort of), and oh yeah, kids in peril. In fact, there’s so many moments of kids in peril here that it literally felt like another 80’s flick (and it probably wasn’t helping that one of the kids from Stranger Things is also here).
But it all actually works. As much as the movie wants to rely on the good old nostalgia of the small-towns from the 80’s, it also wants to terrify the hell out of us and with Pennywise, and with practically everything else Muschietti throws at us, it gets the job done. Granted, a lot of it can tend to be a bit over-bearing, obvious, and oh yeah, predictable, but for a horror flick that’s nearly two-hours-and-15-minutes and not feeling like a second of it, it’s nice to have around. It helps that the movie’s constantly tense and trying out new ways to creep us out, but yeah, the movie works where most horror movies nowadays don’t.
It gets the scares right, the characters right, and above all else, the villain right.
Sure he’s fine. Wherever he may be….
And as Pennywise, Bill Skarsgård is pretty scary. While Tim Curry’s original portrayal will forever stand the test of time, his take was a bit different; whereas Curry’s was far more campy and over-the-top, for comedic-effect, Skarsgård’s is meant to be more dangerous and absolutely unimaginable. He’s not supposed to show up watering the plants, or cracking dumb puns, but instead, biting the arms off of five-year-old children (which is something he does in the first ten minutes). It’s a solid portrayal that, depending on where this franchise goes, will be interesting to see how it all changes.
Same goes for the rest of the cast who, for now, are all very good at what they do. Sure, no one really stands out from the rest of the crowd, considering that they’ve all got a great deal of development and personality to help them get by, but the fact that they all were discernible from one another and had something going on in their lives, worked and mattered. The movie actually goes out of its way to show us more to these kids than just a bunch of wise-cracks about mullets and Molly Ringwald – like you or I were at their age, they’re vulnerable, scared, and absolutely terrified. You could say of the creepy clown that seems to be following them everywhere they go, but also of growing up and whatever other depravities the future holds out for them.
And yeah, I look forward to seeing the next part of their lives’ journeys. Because, of course, there’s going to be more of this. Don’t be naive.
Just give in and float away.
Consensus: With the unrelenting willingness to go to deep, dark places that most horror movies are afraid to even step near, the latest re-imagining of It works because it doesn’t forget to remain faithful to the source material, but to also the smart, solid, and somewhat terrifying scares that are much needed.
8 / 10
If he’s got candy, I’m interested.
Photos Courtesy of: Aceshowbiz